The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations in suburban Connecticut.
In idyllic Mid-Coast Maine, the Fowler family's only son Frank comes home from his freshman year at college for summer vacation. His mother Ruth, the school choir director, is unhappy with Frank dating soon-to-be divorced mother Natalie who is several years his senior, but Frank's father Matt, the town doctor, doesn't see a problem. While Frank considers holding off his future for Natalie, her jilted husband causes them all problems until an unthinkable tragedy shakes the community to its very core. Written by
Matt's hair changes between shots during their argument in the living room. See more »
Do you wanna know why our son is dead? Do you really wanna know? He went there not because of me. He was with her not because of me. He went there because of you. Because you are so controlling, so overbearing, so angry, that he was it! That he was our only son!
That is not true!
Oh, yes it is. Yes, it is. Ever since he was little, you were telling him how he was wrong. I remember, one time you yanked him out of a little league game and sent him home, for throwing his glove in the dirt. He was ...
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This film is dedicated to Andre Dubus and is based on his short story "Killings". See more »
wow...pay attention for Sissy Spacek's name at this year's Oscars...
So simple. So honest. So heartbreaking. I dare you to see this movie and not go through a self-invasive, heartfelt understanding for the familial and emotional conflicts these characters go through. one of the best films shown at Sundance, hands down. Not a movie for the emotionally squeamish...brutally powerful... Violent, excruciating truth and beauty...the raw emotional power imbued into the scenes with Wilkinson and Spacek are Oscar-worthy. Marisa Tomei finally gets a role worthy of her talent since My Cousin Vinny. Utterly unforgettable, and a slam-dunk certainty for some kind of oscar, whether screenplay, acting, or directorial.
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