The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations in suburban Massachusetts.
A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
An English Professor tries to deal with his wife leaving him, the arrival of his editor who has been waiting for his book for seven years, and the various problems that his friends and associates involve him in.
In idyllic Mid-Coast Maine, the Fowler family's only son Frank comes home from his freshman year at college for summer vacation. His mother Ruth, the school choir director, is unhappy with Frank dating soon-to-be divorced mother Natalie who is several years his senior, but Frank's father Matt, the town doctor, doesn't see a problem. While Frank considers holding off his future for Natalie, her jilted husband causes them all problems until an unthinkable tragedy shakes the community to its very core. Written by
When Matt and Ruth are arguing in the kitchen, the clock in the background jumps from 6:39 to 6:18 between shots. See more »
[pulls out hamburger buns from paper bag]
Oh, Ruth hates these.
I got the wrong kind of buns.
Maybe we can borrow hers.
[points towards Natalie, who is bending over and feeding Duncan]
Ah, what I would give to have back my youth.
Yeah, well, Willis, you never had that in your youth.
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A dark story told with amazing weight and balance, it is cinematically perfect. Aside from the excellent performances by Wilkinson, Spacek and Tomei, it is
Field's film. He uses a deft touch to examine the lives of a couple devastated by loss. The perfection of this film lies in the small touches, the subtle gestures, the powerful symbolism that Field displays throughout. Even the most powerful
moment, the shooting, is done off camera. It isn't so much what you see, its what you don't, what Field implies throughout the film. He creates moments in this movie that convey complex emotion through subtle actions. The film creates
unsettling scenes without being disturbing. Reflections of actors moving as if underwater through their lives, we see them caught in the windows of their
home, ghosts in their house and in their lives, struggling to cope until the film's resolution. Attempting to heal each other and themselves through a single act of redemption that seems at the same time surprising and inevitable. It isn't my favorite movie, but i still think it's as close to a perfect film i've seen.
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