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The Gleaners & I (2000)
"Les glaneurs et la glaneuse" (original title)

7.6
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Ratings: 7.6/10 from 2,752 users   Metascore: 83/100
Reviews: 31 user | 46 critic | 20 from Metacritic.com

An intimate, picaresque inquiry into French life as lived by the country's poor and its provident, as well as by the film's own director, Agnes Varda. The aesthetic, political and moral ... See full summary »

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Title: The Gleaners & I (2000)

The Gleaners & I (2000) on IMDb 7.6/10

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Cast

Credited cast:
Bodan Litnanski ...
Himself
...
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François Wertheimer ...
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Storyline

An intimate, picaresque inquiry into French life as lived by the country's poor and its provident, as well as by the film's own director, Agnes Varda. The aesthetic, political and moral point of departure for Varda are gleaners, those individuals who pick at already-reaped fields for the odd potato, the leftover turnip. Written by Anonymous

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Documentary

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Release Date:

7 July 2000 (France)  »

Also Known As:

Les glaneurs et la glaneuse  »

Box Office

Opening Weekend:

$12,655 (USA) (9 March 2001)

Gross:

$149,834 (USA) (13 July 2001)
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1.33 : 1
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Did You Know?

Connections

Referenced in The Gleaners and I: Two Years Later (2002) See more »

Soundtracks

Apfelsextett
Composed by Pierre Barbaud
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User Reviews

 
A great film maker examines the role of the artist in society
25 March 2001 | by (York, PA) – See all my reviews

This film is a feast for anyone who loves film, photography or art in general. Agnes Varda takes the viewer along on a very personal exploration about what it means to be an artist. To glean means to gather whatever crops have been left in the field after a harvest and the film is on one level a straight documentary about gleaners in France, exploring the various reasons why they glean - survival, to feed the poor, for fun. But gleaning is revealed to be an apt metaphor for the process of making art, and so, perhaps on a deeper level, Varda is examining her role as a film maker, a "gleaner" of images and life moments. Regardless of why you might watch this film, I recommend it for the playfulness and beauty of the photography, and the complex and personal depth of Varda's narrative.


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