Nate and Brenda's daughter Willa is born, but 2 months early and at only 2 lb. 4 oz., requiring a prolonged hospital stay. Nate is convinced she won't make it and insists that he can't accept it if ...
A New Jersey mob boss, Tony Soprano, deals with personal and professional issues in his home and business life, which affects his mental state and leads him to seek professional psychiatric counseling.
Nathaniel Fisher, his wife Ruth, and their children David and Claire run a small funeral business that offers the best care to be found anywhere close by. Prodigal son Nate Jr. arrives home for Christmas just as his father is killed by a bus, and has to stick around when he and David are willed the funeral service together. How does a family who helps others deal with grief deal with its own? Written by
The pilot episode features several spoof commercials for funeral homes and products. This was intended to be a recurring feature throughout the series but was dropped after the first episode. See more »
Entrancing, confronting, charming, absolutely mindbending. Feels like an insult to call it television
And I rarely even watch television. I'm a book person.
Not since the "X-Files" has a TV show been so intriguing. Every time I watch an episode, I am struck back be depth of storyline, the intricate characters and the left-of-the-middle storytelling. I literally cannot control myself from discussing each new episode with (bored) family members.
SFU is a very introverted show - it resembles more a book or play than television. While the latter is extroverted and relies on events happening to characters (eg: the overboard emergencies of ER or the romances in soaps) to carry the story, Six Feet Under wants to communicate the deepest feelings and ideals of the people on screen. As a result, it not only stimulates the mind but also helps us analyse ourselves.
In the hands of any other creators, this would make for a very dull hour of suburban spirituality, but Allan Ball's menagerie of ghosts, (past characters influencing the present) trippy daydream sequences, surreal atmosphere and some wicked black humour make for a very entertaining show and sell what would otherwise be a marketing disaster to the masses. On top of that, every component from acting to directing to screenplay is flawless. (the dead boy's ghost in "a private life" still chills me to the bone).
Most, of all I admire the characters: some of the most complex and enchanting creatures ever to grace the idiot box. After a few episodes, they feel like a second family.
While I do have my complaints about the amount of obscenity, (I can swear that sometimes the writers want to offend us just for fun) I have to give my show the highest commendations. There are, of course, moments when I feel like throwing my chair at the television, but that is simply the consequence of watching a show that challenges me, rather than offer cheap amusement.
SFU may take a while to get into, but the rewards are bountiful.
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