A drama series that takes a darkly comical look at members of a dysfunctional California family that runs an independent funeral home.

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2005   2004   2003   2002   2001  
Top Rated TV #70 | Won 3 Golden Globes. Another 54 wins & 162 nominations. See more awards »

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Cast

Series cast summary:
...
 Nate Fisher (63 episodes, 2001-2005)
...
 David Fisher (63 episodes, 2001-2005)
...
 Ruth Fisher (63 episodes, 2001-2005)
...
 Claire Fisher (63 episodes, 2001-2005)
...
 Federico 'Rico' Diaz (63 episodes, 2001-2005)
...
 Keith Charles (63 episodes, 2001-2005)
...
 Brenda Chenowith (63 episodes, 2001-2005)
...
 Vanessa Diaz (42 episodes, 2001-2005)
...
 Billy Chenowith (31 episodes, 2001-2005)
Brenna Tosh ...
 Maya Fisher / ... (30 episodes, 2003-2005)
Bronwyn Tosh ...
 Maya Fisher / ... (30 episodes, 2003-2005)
...
 George Sibley (27 episodes, 2003-2005)
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Storyline

A drama series that takes a darkly comical look at members of a dysfunctional family that runs an independent funeral home. With the prodigal elder son (Nate) returning home for the holidays to shattering news, the family must learn to deal with a death of their own, while figuring out how to go ahead with the business of the living. A funny and emotional look at a grieving American family...that just happens to be in the grief management business. Written by <Laffz00@aol.com>

Plot Summary | Add Synopsis

Taglines:

Every Day Above Ground Is A Good One. See more »

Genres:

Comedy | Drama

Certificate:

TV-MA | See all certifications »

Parents Guide:

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Details

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Language:

Release Date:

3 June 2001 (USA)  »

Also Known As:

Dva metra pod zemljom  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(63 episodes)

Sound Mix:

Color:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

According to Brett Martin's 2013 book Difficult Men: Behind the Scenes of a Creative Revolution: From The Sopranos and The Wire to Mad Men and Breaking Bad, HBO only gave Alan Ball one note (criticism) on the pilot episode, which was: "we love the characters. We love the story, but the whole thing feels a little safe, Can it be more fucked up?" In response, the episode three sequence in which Claire steals a foot from the morgue was written. See more »

Quotes

[holding picture]
Nate: There's something weird about twins, about these twins anyway.
[shows picture to Brenda]
Brenda: They're cute.
Nate: They smell like bananas.
See more »

Connections

Referenced in Showboy (2002) See more »

Soundtracks

Six Feet Under (Original Main Theme)
Written by Thomas Newman
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Frequently Asked Questions

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User Reviews

Raw, personal conflict was never so mesmerizing
22 August 2005 | by (United States) – See all my reviews

Six Feet Under is meticulous, beautiful, daunting, and powerful. One way or another, it will connect with you, perhaps in places you didn't expect and aren't willing to expose. At times wrenching, at other times cathartic, but always staring back at you knowingly, this show stands head and shoulders above the advertising-driven fare that clogs network TV with mediocrity, token minorities, and jarring commercial breaks. It changed the way I view television, and I recommend it to anyone who's tired of the same old crap.

After watching the series finale (which I won't spoil, don't worry), I sat in bed, unable to sleep. After poring over everything I'd seen over the past season, it struck me that SFU is the most raw and personal television show I've ever seen. Even more, there are no stand-alone episodes for easy syndication. Every single installment is part of a huge puzzle, or a few more miles on the Fisher family's road. I've always found Peter Krause to be a disappointingly flat performer, which is unfortunate because his character anchors the show, but the other actors are often transcendent. Regardless, every one of them radiates with a sometimes painfully familiar pathos. The cinematography is also staggering sometimes, taken from film rather than typical 3-camera TV work. If that's not enough, the music they choose to score the episodes is almost symbiotic; it seems ingrained into the film itself, even when you know it was just licensed.

This is not really a family-friendly show, though, encompassing profanity, nudity, violence, drug use, "alternative lifestyles" ... So in other words, it's just like real life. And despite the interpersonal conflicts that fuel the narrative to the point of melodrama, the show isn't afraid to pause every once in a while and let the show communicate without dialogue.

I feel very gratified to have watched SFU, and I've never felt that way about any other show in the almost-27 years I've been alive. Hopefully it will start a trend, if only on premium cable.


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