Michael Dixon is a seasoned agent working linewatch on the US/Mexico Border. Well respected by his peers at US Border Patrol, and well loved by his family (wife Angela and 5 year old ... See full summary »
Cuba Gooding Jr.,
After he awakens in a hospital, a man tracks down and murders the man that left him and a bank teller for dead during a robbery, only to end up having the slain thief's associates come after him in retaliation.
Cuba Gooding Jr.,
An attempted burglary of a strip club goes awry when one of the three burglars kills a man who draws a gun. This results in the trio taking the dancers and the customers hostage. Why the ... See full summary »
When a stunt man dies in Miami, his uncle, a New York mob boss, sends a hit man to tail the stunt coordinator, whom the boss wants dead. The hit man, Eric O'Bryne, gets close to his mark's daughter, and through her he asks her dad to teach him to do stunts. While waiting for the word to kill this mentor, Eric discovers the joy of stunt work and of being part of a family. Meanwhile, several people are looking for the dead man's briefcase of money and a cloth bag of illegal drugs that he stole from an undercover FBI agent now desperate to get the borrowed drugs back to the bureau. The stunt coordinator says that 'we dance in the shadows of death.' Can Eric step out into the sun? Written by
"In The Shadows" tells of a hitman with a conscience (Modine) who becomes a stuntman because this dumdass flick wouldn't work if he didn't. Ill-conceived, sophomorically contrived, poorly written, and poorly directed, this flick is long of atmospherics and short on everything else. One can only watch and wonder how Caan, Adams, Modine, and Gooding climbed aboard such a shabby project. A waste of time for all but diehard fans of the principals and maybe people with some interest in film stunts. (D+)
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