A motorcycle stunt rider turns to robbing banks as a way to provide for his lover and their newborn child, a decision that puts him on a collision course with an ambitious rookie cop navigating a department ruled by a corrupt detective.
A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
"The Believer" explores a Jewish student's private journey to understand the meaning of Judaism in his life. Set in New York City, the Plot follows a morally confused young adult struggling with the conflict between his beliefs and his heritage. "The Believer" examines themes of religion, family, and self-loathing. It is a psychological examination into the forces of intolerance, both on the individual and society as a whole. Written by
Critically acclaimed, grand-jury prize winner at Sundance Festival in January 2001, then appeared on Showtime pay-cable in March 2002, before finally being released theatrically in NYC, May 2002. See more »
In the final synagogue segment, while the congregation is singing "Aveenu Malchenu," they keep changing keys from shot to shot, up a half-step and down a half-step and back up again again, indicating a string of takes edited together. See more »
You wanna know the real reason why we hate them? Because they exist. We have all the reasons we need in three simple letters. J-E-W... Jew! You say it a million times, it's the one word that never loses its meaning.
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I think I first saw Mr. Gosling in Murder by Numbers, in which he played half of a modern-day Leopold and Loeb murder team. In that good-but-not-great thriller, he did a fine job with an easy role: the smarmy manipulator who's convinced his Intellect is so superior to everyone else's that he has the right -- no, the obligation -- to kill those inferior to himself.
In The Believer, Gosling plays the young fascist who really seems to believe the antisemitic vitrol he spews. His skinhead punk is just as scary, believable and *common* as Edward Norton's in American History X -- with the added layer of being from an Orthodox background. He has apparently convinced those around him that his fascination with all things Judaic is only an effort to "know his enemy thoroughly" -- nothing more.
Gosling is nothing short of astounding in this role. He richly deserves all the honors bestowed upon him. If he continues to only get roles like Murder by Numbers, it will be a waste of a wonderful natural resource, kind of like strip mining in Yellowstone.
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