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Laughter on the 23rd Floor (2001)

R | | Comedy | TV Movie 26 May 2001
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Nominated for 1 Primetime Emmy. Another 1 win. See more awards »

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Cast

Credited cast:
...
...
...
Ira Stone
...
Milt Fields
...
Harry Prince
Kristi Angus ...
Darlene Drew
Ardon Bess ...
Cecil
Colin Fox ...
Cal Weebs
...
Faye
Frank Proctor ...
Rest of cast listed alphabetically:
...
Lucus Brickman
...
Cal's Secretary
Robert Bidaman ...
Brad
Ian D. Clark ...
Doctor
...
Dennis
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Storyline

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Taglines:

TV's top comic has everything. Except his sanity.

Genres:

Comedy

Motion Picture Rating (MPAA)

Rated R for language | See all certifications »
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Details

Country:

|

Language:

Release Date:

26 May 2001 (USA)  »

Also Known As:

Most Original Comedy  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

| (archive footage)|

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

"The Max Prince Show" is based on Your Show of Shows (1950). It was broadcast between 1950 and 1954. See more »

Goofs

Ira's last name is Chuvney in the film, Stone in the credits. See more »

Quotes

Max: All I'm saying is, sometimes you gotta take a stand against the bastards.
See more »

Connections

References Julius Caesar (1953) See more »

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User Reviews

What happened to the play? Elevator did not reach floor 23...
3 April 2002 | by (United States) – See all my reviews

Neil Simon's play "Laughter on the 23rd Floor" centered on the relationship between a 1950s television comic (based on Sid Caesar and his staff of writers, who worked out of the 23rd floor of a midtown building in Manhattan. This group would talk, confide, fight, and go for each others' throats if the situation - however absurd - warranted it. Underneath the zaniness, hostility or any dilemna, however, was a shared love and talent for creating sketch comedy. And it was this talent that bonded writers and comic together and, when all smoke cleared, made them realize that they did in fact care for what they did, and for each other. Max Prince (the Sid Caesar model), and his writers. The writers and Max Prince. He needed them, they needed him. Together they needed comedy. This play was indeed a fine ensemble. Every character is defined. None are short-changed in depth. Would have been a novel approach for the film. Understandably, a film version of a stage script needs some change and adaptation so as to not be a confined, filmed play. When this transition goes so far afield, however, changing the intention and focus of the original piece, there seems to be no point in adapting it to film at all. The film "Laughter on the 23rd Floor" plays like a sequel to an original that was never made (like maybe the play?) The film focuses on Max Prince's relationships with virtually everyone (including his dead parents in a cemetary scene), EXCEPT the writers. Characters who were not even in the play become the main supporting cast, while the writers are left as incidental characters. Considering those who are playing the writers - Victor Garber, Mark Linn-Baker, Saul Rubinek, Dan Castellaneta, among others - a fine pool of talent is genuinely squandered, with nothing to do except occassionally react to and comment on the changing state of The Max Prince show. As a result, when Max makes the heartfelt statement that his writers mean everything to him, the point is lost, because there has been little interaction with them A more fitting title for this film would be "The Travels and Travails of Max Prince". Why this instead of "Laughter on the 23rd Floor"? Because Max hardly spends any TIME on the 23rd floor!


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