Michael Dixon is a seasoned agent working linewatch on the US/Mexico Border. Well respected by his peers at US Border Patrol, and well loved by his family (wife Angela and 5 year old ... See full summary »
Cuba Gooding Jr.,
In the former Czechoslovakia, 1950s, police captain Hakl investigates a jewelery robbery. An opened safe deposit leads to a known burglar. What seems an easy case soon starts to tangle. ... See full summary »
After a tragic accident claims the lives of Luke Gibson's (Gooding Jr.) wife and unborn child, he is left with critical injuries and complete amnesia. A new technological breakthrough from ... See full summary »
Cuba Gooding Jr.,
An attempted burglary of a strip club goes awry when one of the three burglars kills a man who draws a gun. This results in the trio taking the dancers and the customers hostage. Why the ... See full summary »
When a stunt man dies in Miami, his uncle, a New York mob boss, sends a hit man to tail the stunt coordinator, whom the boss wants dead. The hit man, Eric O'Bryne, gets close to his mark's daughter, and through her he asks her dad to teach him to do stunts. While waiting for the word to kill this mentor, Eric discovers the joy of stunt work and of being part of a family. Meanwhile, several people are looking for the dead man's briefcase of money and a cloth bag of illegal drugs that he stole from an undercover FBI agent now desperate to get the borrowed drugs back to the bureau. The stunt coordinator says that 'we dance in the shadows of death.' Can Eric step out into the sun? Written by
A simple if improbable plot that gives Modine a chance to show his own shadowy side. I thought he did an excellent job for a guy who usually portrays the grinning, likeable, young quasi-hero. Here he has a lot of baggage as a mob hit man who is more mechanical than actually living, until he meets Joey Lauren Adams, who gives another lovable performance. It's always great to see James Caan as well, as he reminds me of an actor like Burt Lancaster. I enjoy every moment he is in a scene and how quickly he tends to dominate the moment. I thought the ending was a little surprising, but in the tradition of the classical Greek tragic-hero, it was appropriate.
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