In this notorious Nazi propaganda historical costume melodrama, a conniving, ambitious Jewish businessman, Süß Oppenheimer, snares a post as treasurer to the Duke of Wurttemburg by ... See full summary »
A homeless man named Rothchild is mistaken for a member of the wealthy Rothschild banking family. An unscrupulous banker makes him a bank president as part of a scheme to defraud depositors and investors.
This Nazi propaganda film attempts to justify the invasion of Poland--and thus the start of World War II--by "showing" how the ethnic Germans in Poland were were discriminated against and ... See full summary »
This Nazi propaganda film tells the story of a young truck driver who is having trouble making ends meet until he is exposed to the teachings of Adolf Hitler, and he joins the S.A., aka ... See full summary »
This Nazi propaganda film purports to show the story of a Nazi Storm Trooper named Horst Wessel--here called "Hans Westmar"--who took part in street brawls and assassinations in Berlin in ... See full summary »
The Jews of Poland (invaded by Germany in 1939) are depicted as filthy, evil, corrupt, and intent on world domination. Street scenes are shown prejudicially, along with clips from Jewish ... See full summary »
During Napoleon's victorious campaign in Germany, the city of Kolberg gets isolated from the retreating Prussian forces. The population of Kolberg refuses to capitulate and organizes the ... See full summary »
This is one of Nazi Germany's most vicious antisemitic films. It was released in 1940, the most antisemitic year movie-wise throughout the entire Nazi era with Veit Harlan's Jud Süss and Fritz Hippler's and Joseph Goebbels' Der ewige Jude being released later the same year. Die Rothschilds is not nearly as notorious as the other two films but still the antisemitic message is crystal clear. In the final episode the protagonist, Nathan Rothschild, draws lines on an imaginary map of Europe from London to Vienna to Napoli to Frankfurt to Jerusalem to mark cities under Jewish control having thereby drawn the Star of David. As in Jud Süss the film concludes with a written text intended for the German audience of 1940. The text explains that the descendants of the Rothschild family are now on the run away from Europe as refugees (thanks to National Socialism) but that the struggle against Britain continues. Today we know that the Holocaust was initiated in 1941.
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