The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations in suburban Connecticut.
Paul Lamont, a corrections officer and law student, leads a comfortable if culturally bankrupt, middle-class existence. Lamont's marriage is already in trouble when he bails out a ... See full summary »
Isaach De Bankolé
In idyllic Mid-Coast Maine, the Fowler family's only son Frank comes home from his freshman year at college for summer vacation. His mother Ruth, the school choir director, is unhappy with Frank dating soon-to-be divorced mother Natalie who is several years his senior, but Frank's father Matt, the town doctor, doesn't see a problem. While Frank considers holding off his future for Natalie, her jilted husband causes them all problems until an unthinkable tragedy shakes the community to its very core. Written by
Many of the products used in the film are real regional products commonly found in seacoast Maine (i.e. Oakhurst brand milk). See more »
The camera lens is plainly visible in the shot of Matt Fowler driving in his car. See more »
[pulls out hamburger buns from paper bag]
Oh, Ruth hates these.
I got the wrong kind of buns.
Maybe we can borrow hers.
[points towards Natalie, who is bending over and feeding Duncan]
Ah, what I would give to have back my youth.
Yeah, well, Willis, you never had that in your youth.
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A rarity in modern cinema, In the Bedroom is a movie for thinking adults that is one of the most thorough yet subtle examinations of violence and its consequences I've ever seen. Tom Wilkerson gives a masterful and restrained performance, and Sissy Spacek and nearly everyone else is uniformly excellent. Although it is a searing and unflinching look at nearly unspeakable grief, it is poignant and thoughtful and even has scenes of humor if you are ready for it. Todd Field's screenplay is one of the most brilliant in recent memory. I really wish we had more mature stuff like this coming out of Hollywood. Powerful films that deal with violence and its aftermath and meaning like this make films like Kill Bill look even more repellent than they already are.
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