An eccentric scientist working for a large drug company is working on a research project in the Amazon jungle. He sends for a research assistant and a gas chromatograph because he's close ... See full summary »
A man, having fallen in love with the wrong woman, is sent by the sultan himself on a diplomatic mission to a distant land as an ambassador. Stopping at a Viking village port to restock on supplies, he finds himself unwittingly embroiled on a quest to banish a mysterious threat in a distant Viking land.
In this fast action-packed thriller, Jonathan (Chris Klein), Marcus (LL Cool J), and Aurora (Rebecca Romijn) compete in a dangerous, fierce sport called Rollerball. Although, Johnathan and Marcus try to quit, cruel and vindictive promoter Alexi Petrovich (Jean Reno) encourages them to still participate. Petrovich sends his men to attack them while they are on a trip, but Johnathan survives. In the end during a game of Rollberball, Petrovich attempts a public execution of Johnathan, but the question is will Johnathan get revenge. Written by
In the first game of Rollerball, when the red motorcycle spins on its back wheel, a wire can be seen connected to it. See more »
You see Yevgeny over there, so full of himself now. He used to work in the post office. I introduced him to the proper financing, and now he owns the mines. Yeah, making a fortune. Keeps the miners in line. Good business. You might wonder why I'm not in it myself. I don't need to own the mines, Jonathan. Do you know why? Because I own the man who owns the mines. All he has, I have. Same with the supermarkets, the TV station, locomotive plant. I don't need a political position, because I own the...
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`Rollerball' is a god-awful remake of the 1975 Norman Jewison film about a fictional sport in which murdering the players becomes a primary object of the game. The original film acquired what little credibility it had by setting the story sometime in the distant future. This version is set in the present, but it tries to maintain its believability by locating the league in Southwest Asia, under the parochial assumption, I suppose, that that part of the world is every bit as alien, exotic and dehumanized as any hypothetical future society. It doesn't work. It is simply impossible for us to believe even for a split second that the owners and promoters of this sport would think they could get away with such murderous shenanigans broadcast live to millions of viewers the world over. Might not the United Nations, among other international organizations, have a thing or two to say about all this? Also, will someone please explain to me just WHAT purpose is served by having the promoters of this sport killing off their own players? Doesn't that sort of deplete their own resources for future games? I can't imagine too many people willingly signing on to engage in this sort of gladiatorial tomfoolery.
Even if we agreed to swallow the whole thing merely for the sake of the entertainment value of the film, we would be forced to admit that `Rollerball' is a chintzy, clunky, uninteresting movie in all respects. The sport itself sort of a cross between motor cross racing, roller derby, hockey and basketball is completely unexciting, consisting of little more than blurred figures racing madly around a cramped, claustrophobic track. Without even the context of good action sequences, `Rollerball' is forced to fall back on its dialogue and characters, which proves to be disastrous for all concerned. Chris Klein, in the role of hotshot Jonathon Cross - played by James Caan in the original - comes across as a minor league version of Keanu Reeves. LL Cool J is wasted in the part of Jonathon's American sidekick, and poor Jean Reno gets to play one of the most laughable villains we've run across in a movie in a long long long long time.
In fact, this redux turns out to be good for nothing BUT a few hearty laughs. If you are in need of such, check out `Rollerball.' It's a real hoot.
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