Poucet is a kid from a family of numerous children. The parents, too poor to feed them, decide to abandon them in the forest. Their, the brothers try to find their way out making fantastic ... See full summary »



(story "Le Petit poucet"), | 1 more credit »


Cast overview, first billed only:
Nils Hugon ...
Raphaël Fuchs-Willig ...
Pierrot (as Raphaël Fuchs)
William Touil ...
Pierre-Augustin Crenn ...
Théodule Carré-Cassaigne ...
Hanna Berthaut ...
Rose, la fille de l'ogre
La mère de Poucet
Pierre Berriau ...
Le père de Poucet
Dominique Hulin ...
La femme de l'ogre
Le soldat à la jambe de fer
La reine
Le chef de troupe
Le soldat mourant
Carlo Brandt ...
Le cavalier


Poucet is a kid from a family of numerous children. The parents, too poor to feed them, decide to abandon them in the forest. Their, the brothers try to find their way out making fantastic encounters. This film is based on the French fairy tale "Le petit poucet" by Charles Perrault. Written by marylinep

Plot Summary | Add Synopsis


Family | Fantasy | Drama


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Release Date:

17 October 2001 (France)  »

Also Known As:

Hüvelyk Matyi  »

Box Office


FRF 67,000,000 (estimated)

Opening Weekend:

$1,832,499 (France) (19 October 2001)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:



| (Duboicolor)
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Did You Know?


Never released theatrically in the United States. See more »


Version of Pulgarcito (1958) See more »


La Lune Brille Pour Toi
Written by Olivier Dahan and Joe Hisaishi
"Close your Eyes" - English adaptation by Paul Breslin
Performed by Vanessa Paradis
See more »

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User Reviews

A Fairy Tale Done Properly!
20 March 2004 | by (Tasmania) – See all my reviews

Did you know that before Victorian moralists got to it, the wicked sisters in 'Cinderella' had their their toes and heels cut off in order to fit into the slipper?

Fairy Tales are supposed to be intense and often truly frightening, not just placating and cute. They once performed an important psychological role in helping children through difficult transitional issues. Is it just coincidence that since we have sanitised these children's stories, there is a massive demand for ADULT horror stories?

Forgive the preamble, but it seemed necessary to explain why the 2001 French production of 'Tom Thumb' is not an aberration, but more of a return to roots. In 'Tom Thumb', the Ogre is genuinely terrifying; there is real poverty, heartbreak, death and oh yeah, a fair bit of oedipal stuff, which is also totally traditional.

Don't be scared off, though. 'Tom Thumb' isn't THAT gruesome. I think such reactions merely stem from the fact that we're accustomed to fairy tales being Disneyfied to the point of absurdity.

'Tom Thumb' is colourful, atmospheric and gripping. There are moments of real desolation, excitement, fear and enchantment. Nearly all of the scenes are shot in studio sets using backlit backdrops, creating a sense of super-reality, saturated with wild colours. In fact, ironically, the use of colour in 'Tom Thumb' is very cartoonish. The Ogre's castle appears against a blood-red sky. At other times the sky is saturated with intense mixtures of colour which nuance the emotion of the scenes. It is often, quite simply, beautiful. At other times it is richly atmospheric and brooding.

I can't think of anything bad to say about 'Tom Thumb'. The French have a real knack of turning out children's films, and films about children, which are genuinely magical to an adult audience (check out 'The City of Lost Children', for instance).

A strong 8 out of 10, and bravo!

14 of 14 people found this review helpful.  Was this review helpful to you?

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