The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations in suburban Connecticut.
In idyllic Mid-Coast Maine, the Fowler family's only son Frank comes home from his freshman year at college for summer vacation. His mother Ruth, the school choir director, is unhappy with Frank dating soon-to-be divorced mother Natalie who is several years his senior, but Frank's father Matt, the town doctor, doesn't see a problem. While Frank considers holding off his future for Natalie, her jilted husband causes them all problems until an unthinkable tragedy shakes the community to its very core. Written by
The Red Sox games heard on the radio are from 8 July 2000 and 9 July 2000. See more »
When Matt, Frank and Natalie are eating lunch Frank picks up his drink from Matt's point of view, but from Natalie's point of view a second later he is not holding a drink. See more »
Do you wanna know why our son is dead? Do you really wanna know? He went there not because of me. He was with her not because of me. He went there because of you. Because you are so controlling, so overbearing, so angry, that he was it! That he was our only son!
That is not true!
Oh, yes it is. Yes, it is. Ever since he was little, you were telling him how he was wrong. I remember, one time you yanked him out of a little league game and sent him home, for throwing his glove in the dirt. He was ...
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A rarity in modern cinema, In the Bedroom is a movie for thinking adults that is one of the most thorough yet subtle examinations of violence and its consequences I've ever seen. Tom Wilkerson gives a masterful and restrained performance, and Sissy Spacek and nearly everyone else is uniformly excellent. Although it is a searing and unflinching look at nearly unspeakable grief, it is poignant and thoughtful and even has scenes of humor if you are ready for it. Todd Field's screenplay is one of the most brilliant in recent memory. I really wish we had more mature stuff like this coming out of Hollywood. Powerful films that deal with violence and its aftermath and meaning like this make films like Kill Bill look even more repellent than they already are.
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