Episodic look at the life of Cuban poet and novelist, Reinaldo Arenas (1943-1990), from his childhood in Oriente province to his death in New York City. He joins Castro's rebels. By 1964, ... See full summary »
A down-on-his-luck American Indian recently released from jail is offered the chance to "star" as the victim of a snuff film, the resulting pay of which could greatly help his poverty ... See full summary »
Basquiat tells the story of the meteoric rise of youthful artist Jean-Michel Basquiat. Starting out as a street artist, living in Thompkins Square Park in a cardboard box, Jean-Michel is "... See full summary »
Benicio Del Toro
A pair of shuttle astronauts leave their spacecraft to repair a satellite. There's an explosion. NASA loses contact for two minutes, but the both are rescued and safely returned to Earth. ... See full summary »
An Innuit hunter races his sled home with a fresh-caught halibut. This fish pervades the entire film, in real and imaginary form. Meanwhile, Axel tags fish in New York as a naturalist's ... See full summary »
Episodic look at the life of Cuban poet and novelist, Reinaldo Arenas (1943-1990), from his childhood in Oriente province to his death in New York City. He joins Castro's rebels. By 1964, he is in Havana. He meets the wealthy Pepe, an early lover; a love-hate relationship lasts for years. Openly gay behavior is a way to spite the government. His writing and homosexuality get him into trouble: he spends two years in prison, writing letters for other inmates and smuggling out a novel. He befriends Lázaro Gomes Garriles, with whom he lives stateless and in poverty in Manhattan after leaving Cuba in the Mariel boat-lift. When asked why he writes, he replies cheerfully, "Revenge." Written by
Almost every scene, according to Guillermo Rosas, was photographed with a chocolate-colored filter on the camera lens. The contributed a great deal to distinctive colors and textures in the film, especially the skin tones, and the vibrancy in green hues. See more »
What do you want?
Cuban Police Officer:
What do I want... First of all, I want Carlos to frisk this guy.
But he's not even dressed.
What's your name?
My name? Franz Kafka.
Hm. You think I am ignorant?
[Reinaldo shakes his head]
Have any of you ever heard of a Camp called La Isla de Joventud?
Then maybe you can tell me, when's the last time you took it up your ass.
[...] See more »
Many praises for a movie about freedom and artistic expression
Before Night Falls is a brilliantly devised and executed account about the famed Cuban novelist Reinaldo Arenas. The film documents his childhood as a peasant, his support for Castro's rebels as an idealist youth, and as a man, his struggles, not just as an independent thinker but also as a gay man living in Communist Cuba. Throughout the film we respond to his hopes, fears, and claustrophobia as we witness the persecution of a true artist.
As a student of Latin American History and Literature I was pleased with the way the film handled the historical context of Arenas' time. The political context of Before Night Falls shouldn't come as any surprise. The artistic, social and political invisibility of gays in Cuba under the Cuban Revolution represented a dark stain on the revolutionary record. In 1965 Fidel Castro told Lee Lockwood (in Castro's Cuba, Cuba's Fidel) that `we would never come to believe that a homosexual could embody the conditions and requirements of conduct that would enable us to consider him a true Revolutionary, a true communist militant. A deviation of that nature clashes with the concept we have of what a militant Communist must be' In the mid-1960's, the infamous UMAP work camps (Unidades Militares de Auyuda a la Producción) sought to rehabilitate what they perceived as alleged antisocial elements. This is an event that is accurately depicted in Schnabel's film. The purges and denunciations of homosexuals continued into the 1980's. Today in Cuba discrimination against gays still represents a major problem. The revolution dealt with gender and racial discrimination but not with discrimination against gays. This is all documented with stunning use of archival footage and reference accounts from Arenas' autobiography.
Any review of the film would be incomplete without mentioning Javier Bardem's work. I have seen a lot of movies and few performances are even in the same league as Bardem's. I was fascinated with how he carried this film with a performance that must have been very difficult for him to adjust to. The supporting work by Johnny Depp should also be praised. His dual performance, for me, accurately identified how many within Castro's army may have used their positions as a front to deny their own sexuality as well. Overall, I was very impressed with this film and I highly recommend it
16 of 20 people found this review helpful.
Was this review helpful to you?