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In the Bedroom (2001)

R  |   |  Crime, Drama  |  8 February 2002 (USA)
7.5
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Ratings: 7.5/10 from 30,804 users   Metascore: 86/100
Reviews: 507 user | 165 critic | 31 from Metacritic.com

A New England couple's college-aged son dates an older woman who has two small children and an unwelcome ex-husband.

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Writers:

(screenplay) (as Rob Festinger) , (screenplay), 1 more credit »
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Title: In the Bedroom (2001)

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Nominated for 5 Oscars. Another 46 wins & 56 nominations. See more awards »

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Based on the Andres Dubus short story Killings, A Hard Rain is the story of a revenge killing in a small Pacific NW island community. The short was later expanded into the full length feature In The Bedroom directed by Todd Field.

Director: Dennie Gordon
Stars: John Mahoney, Stephen Nichols
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Cast

Cast overview, first billed only:
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William Wise ...
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Frank T. Wells ...
W. Clapham Murray ...
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Terry A. Burgess ...
District Attorney
Jonathan Walsh ...
Diane E. Hamlin ...
Davis' Assistant
...
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Storyline

In idyllic Mid-Coast Maine, the Fowler family's only son Frank comes home from his freshman year at college for summer vacation. His mother Ruth, the school choir director, is unhappy with Frank dating soon-to-be divorced mother Natalie who is several years his senior, but Frank's father Matt, the town doctor, doesn't see a problem. While Frank considers holding off his future for Natalie, her jilted husband causes them all problems until an unthinkable tragedy shakes the community to its very core. Written by Bryan Way

Plot Summary | Add Synopsis

Taglines:

A young man. An older woman. Her ex-husband. Things are about to explode...

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for some violence and language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

8 February 2002 (USA)  »

Also Known As:

A hálószobában  »

Filming Locations:

 »

Box Office

Budget:

$1,700,000 (estimated)

Opening Weekend:

$93,972 (USA) (23 November 2001)

Gross:

$35,918,429 (USA) (10 May 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

|

Sound Mix:

Color:

(CFI)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

The amusement park scenes in the movie are scenes of the beachfront amusement park, Palace Playland, at Old Orchard Beach, Maine. The Ferris wheel that was shown lit up was the Sunwheel. See more »

Goofs

When Matt and Ruth are arguing in the kitchen, the clock in the background jumps from 6:39 to 6:18 between shots. See more »

Quotes

Matt: [greets Frank on the dock] How'd you pull?
Frank Fowler: Not too bad, about 40 pounds.
Matt: I haven't caught sight of you in days.
Frank Fowler: You know where to find me.
Matt: When are you coming home?
Frank Fowler: Has it come to this?
Matt: Come to what?
Frank Fowler: You having to run errands for Mom.
[Matt laughs silently]
Frank Fowler: I'm thinking of building a couple hundred more traps. See if can do better than break even.
[...]
See more »

Crazy Credits

This film is dedicated to Andre Dubus and is based on his short story "Killings". See more »

Connections

Referenced in High Chaparall: Robert Englund (2004) See more »

Soundtracks

Zeni Me, Mamo
Bulgarian Traditional
Performed by The Newark Balkan Girls Chorus
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
perhaps not my favorite film but a perfect one.
21 February 2004 | by (Los Angeles) – See all my reviews

A dark story told with amazing weight and balance, it is cinematically perfect. Aside from the excellent performances by Wilkinson, Spacek and Tomei, it is

Field's film. He uses a deft touch to examine the lives of a couple devastated by loss. The perfection of this film lies in the small touches, the subtle gestures, the powerful symbolism that Field displays throughout. Even the most powerful

moment, the shooting, is done off camera. It isn't so much what you see, its what you don't, what Field implies throughout the film. He creates moments in this movie that convey complex emotion through subtle actions. The film creates

unsettling scenes without being disturbing. Reflections of actors moving as if underwater through their lives, we see them caught in the windows of their

home, ghosts in their house and in their lives, struggling to cope until the film's resolution. Attempting to heal each other and themselves through a single act of redemption that seems at the same time surprising and inevitable. It isn't my favorite movie, but i still think it's as close to a perfect film i've seen.


59 of 72 people found this review helpful.  Was this review helpful to you?

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