When Marine Nicolas Brody is hailed as a hero after he returns home from eight years of captivity in Iraq, intelligence officer Carrie Mathison is the only one who suspects that he may have been "turned".
Sean McNamara and Christian Troy are two plastic surgeons running a partnership in Miami, Florida with different issues to life. Sean is a wishy-washy, weak-kneed, family man who distances ... See full summary »
A drama series that takes a darkly comical look at members of a dysfunctional family that runs an independent funeral home. With the prodigal elder son (Nate) returning home for the holidays to shattering news, the family must learn to deal with a death of their own, while figuring out how to go ahead with the business of the living. A funny and emotional look at a grieving American family...that just happens to be in the grief management business. Written by
Nikolai's flower shop actually is a real flower shop at 14325 Ventura Blvd and was once a gas station. It was in fact the gas station that James Dean filled up at the day he left out of town on his way to the crash that would kill him (there is a color photo of him at the station about to get back behind the wheel in fact). See more »
[on the phone]
Fine, I'll do the crappy Kids Choice Awards, but I'm not presenting with Hilary fucking Duff.
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Six Feet Under is meticulous, beautiful, daunting, and powerful. One way or another, it will connect with you, perhaps in places you didn't expect and aren't willing to expose. At times wrenching, at other times cathartic, but always staring back at you knowingly, this show stands head and shoulders above the advertising-driven fare that clogs network TV with mediocrity, token minorities, and jarring commercial breaks. It changed the way I view television, and I recommend it to anyone who's tired of the same old crap.
After watching the series finale (which I won't spoil, don't worry), I sat in bed, unable to sleep. After poring over everything I'd seen over the past season, it struck me that SFU is the most raw and personal television show I've ever seen. Even more, there are no stand-alone episodes for easy syndication. Every single installment is part of a huge puzzle, or a few more miles on the Fisher family's road. I've always found Peter Krause to be a disappointingly flat performer, which is unfortunate because his character anchors the show, but the other actors are often transcendent. Regardless, every one of them radiates with a sometimes painfully familiar pathos. The cinematography is also staggering sometimes, taken from film rather than typical 3-camera TV work. If that's not enough, the music they choose to score the episodes is almost symbiotic; it seems ingrained into the film itself, even when you know it was just licensed.
This is not really a family-friendly show, though, encompassing profanity, nudity, violence, drug use, "alternative lifestyles" ... So in other words, it's just like real life. And despite the interpersonal conflicts that fuel the narrative to the point of melodrama, the show isn't afraid to pause every once in a while and let the show communicate without dialogue.
I feel very gratified to have watched SFU, and I've never felt that way about any other show in the almost-27 years I've been alive. Hopefully it will start a trend, if only on premium cable.
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