In order to prevent all of humankind from being turned into mutants, the X-Men, the Brotherhood, S.H.I.E.L.D., The Acolytes, Angel, Spyke, Havok, and the New Mutants all join forces to save humanity ...
From the Twitch Live Stage at New York Comic Con 2017, IMDb LIVE host Kevin Smith talks to Marvel Chief Creative Officer Joe Quesada about the development of the Marvel franchise, his history at Comic Con and more.
After an explosion at the school, the X-Men went their seperate ways. But they must unite once again under the leadership of Wolverine to prevent an inevitable war while also dealing with present problems.
X-Men, still grieving over the death of Phoenix (Jean Grey), are investigating a case of a missing mutant girl in Northern Japan. This leads them to a mysterious virus that turns mutants into monsters. U-Men and the Inner Circle want it.
Professor Charles Francis Xavier, who has the mutant ability to read minds, searches for new mutants to train them how to use their powers for good and to prevent the mutants from harming themselves and others at his School for Gifted Youngsters. His opposition, Magneto "Master of Magnetism", is doing the same thing, but for evil purposes. He has made Mystique who is a shape-shifter, a principle of his high school to gather evil mutants to prepare them for war against non-mutants. The most interesting plot of the story is that all the heroes and villains attend the same high school. The classic battle of good vs. evil has begun again. Written by
Emmett Dweh <firstname.lastname@example.org>
The first season was very restrictive. The network felt that action shows like Batman: The Animated Series (1992), etc, had gotten too dark and mature for the kid audience they were trying to reach, so they really kept a tight lid on this show. Once the first season aired and proved to be a big success, the network loosened the reigns a little more with each succeeding season. The good side of this, according to Producer/Writer/Director Boyd Kirkland, is that he had always wanted the show to be more character driven than big action-story driven, so the restrictions actually helped play into that. The high-stakes epochs later in the series really became more meaningful and poignant because of how much time creators allowed the audience to get to know and empathize with the characters. See more »
When Jean and Kurt leave the mansion, McCoy and Xavier find them at the airport buying tickets to New York City; Bayville is less than an hour by car from the city, around two in bad traffic. There are no flights from anywhere near Bayville to New York City. See more »
About time you got here, elf. We were... What's she doing here?
It's... it's a little complicated. See...
He'll send you a memo. Now let's go.
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For those that despise this cartoon because it takes liberties, then change the freaking channel, bub, and shut the hell up.
For those who remember the early early days of X-men, they were all teenagers in a school, learning to use their powers to benefit mankind. Well, in comic book continuity, these characters have all grown up, married, divorced, died, betrayed their friends, etc etc etc.
This cartoon went back to the basic principle that Stan Lee and Jack Kirby started out with back in the 60's. And it's revamped itself to fit today's standards and cultural influences. I like to see it as an animated version of the "Ultimate X-Men" title that marvel is producing, which does the same thing of reformatting the story to today's timeline.
And each character in this show is well written to the point that I like them even better than some of their comic book counterparts.
Scott -- we're seeing a leader developing here, but he's still a kid learning to deal with who he is and his place in the world.
Logan -- granted, he's toned down a bit, but he's just as gruff as he is in the comics, and has a better voice than he did in the 90's cartoon.
Kurt -- great interpretation. I always thought Nightcrawler was a little stiff for my liking (given his background), so I love to see him be a party animal, and to be one caught goofing off.
Rogue -- BIG BIG BIG BIG BIG IMPROVEMENT!! I'm sorry purists, but the little Southern belle thing annoyed me to no end! Someone commented that they didn't like this version of Rogue because she doesn't say "Suga." It's called good writing. I like Rogue better as a Goth girl, for one basic reason. Given her power, it would seem to me that she would keep herself isolated and sullen, to ward off anyone trying to get close to her, and the dark depressed goth girl would pull that off, not the friendly southern belle. Plus, it makes her an interesting contrast to Jean and Kitty, who are upbeat popular girls.
Toad -- they took one of the worst characters of comicdom, and made him likable. He works better as a lovable loser, who just can't get a break.
I will also give honorable mention to a couple other characters, like Magneto, who is actually a threatening presence in this cartoon, and Beast, whose transformation in this cartoon makes more sense than in the comics.
The best animated X-Men yet, and it will be very hard to top.
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