Julian, a drug-smuggler thriving in Bangkok's criminal underworld, sees his life get even more complicated when his mother compels him to find and kill whoever is responsible for his brother's recent death.
Nicolas Winding Refn
Kristin Scott Thomas,
In 1939, former New York City stock broker Richmond Hobson, a man with a privileged past, has become a cowboy, which is his dream job. With his partner, an experienced but sarcastic cowpoke... See full summary »
"The Believer" explores a Jewish student's private journey to understand the meaning of Judaism in his life. Set in New York City, the Plot follows a morally confused young adult struggling with the conflict between his beliefs and his heritage. "The Believer" examines themes of religion, family, and self-loathing. It is a psychological examination into the forces of intolerance, both on the individual and society as a whole. Written by
Due to the film's low budget, the crew could not afford permits and many scenes had to be shot quickly. See more »
In the final synagogue segment, while the congregation is singing "Aveenu Malchenu," they keep changing keys from shot to shot, up a half-step and down a half-step and back up again again, indicating a string of takes edited together. See more »
Billings, if Hitler didn't kill six million, why is he your hero?... Concentration camps all over Europe, and he only gets rid of a measly two hundred thousand... He's a putz.
[Some surprise that a Nazi is arguing against a denier]
Hitler was not a putz. Hitler was real. God created him to punish the Jews for abandoning God.
[the other survivors are embarrassed by this, but the Ancient Jew ignores them]
It is you who are putzes. Little pishas with your dreams of hatred and killing...
[...] See more »
I think I first saw Mr. Gosling in Murder by Numbers, in which he played half of a modern-day Leopold and Loeb murder team. In that good-but-not-great thriller, he did a fine job with an easy role: the smarmy manipulator who's convinced his Intellect is so superior to everyone else's that he has the right -- no, the obligation -- to kill those inferior to himself.
In The Believer, Gosling plays the young fascist who really seems to believe the antisemitic vitrol he spews. His skinhead punk is just as scary, believable and *common* as Edward Norton's in American History X -- with the added layer of being from an Orthodox background. He has apparently convinced those around him that his fascination with all things Judaic is only an effort to "know his enemy thoroughly" -- nothing more.
Gosling is nothing short of astounding in this role. He richly deserves all the honors bestowed upon him. If he continues to only get roles like Murder by Numbers, it will be a waste of a wonderful natural resource, kind of like strip mining in Yellowstone.
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