Architect Peter Ibbetson is hired by the Duke of Towers to design a building for him. Ibbetson discovers that the Duchess of Towers, Mary, is his now-grown childhood sweetheart. Their love ... See full summary »
After World War II, some Tokyo prostitutes band together with a strict code: no pimps, attack any street walker who comes into our territory, defend the abandoned building we call home, and... See full summary »
astounding, little-seen masterpiece of independent cinema
Here's a film richly deserving of wider exposure. Can't someone pick it up for distribution? It's been described as "the missing link between THE LAST PICTURE SHOW and SHADOWS", which isn't quite on the mark. I think a better pair comparison could be made between the early semi-documentary films of Willard Van Dyke and Pare Lorentz and SHADOWS, due to the casting of unknowns and non-actors in all roles.
Seen nationally in 2005 as part of the Rural Route Film Festival (under the title SPRING NIGHT, SUMMER NIGHT), this film manages to focus on the taboo topic of incest without being sensational in the slightest, and that's only one of its amazing facets. A stark, black and white drama set (and filmed) entirely in southeastern Ohio, amidst the farms, gas stations, bars and simple homes of the area, it's filled with beautiful and memorable photography. This is not a "verité"-type outing of the "DAVID HOLZMAN'S DIARY" variety at all, but an extremely nuanced, melancholy tale of two lovers who may or may not be brother and sister (depending on which story they believe from which parent) with stunning set pieces on foggy hills, in musty barns, dimly-lit dinner tables, on dusty roads. Intensely moving and superbly acted, it feels nearly perfect and is a total anomaly for late-1960s independent cinema, so often considered an urban-based art form.
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