Joaquin (Polo Ravales), an unassuming fisherman, is forced to confront his homosexuality when his sex-starved wife Cynthia (Althea Vega) returns from her overseas job eager to get pregnant.... See full summary »
Felix is secretly in love with Ralph. This doesn't seem to be the biggest problem. But Felix is 15 and Ralph his 34 years old soccer coach. They meet every day in an ambush. One day Felix ... See full summary »
Fernando, a.k.a. Fernanda, a 19-year-old Brazilian transvestite, travels to Milan and becomes a prostitute to finance sex-change surgery. Fernanda dreams of becoming a "real" woman, but in ... See full summary »
Ingrid de Souza,
Bo is a transexual prostitute in Brussels who left home after being abused by her father. She's now in an abusive relationship with a neighbor and suspected by the police in a series of ... See full summary »
Hedwig, born a boy named Hansel in East Berlin, fell in love with an American G.I. and underwent a sex-change operation in order to marry him and flee to the West. Unfortunately, nothing worked out quite as it was supposed to - years later, Hedwig is leading her rock band on a tour of the U.S., telling her life story through a series of concerts at Bilgewater Inn seafood restaurants. Her tour dates coincide with those of arena-rock star Tommy Gnosis, a wide-eyed boy who once loved Hedwig... but then left with all her songs. Written by
Mike Potter, who did Hedwig's hair and makeup for both the stage production and the movie, can be seen in drag in the scene where Tommy picks Hedwig up off the street, as the second call girl leaning against the wall. He was given the drag name "Renatta Options Options" by John Cameron Mitchell. See more »
During the opening sequence, Hedwig's hair jumps about between shots. See more »
After my divorce from Luther I scraped by with baby-sitting gigs and odd jobs - mostly the jobs we call blow. I had lost my job at the base PX, and I had lost my gag reflex. You do the math.
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A gem in the heap of garbage called "American film"
Without gushing, I think that this is the best film to come out of the US in several years. This is the type of movie which demands repeated viewing, and reveals itself a little each time. I'm surprised that the genius of this film didn't receive more accolades at the time, but I attribute that to the socially acceptable restraints of the mass culture.
Absolutely perfect production from top to bottom, makes you laugh out loud... then tears your heart out & puts it back in again. Multi layered & symbolic throughout.
Songwriting by Stephen Trask is sublime. But how the hell can a clown like Eminem get an Oscar & this guy was virtually ignored?! Sickening thought. Cameron Mitchell must have been born for this part... a brave & charismatic perf.
This movie achieves everything that "Velvet Goldmine" (yuck) could not... in a fraction of the time.
Anyway, anyone who's got a little freak in them will love this movie. And those who don't "get it" should be content watching the rest of American mass market trash cinema.
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