A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
In 1964, a brash new pro boxer, fresh from his olympic gold medal victory, explodes on to the scene, Cassius Clay. Bold and outspoken, he cuts an entirely new image for African Americans in sport with his proud public self confidence with his unapologetic belief that he is the greatest boxer of all time. To his credit, he sets out to prove that with his highly agile and forceful style soon making him a formidable boxer who soon claims the heavyweight championship. His personal life is no less noteworthy with his allegiance to the Nation of Islam, his friendship with the controversial Malcolm X and his abandonment of his slave name in favour of Muhammad Ali stirring up controversy. Yet, at the top of his game, both Ali's personal and professional lives face the ultimate test with the military draft rules are changed, making him eligible for military induction during the Vietnam War. Despite the fact that he could easily agree to a sweetheart deal that would have meant an easy tour of ... Written by
Kenneth Chisholm <firstname.lastname@example.org>
As the project lay in "development hell" for more than a decade, several directors attempted to make the film until Michael Mann was finally chosen. The list included: Oliver Stone, Spike Lee, and Norman Jewison. Oliver Stone was commissioned as the project's director at one point. Stone's very first choice for the role of Muhammad Ali was Denzel Washington. However, when Washington signed on to another boxer biopic, The Hurricane (1999), Stone opted to instead make Any Given Sunday (1999). "The Hurricane" was made by Norman Jewison in the end. See more »
When Ali and Liston are getting weighed, one of the people takes a photo using a Canon EOS, a camera not made in the '70s See more »
That's How It Feels
Written by Bobby Womack and Don Covay (as Donald Covay)
Performed by The Soul Clan (as Soul Clan)
Courtesy of Atco Records/Elektra Entertainment Group
By Arrangement with Warner Special Products
Published by Cotillion Music, Inc. and Rag Mop Music Corp.
Administered by Warner-Tamerlane Publishing Corp. See more »
Average movie. What was best in this film (and that was really good) was the Sound, The Soundtrack and the Camera. All of these where at least worthy of a nomination, if not more.
On the contrary, the screenplay was totally lacking (I think the Director knew this, hence the very frequent and prolonged musical interludes...) and the dialogs empty, somehow incomplete. In spite of another great performance by Will Smith, the characterization is also sketchy to say the least, we never really get to understand the main characters, their motivations, the reasons for their actions, and therefore can never really identify. All in all, the movie feels superficial, there is no real 'depth' to it. Younger audiences who are not familiar with the actual occurrences 30 years ago will be totally at a loss watching this film. I must say that even I was lost at times (and I actually lived during the period).
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