An eccentric scientist working for a large drug company is working on a research project in the Amazon jungle. He sends for a research assistant and a gas chromatograph because he's close ... See full summary »
In this fast action-packed thriller, Jonathan (Chris Klein), Marcus (LL Cool J), and Aurora (Rebecca Romijn) compete in a dangerous, fierce sport called Rollerball. Although, Johnathan and Marcus try to quit, cruel and vindictive promoter Alexi Petrovich (Jean Reno) encourages them to still participate. Petrovich sends his men to attack them while they are on a trip, but Johnathan survives. In the end during a game of Rollberball, Petrovich attempts a public execution of Johnathan, but the question is will Johnathan get revenge. Written by
You see Yevgeny over there, so full of himself now. He used to work in the post office. I introduced him to the proper financing, and now he owns the mines. Yeah, making a fortune. Keeps the miners in line. Good business. You might wonder why I'm not in it myself. I don't need to own the mines, Jonathan. Do you know why? Because I own the man who owns the mines. All he has, I have. Same with the supermarkets, the TV station, locomotive plant. I don't need a political position, because I own the...
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A good friend of mine, and fellow rabid film fan, said he would give me a tenner (£10) if I honestly felt that Rollerball was worth a score higher than 1/10; as much as I need the cash, I just can't bring myself to lie. Rollerball is absolutely dire and truly deserves the lowest rating possible.
A muddled, unexciting piece of drivel from the word go, John McTiernan's lousy remake of Norman Jewison's 70s cult favourite is every inch as bad as you have probably heard. Perpetually-perplexed-looking Chris Klein is unwisely cast as Jonathan (portrayed by James Caan in the original), a thrill junkie who is convinced by good friend Marcus Ridley (LL Cool J) to try his hand at Rollerball, a dangerous team sport played in Russia and its neighbouring countries.
The evil men controlling the sport, led by Alexis Petrovich (Jean Reno), are corrupt gangsters who will trade players lives in order to boost their ratings. But a brave American citizen like Jonathan isn't about to kowtow to the demands of nasty foreigners, and sets about upsetting the applecart.
To be honest, there are so many reasons to despise this movie, I really do not know where to start. I guess as good a place as any would be with director McTiernan, who seems to have lost all ability to make a decent film. This is the man who redefined the action movie in the 80s with Die Hard. He also proved he could do a decent remake with The Thomas Crown Affair. So what the hell happened here?
His Rollerball is unexciting, glossy toss that makes the mistake of pandering to the teen crowd. As a result, we get a pretty boy lead 'actor' (Klein makes Keanu Reeves look like Olivier), a rapper playing support, an ex-model (Rebecca Romijn-Stamos) as the love interest, and even an inexplicable appearance by noise-merchants Slipknot. The script treats the viewer with contempt, making no attempt to explain the titular game, rendering the action scenes meaningless. If we have no idea of the rules of the sport, how the hell can we get excited about it?
Visually the film is even worse: the 'roller dome'the arena in which Jonathan is king (despite constantly looking as if he is about to wet himself)resembles a kids activity area rather than a tough battlefield; the players, dressed in shiny PVC, look like they're off to an S&M party; and for some reason an entire chase scene is shot viewed though some kind of night-vision goggles.
The acting ranges from poor (Reno, Romijn-Stamos) to very poor (Klein, rapidly becoming my most hated actor, and LL Cool J).
Gone is the bone-crunching realistic violence of the original film; in McTiernan's version of the sport, it seems that no-one is supposed to get hurtif they do get injured, it's because of their unscrupulous bosses and their money-grabbing ways. Gone is the futuristic settingthis one is supposed to be in the here and now! And gone is any respect I had for JohnMcTiernan.
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