Eugene, a young teenage Jewish boy, recalls his memoirs of his time as an adolescent youth. He lives with his parents, his aunt, two cousins, and his brother, Stanley, whom he looks up to ... See full summary »
Eugene and Stanley Jerome try to break into show biz as comedy writers while their parents' marriage ends. When the boys' material is broadcast on radio, the family hears their private life played for laughs.
Musical dancer on the way out (at 36) Paula McFadden had it swell with actor Tony DeSanti, but instead of taking her to Hollywood he gets a European movie part. He even sublets their (his) ... See full summary »
Hallie Kate Eisenberg
Live, original comedy originally featuring Sid Caesar and Imogene Coca. Carl Reiner and Howard Morris joined the show later. Two of the great skits on the show were "The Hickenloopers", a ... See full summary »
On one day at an English Hotel, four different stories are shown. Diana is in London to promote her Television Series and her ex-husband Sidney shows up to ask her for money for his gay ... See full summary »
Ira's last name is Chuvney in the film, Stone in the credits. See more »
[Ira has written "I Have A Brain Tumor" on the wall]
Is that gonna wash off?
Don't you care what might happen to me.
First let's discuss what happened to my wall. Is that gonna wash off?
I don't think so. It's a permanent marker.
If that doesn't wash off, you will DEFINITELY have a brain tumor.
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This is really a 3rd rate, made-for-television mess. First of all, there is NO 'Laughter on the 23rd Floor' or any other floor - and for a Neil Simon play that is shameful. Nathan Lane is, Nathan Lane, a short loud mouthed Jackie Gleason sounding caricature of Sid Caesar during Sid's Show of Shows era. It's supposed to be manic and inspired, but it's just loud and pointless. All the reviews here seem to imply that a great cast of fine character actors stood behind Lane and help boost the show along I don't buy that at all. None of the assorted 'fine character' actors helped anything, all their words and actions are forced to the point of being painful, their lines were very poorly delivered and none of them were believable for even one second for which I blame director Richard Benjamin. An almost insulting attempt at adding substance to this train wreck is the tossing in of Edward R. Morrow's legendary Joe McCarthy Show underneath and in between the overacting of Lane's lemming running toward the sea character. Then it's all tossed aside for a nice tidy and gutless ending My mother could write better than this. The one, single redeeming element in this claptrap is the very deftly played character of Lane's brother (Harry Price) played by character actor Richard Portnow. None of the other reviews even mention this guy but his is the ONLY performance worth a plug nickel in the whole show - everybody is running around frantically overacting their asses off to keep up with Lane and this guy steals the whole film out from underneath them with a quiet nod and a sheepish grin. If for some reason you feel compelled to waste your time watching this Don't take your eyes of off Portnow, he is the ONLY reason to sit through it!
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