An intimate, picaresque inquiry into French life as lived by the country's poor and its provident, as well as by the film's own director, Agnes Varda. The aesthetic, political and moral ... See full summary »
This movie shows us Cléo, a French singer, who is afraid of getting the result of a test from her doctor. She believes that she has cancer and will die of the disease. We follow her for two... See full summary »
Francois is a young carpenter married with Therese. They have two little children. All goes well, life is beautiful, the sun shines and the birds sing. One day, Francois meets Emilie, they ... See full summary »
Real-life individuals discuss topics on society, happiness in the working class among others and with those testimonies the filmmakers create fictional moments based on their interviews. ... See full summary »
Jacquot Demy is a little boy at the end of the thirties. His father owns a garage and his mother is a hairdresser. The whole family lives happily and likes to sing and to go to the movies. ... See full summary »
There are two parts to this film: sequences of life in the fishing village of La Pointe Courte (a government inspector's visit, the death of a child) alternate with others following a ... See full summary »
The intertwined lives of 2 women in 1970's France, set against the progress of the women's movement in which Agnes Varda was involved. Pomme and Suzanne meet when Pomme helps Suzanne obtain... See full summary »
In Chile's Atacama Desert, astronomers peer deep into the cosmos in search for answers concerning the origins of life. Nearby, a group of women sift through the sand searching for body ... See full summary »
Mary-Jane asks, "Do all women fall in love with a boy, or just those without sons?" She's divorced with two daughters, Lucy and Loulou. Lucy has a party where Mary-Jane notices Julien, 14, ... See full summary »
An intimate, picaresque inquiry into French life as lived by the country's poor and its provident, as well as by the film's own director, Agnes Varda. The aesthetic, political and moral point of departure for Varda are gleaners, those individuals who pick at already-reaped fields for the odd potato, the leftover turnip. Written by
I love this film so much. In addition to all the insights from previous comments, I'd like to add that there are no moral judgements made on Varda's part about not only the people she meets who are gleaners, but also those were are on the opposing side. The harshest words she says about them is that "they don't want to be nice".
I think if I met most of the people in this documentary on the street, I would simply pass them by (without knowing or wanting to know anything about them), but Varda has such a knack in finding their humanity, their beauty, that I am humbled by her curiosity and love of her fellow human beings. In the accompanying film on the DVD - made two years after the film, a woman on the street points out that after watching this film you want to become a better human being. What else is there to say after that? It is also important to note that it is a film that resonates, for me anyway, so that the desire to be a better human being is not a fleeting desire felt only after watching the film, it does stay with you.
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