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In the Bedroom (2001)

 -  Crime | Drama  -  11 January 2002 (USA)
7.5
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Ratings: 7.5/10 from 29,253 users   Metascore: 86/100
Reviews: 502 user | 168 critic | 31 from Metacritic.com

A New England couple's college-aged son dates an older woman who has two small children and an unwelcome ex-husband.

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(screenplay), (screenplay), 1 more credit »
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Title: In the Bedroom (2001)

In the Bedroom (2001) on IMDb 7.5/10

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Nominated for 5 Oscars. Another 44 wins & 55 nominations. See more awards »

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Cast

Cast overview, first billed only:
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William Wise ...
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Frank T. Wells ...
W. Clapham Murray ...
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Terry A. Burgess ...
District Attorney
Jonathan Walsh ...
Diane E. Hamlin ...
Davis' Assistant
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Storyline

In idyllic Mid-Coast Maine, the Fowler family's only son Frank comes home from his freshman year at college for summer vacation. His mother Ruth, the school choir director, is unhappy with Frank dating soon-to-be divorced mother Natalie who is several years his senior, but Frank's father Matt, the town doctor, doesn't see a problem. While Frank considers holding off his future for Natalie, her jilted husband causes them all problems until an unthinkable tragedy shakes the community to its very core. Written by Bryan Way

Plot Summary | Add Synopsis

Taglines:

A young man. An older woman. Her ex-husband. Things are about to explode...

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for some violence and language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

11 January 2002 (USA)  »

Also Known As:

A hálószobában  »

Filming Locations:

 »

Box Office

Budget:

$1,700,000 (estimated)

Opening Weekend:

£87,294 (UK) (25 January 2002)

Gross:

$35,918,429 (USA) (10 May 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

|

Sound Mix:

Color:

(CFI)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

This is the highest grossing non-IMAX film in history to never reach the top 10 in a given week. See more »

Goofs

The camera lens is plainly visible in the shot of Matt Fowler driving in his car. See more »

Quotes

Richard: Did you see my new rig out there?
Natalie: It's nice.
Richard: It's not exactly new, I traded David the truck for it. It's got room for all of us. Good grocery-getting car. Hey, do you wanna take a ride?
Natalie: Richard... you don't change. You don't change, do you?
Richard: Change? No, I don't change. Everything around me changes. You change. You take my house... and you take my kids... and you fuck this other guy. But me, no, I don't change.
See more »

Crazy Credits

Graham Leader gratefully acknowledges ... Ann, Kira & Saks. See more »

Connections

Features The Late Late Show with Craig Kilborn (1999) See more »

Soundtracks

Baby I Love Your Way
(1975)
Written by Peter Frampton
Performed by Peter Frampton
Copyright 1975 Almo Music Corp.
On behalf of itself and Nuages Artists Music Ltd. (ASCAP)
Courtesy of A&M Records
Under license from Universal Music Enterpises
See more »

Frequently Asked Questions

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User Reviews

 
perhaps not my favorite film but a perfect one.
21 February 2004 | by (Los Angeles) – See all my reviews

A dark story told with amazing weight and balance, it is cinematically perfect. Aside from the excellent performances by Wilkinson, Spacek and Tomei, it is

Field's film. He uses a deft touch to examine the lives of a couple devastated by loss. The perfection of this film lies in the small touches, the subtle gestures, the powerful symbolism that Field displays throughout. Even the most powerful

moment, the shooting, is done off camera. It isn't so much what you see, its what you don't, what Field implies throughout the film. He creates moments in this movie that convey complex emotion through subtle actions. The film creates

unsettling scenes without being disturbing. Reflections of actors moving as if underwater through their lives, we see them caught in the windows of their

home, ghosts in their house and in their lives, struggling to cope until the film's resolution. Attempting to heal each other and themselves through a single act of redemption that seems at the same time surprising and inevitable. It isn't my favorite movie, but i still think it's as close to a perfect film i've seen.


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