The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations in suburban Connecticut.
In idyllic Mid-Coast Maine, the Fowler family's only son Frank comes home from his freshman year at college for summer vacation. His mother Ruth, the school choir director, is unhappy with Frank dating soon-to-be divorced mother Natalie who is several years his senior, but Frank's father Matt, the town doctor, doesn't see a problem. While Frank considers holding off his future for Natalie, her jilted husband causes them all problems until an unthinkable tragedy shakes the community to its very core. Written by
This is the highest grossing non-IMAX film in history to never reach the top 10 in a given week. See more »
When Matt and Ruth are arguing in the kitchen, the clock in the background jumps from 6:39 to 6:18 between shots. See more »
[Frank plays with blocks while Natalie relaxes in a beach chair]
Hey... You know I've been ignoring our difference in age but you keep playing with those blocks, I'm gonna start to worry.
You're not looking at the house. Look.
[Natalie moves closer to Frank]
It's not all mine, it's part Mack. See, the whole idea of what Mack was trying to achieve was a common area in the center of the house. I mean, large, open spaces- they weren't unique to Mack but the idea of seperating the family so that the ...
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This film is dedicated to Andre Dubus and is based on his short story "Killings". See more »
A rarity in modern cinema, In the Bedroom is a movie for thinking adults that is one of the most thorough yet subtle examinations of violence and its consequences I've ever seen. Tom Wilkerson gives a masterful and restrained performance, and Sissy Spacek and nearly everyone else is uniformly excellent. Although it is a searing and unflinching look at nearly unspeakable grief, it is poignant and thoughtful and even has scenes of humor if you are ready for it. Todd Field's screenplay is one of the most brilliant in recent memory. I really wish we had more mature stuff like this coming out of Hollywood. Powerful films that deal with violence and its aftermath and meaning like this make films like Kill Bill look even more repellent than they already are.
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