Takes place in the days before Christmas near a little-known border crossing on the Mohawk reservation between New York State and Quebec. Here, the lure of fast money from smuggling ... See full summary »
Paul Lamont, a corrections officer and law student, leads a comfortable if culturally bankrupt, middle-class existence. Lamont's marriage is already in trouble when he bails out a ... See full summary »
Isaach De Bankolé
The Fowlers are a normal family in Maine. Matt is the town doctor and loves to fish, his wife, Ruth, is the school's choir leader, and their son, Frank, is home from his first year of college. Frank is in love with Natalie, a young mother who isn't quite divorced yet from her ex-husband, Richard Strout, whose family runs the local cannery. It makes Richard's blood run cold to see his wife running around with another man. And soon, an unthinkable tragedy happens that will tear the Fowlers apart... Written by
Many of the products used in the film are real regional products commonly found in seacoast Maine (i.e. Oakhurst brand milk). See more »
When Matt and Ruth are arguing in the kitchen, the clock in the background jumps from 6:39 to 6:18 between shots. See more »
[both characters talking to Jason]
Best part of the cod. The outsiders, they won't touch it. Summer fisherman, well, they're part-timers like Frank here; get in your hair. As many as 80 of them now with licenses. Hmm! Should have put up a sign. Stay in your own backyard, or lose your traps.
See, Henry here is just sore 'cause I catch twice as much as he does with an old second-hand Bordreau.
Now, don't you listen to him, son. That boat is fine. She was my first. I kinda miss her, sometimes. And ...
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A rarity in modern cinema, In the Bedroom is a movie for thinking adults that is one of the most thorough yet subtle examinations of violence and its consequences I've ever seen. Tom Wilkerson gives a masterful and restrained performance, and Sissy Spacek and nearly everyone else is uniformly excellent. Although it is a searing and unflinching look at nearly unspeakable grief, it is poignant and thoughtful and even has scenes of humor if you are ready for it. Todd Field's screenplay is one of the most brilliant in recent memory. I really wish we had more mature stuff like this coming out of Hollywood. Powerful films that deal with violence and its aftermath and meaning like this make films like Kill Bill look even more repellent than they already are.
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