Needs 5 Ratings

Mobs, Inc. (1956)

Approved | | Adventure, Crime, Thriller | 21 March 1956 (USA)
Captain Braddock of the Los Angeles Racket Squad schools a group of cadet policemen by telling them of three precarious and dangerous cases of con artistry. Included are tracking down a ... See full summary »



(screenplay), (screenplay)

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Complete credited cast:
Capt. John Braddock (archive footage)
Mary Hale (archive footage)
Leland Cameron James (archive footage)
Det. Barney Flannery (archive footage)
Harry Robinson (archive footage)
Lisa Howard ...
Ronnie Miles (archive footage)
Mary Higgins (archive footage)
Jim Edwards (archive footage)
Harrington (archive footage)
Town Insurance Agent (archive footage)
Gangster (archive footage)
Telegraph Boy (archive footage)
(archive footage)
(archive footage)
Harvey B. Dunn ...
Mr. Platt (archive footage)


Captain Braddock of the Los Angeles Racket Squad schools a group of cadet policemen by telling them of three precarious and dangerous cases of con artistry. Included are tracking down a dance hall girl, who, together with a big operative, are thwarted in attempting a robbery; a racketeer fleecing a book publisher on a Trans-Atlantic voyage, and the tripping up of the plans of a phony land syndicate. Written by Les Adams <>

Plot Summary | Add Synopsis






Release Date:

21 March 1956 (USA)  »

Also Known As:

The Con Man  »

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?


This film was composed from three edited episodes of the TV series Racket Squad (1950) with new, framing sequences and voice-over material by Reed Hadley. See more »


Edited from Racket Squad: The Case of the Miracle Mud (1951) See more »

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If you can't beat 'em, join 'em.

Thie feature film consists of three episodes of the syndicated-television series "Racket Squad" stitched together and sold to theatre-exhibitors as a real movie. It opens at the Los Angeles Police Academy with a lecturer telling the class of LAPD-rookies three stories of confidence rackets.

Story 1: A taxi-dancer meets a small-time racketeer and becomes partners with him in some small-time scams. Another racketeer, playing for bigger stakes, gets her to join up with him. They gain access to a wealthy man's home by pretending to be a photographer-writer team sent by a magazine to photograph his palatial home. The police arrive in time to stop the burglary. They arrive in time only because the small-time,sore-loser, ex-boyfriend had gone to the police department and snitched on them.

Story 2: A crooked stock-syndicate swindles a wealthy newspaper publisher out of $40,000 with the aid of a glamorous sophisticated woman as a decoy. A snitch many have been involved here, also.

Story 3: A crippled young man shows up in Smallville and buys a dilapidated, abandoned farm for $1750, spot-cash American. The townspeople, always ready to add a new citizen to the tax-roll, help him fix it up and he becomes a sympathetic and popular citizen in the community, especially with the pretty female real-estate broker. He claims the spring on his property has a therapeutic healing effect on his crippling arthritis and, considering he showed up in a wheelchair and is now running and jumping all over the place, the town-council is now ready to buy back the formerly-worthless property for $50,000, and let the budding-decathlon star walk away with a net profit of $48,250 on his two-bit investment. And he would have, too, if the L.A.P.D. hadn't shown up with proof he was never crippled and didn't have arthritis. Yes, that's correct, the pretty female real-estate broker had overheard him discussing his plans with a confederate...and snitched on him. But young Clark Kent was having some doubts about this character, also.

The end of the film leaves the viewer with one question and two-lessons learned:

Question 1: What in heck was the Los Angeles Police Department doing busting citizens outside of the Los Angeles city limits in Smallville?

Lesson 1: Never under-estimate the value of a Snitch.

Lesson 2: Never under-estimate the ability of American film-goers to line up and pay money to see a film in a theatre that they could have stayed home and seen for free on television.

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