7.5/10
33,066
510 user 178 critic

In the Bedroom (2001)

A New England couple's college-aged son dates an older woman who has two small children and an unwelcome ex-husband.

Director:

Writers:

(screenplay) (as Rob Festinger), (screenplay) | 1 more credit »

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Nominated for 5 Oscars. Another 38 wins & 69 nominations. See more awards »

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Cast

Cast overview, first billed only:
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William Wise ...
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Frank T. Wells ...
W. Clapham Murray ...
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Terry A. Burgess ...
District Attorney
Jonathan Walsh ...
Diane E. Hamlin ...
Davis' Assistant
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Storyline

In idyllic Mid-Coast Maine, the Fowler family's only son Frank comes home from his freshman year at college for summer vacation. His mother Ruth, the school choir director, is unhappy with Frank dating soon-to-be divorced mother Natalie who is several years his senior, but Frank's father Matt, the town doctor, doesn't see a problem. While Frank considers holding off his future for Natalie, her jilted husband causes them all problems until an unthinkable tragedy shakes the community to its very core. Written by Bryan Way

Plot Summary | Add Synopsis

Taglines:

A young man. An older woman. Her ex-husband. Things are about to explode...

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for some violence and language | See all certifications »

Parents Guide:

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Details

Official Sites:

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Country:

Language:

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Release Date:

8 February 2002 (USA)  »

Also Known As:

A hálószobában  »

Filming Locations:

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Box Office

Budget:

$1,700,000 (estimated)

Opening Weekend:

$93,972 (USA) (23 November 2001)

Gross:

$35,918,429 (USA) (10 May 2002)
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Company Credits

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Technical Specs

Runtime:

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Sound Mix:

Color:

(CFI)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Camden Maine was where they filmed Peyton Place. See more »

Goofs

When Matt, Frank and Natalie are eating lunch Frank picks up his drink from Matt's point of view, but from Natalie's point of view a second later he is not holding a drink. See more »

Quotes

Henry: [both characters talking to Jason] Best part of the cod. The outsiders, they won't touch it. Summer fisherman, well, they're part-timers like Frank here; get in your hair. As many as 80 of them now with licenses. Hmm! Should have put up a sign. Stay in your own backyard, or lose your traps.
Frank Fowler: See, Henry here is just sore 'cause I catch twice as much as he does with an old second-hand Bordreau.
Henry: Now, don't you listen to him, son. That boat is fine. She was my first. I kinda miss her, sometimes. And ...
[...]
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Crazy Credits

Graham Leader gratefully acknowledges ... Ann, Kira & Saks. See more »

Connections

Referenced in The Sopranos: Mergers and Acquisitions (2002) See more »

Soundtracks

Zeni Me, Mamo
Bulgarian Traditional
Performed by The Newark Balkan Girls Chorus
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Frequently Asked Questions

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User Reviews

 
Not a False Moment to Be Found. Stunning.
2 November 2008 | by (United States) – See all my reviews

Every once in awhile, a filmmaker comes along and adds a pitch-perfect sensibility to a compelling story, well-written script, and perfect cast. This has happened with In the Bedroom. Though I saw, and enjoyed, director Todd Field's 2nd feature, Little Children, when it came out a few years back, I was truly astounded by In the Bedroom.

At a time when Americans' tastes in films are getting more and more juvenile, In the Bedroom is that rare film; one aimed adults. The characters and story line is compelling, the shots kept simple, yet beautiful, and the feel of the film is as real as most you will see. In the Bedroom would fit in perfectly with the some of the films from golden age of the 70s film-making. Unfortunately, we are seeing this less and less of those types of films these days.

It is hard to find a false moment, whether in dialogue or behavior, in this film. It deals with circumstances that we hear about every day, yet is no less captivating because of it. We are not clobbered over the head with the moments we are meant to feel deeply, yet they are apparent and often devastating to watch. There is an old saying, "you know the truth when you see it", and that certainly applies to this film. There was a knot in my stomach the entire first 30 minutes of the film, as director Field slowly builds to something you know is inevitable, and almost can't bare to watch.

Excellent performances turned in by Spacek, Wilkinson, Tomei, as well as all the supporting players. Proof, once again, that actors often make some of the finest directors.


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