At age 42, Rafael Belvedere is having a crisis. He lives in the shadow of his father, he feels guilty about rarely visiting his aging mother, his ex-wife says he doesn't spend enough time ... See full summary »
A retired legal counselor writes a novel hoping to find closure for one of his past unresolved homicide cases and for his unreciprocated love with his superior - both of which still haunt him decades later.
Juan José Campanella
In Argentina over 8,000 people die in traffic accidents every year. Behind each of these tragedies is a flourishing industry founded on insurance payouts and legal loopholes. Sosa is a ... See full summary »
In Buenos Aires, the bitter and methodic Roberto is a lonely man and the owner of a hardware store. Roberto collects bizarre worldwide news in an album as a hobby and his acquaintance Mari ... See full summary »
Muriel Santa Ana,
A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
Early one morning, Marcos observes Juan successfully pulling off a bill-changing scam on a cashier, and then getting caught as he attempts to pull the same trick on the next shift. Marcos steps in, claiming to be a policeman, and drags Juan out of the store. Once they are back on the street, Marcos reveals himself to be a fellow swindler with a game of much higher stakes in mind, and he invites Juan to be his partner in crime. A once-in-a-lifetime scheme seemingly falls into their laps - an old-time con man enlists them to sell a forged set of extremely valuable rare stamps, The Nine Queens. The tricky negotiations that ensue bring into the picture a cast of suspicious characters, including Marcos' sister Valeria, their younger brother Federico and a slew of thieves, conmen and pickpockets. As the deceptions mount, it becomes more and more difficult to figure out who is conning whom. Written by
The song Juan refers to several times during the film is Rita Pavone's 1976 hit "Il Ballo del Mattone" from the LP "Come te non c'è nessuno", written by Eduardo Verde and Bruno Canfora. As for the film in which the song is supposed to be in, no reference is found but, by correlating dates it could only be "Due sul pianerottolo (1975)" See more »
Can't you see the way she swings her ass? There are no saints.
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To tell you the truth, I was a little wary of this movie at the beginning, because the minor scams the characters were pulling off seemed kind of lame, but as the story progressed and the stakes got higher and higher, it became an engaging, clever, well-paced and well-acted heist thriller. It certainly has the requisite number of twists and turns to please any fan of the genre. At the end, the 114 minutes had passed like a breeze, and that's one of the sure signs of a good movie. (***)
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