Nelson Mandela, in his first term as the South African President, initiates a unique venture to unite the apartheid-torn land: enlist the national rugby team on a mission to win the 1995 Rugby World Cup.
In 1964, a brash new pro boxer, fresh from his olympic gold medal victory, explodes on to the scene, Cassius Clay. Bold and outspoken, he cuts an entirely new image for African Americans in sport with his proud public self confidence with his unapologetic belief that he is the greatest boxer of all time. To his credit, he sets out to prove that with his highly agile and forceful style soon making him a formidable boxer who soon claims the heavyweight championship. His personal life is no less noteworthy with his allegiance to the Nation of Islam, his friendship with the controversial Malcolm X and his abandonment of his slave name in favour of Muhammad Ali stirring up controversy. Yet, at the top of his game, both Ali's personal and professional lives face the ultimate test with the military draft rules are changed, making him eligible for military induction during the Vietnam War. Despite the fact that he could easily agree to a sweetheart deal that would have meant an easy tour of ... Written by
Kenneth Chisholm <firstname.lastname@example.org>
Chicago's Northwest Armory, at 1551 North Kedzie Avenue, doubled as both New York's Audubon Ballroom backstage and Houston's induction center. The wall to the left as Malcolm X walks down the hallway moments before his death is the opposite side of the wall on the viewer's right when seeing Ali on the drill floor refusing induction. The wall at the end of the hallway and the door through which X walks were constructed for the film, as was the trim around the supply room doors along the side. Unusual for films, the travel through the induction sequence accurately depicts the same building's exterior and interior; the cars pull up in front of the armory on the Kedzie side, the actors walk through the Kedzie foyer, and onto the drill floor, consistent with the building's actual layout. The drill floor was also featured in the video for R. Kelly's 'I Believe I Can Fly'. See more »
In the scene where Ali, Bingham, and Belinda are watch the Frazier-Ellis fight, the fight is in black and white in one shot and color in a later shot when Frazier wins. See more »
[in an interview about a possible title fight with Joe Frazier]
But if I ever was to get in the ring with Joe, here's what you might see. Ali comes out to meet Frazier, but Frazier starts to retreat. If Joe back up an inch farther, he'll wind up in a ringside seat. Ali swings with his left. Ali swings with his right. Just look at the kid carry the fight. Frazier keeps backin', but there's not enough room. It's only a matter of time before Ali lowers the boom. Ali swings with his right. What a ...
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The Columbia Pictures logo rolls backwards. See more »
Well, if you went to Ali to see an boxing movie you might have been disappointed, but if you went to see a great film you hit the mark. The hype was due. A conglomerate of great acting, great direction, and a great story has made Ali a landmark film. This film is socially important because it raises up one of the most notable and underappreciated figures of the twentieth century, Ali. Many considered Ali just a boxer with a big mouth, but this film finally exposes him for what he truly was, one of the greatest civil rights leaders of our time. The film makes subtle but amazingly-done comparisons between Ali and other civil rights leaders, notably Malcolm X, and Dr. Martin Luther King, Jr., and highlites Ali's influence with theirs. This theme is climaxed in the beautiful scene of Ali (Will Smith) running down streets in Africa with local chidren chanting his name. At this moment in the film, we understand as viewers that Ali did not fight for fame or fortune, but he fought for his rights and the rights of all black people in the United States and the world. No other film has exhalted Ali's influence in such a way. It was beautifully done. Ali will become one of my favorite films of all time, and I believe will be remembered years from now as the crowning achievement of both the main actor and the director. I applaud their efforts
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