Yashvardhan Raichand lives a very wealthy lifestyle along with his wife, Nandini, and two sons, Rahul and Rohan. While Rahul has been adopted, Yashvardhan and Nandini treat him as their own... See full summary »
Birju is a young man who lives with his mom, dad, sister, and a younger brother in an upper middle class home. His father would like him to work as well as accept some responsibility, but ... See full summary »
Dr. Shivani Dutt lives a wealthy lifestyle in London, England, along with her widowed mom, and a dog named Kaali. She works at the Thomwell Hospital. One day she notices that some of her ... See full summary »
Malika Modi lives a very wealthy lifestyle with her widowed dad in India where they own vast acres of land and businesses. When Mr. Modi suddenly passes away, he leaves all the business's ... See full summary »
Vidhu Vinod Chopra
Naive village-born Swaroop comes to Bombay city with a only Rs.80/-, which he loses to a thief. A man named Bhagwaan helps Swaroop recover this amount, and asks him to return back to his ... See full summary »
In a valley of astonishing beauty, a small family lives in an idyllic house: a father, a mother and a son. They are a picture of happiness and love. But appearances are often deceptive. This pastoral landscape is the strife-torn valley of Kashmir, and the son, Altaaf, is an orphan of war who has been adopted by a policeman, Inayat Khan, and his wife, Neelima. Altaaf is slowly recovering from the psychic wounds of seeing his parents and his young sister shot to death before his eyes by a masked man. Years later, a rebel force infiltrates the valley on a secret mission. They need an highly trained fighter with burning anger and find that in Altaaf. He returns to the streets and by lanes of his childhood fighting for Hilal Kohistani, but also obsessed with his own private mission: he must kill the masked intruder who haunts his nightmares -- Inayat Khan. Written by
To an American, especially a post-9/11 American, the idea of a "terrorist musical" would seem outrageous and naive. It would be grossly unfair to make fun of this film in that way, though; MK defies classification in Hollywood genres. The diapason of themes in this movie is impressive and, to quote Roger Ebert, one actually cares what happens to these people, even the unholy maker-of-fatwas Hilal. A young man's flirtation with extremism is teated, as well as the little-understood Hindu-Moslem, and little-known Russian-Pathan dynamics. I loved the scenery and cinematography, and was very interested to hear about the symbolism from the other IMDb commenter's.
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