Rollerball (2002)

The big thing in 2005 is a violent sport which can have some pretty serious consequences... like dying.

Director:

John McTiernan

Writers:

William Harrison (short story "Roller Ball Murder"), William Harrison,

Stars:

Chris Klein, Jean Reno, LL Cool J

2 nominations.

Cast

Cast overview, first billed only:
Chris Klein	...	Jonathan Cross
Jean Reno	...	Alexis Petrovich
LL Cool J	...	Marcus Ridley
Rebecca Romijn	...	Aurora (as Rebecca Romijn-Stamos)
Naveen Andrews	...	Sanjay
Oleg Taktarov	...	Denekin
David Hemblen	...	Serokin
Janet Wright	...	Coach Olga
Andrew Bryniarski	...	Halloran
Kata Dobó	...	Katya
Alice Poon	...	Red Team #7
Lucia Rijker	...	Red Team #9
Melissa R. Stubbs	...	Red Team #12 (as Melissa Stubbs)
Paul Wu	...	Red Team #16 - U Chow
Yolanda Hughes-Heying	...	Red Team #28

Storyline

Johnathan Cross, a lover of extreme sports, is recruited by Alexi Petrovich to star in his sportive invention, Rollerball. Johnathan accepts and learns the ropes of Rollerball: The players are on Rollerblades, trying to bring a heavy metal ball into a high goal. Also, there are motorcyclists around to bring momentum to the players. Oh yes, and there are no rules in the game. During his skyrocketing career, Johnathan has to experience what Alexi has found out: Blood brings more viewing pleasure to the audience. So, Alexi starts to bribe members of the different teams to cause more trouble than necessary on the field, and the viewers love it. Only a little later, Johnathan's life is already in extreme danger as well as those of his friends and teammates. In a final game, Johnathan and his team have to fight for mere survival against their real opponent - their boss Alexi Petrovich.

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Plot Keywords:

blood | sci fi movie remake | female nudity | motorcycle chase | san francisco california | 

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Taglines:

Mezameyo tôsô honnô [Japan]

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Genres:

Action | Sci-Fi | Sport

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Motion Picture Rating (MPAA)

Rated PG-13 for violence, extreme sports action, sensuality, language and some drug references

Details

Official Sites:

MGM

Country:

USA Germany Japan

Language:

English Russian French Arabic Korean German Japanese

Release Date:

8 February 2002 (USA)

Also Known As:

Batalia pe role

Filming Locations:

Blainville, Québec, Canada

Box Office

Budget:

$70,000,000 (estimated)

Opening Weekend:

$84,494 (Brazil) (27 September 2002)

Gross:

$84,494 (Brazil) (27 September 2002)

Company Credits

Production Co:

Atlas Entertainment, Helkon Media AG, Metro-Goldwyn-Mayer (MGM)

Technical Specs

Runtime:

98 min

Sound Mix:

DTS Dolby Digital SDDS

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Rollerball is referred to as "sports entertainment" - the current euphemism for professional wrestling.

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Goofs

When Jonathan climbs into the Porsche in the beginning, the front wheel of the camera car becomes visible when the Porsche turns down an alleyway.

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Quotes

Alexis Petrovich: What channel did you say you gave us in your territory?
Man: 109
Alexis Petrovich: 109. I see. 1-freaking-09. They do origami on Channel 6 of your silly hairball network! You ungrateful cretin!
[pulls out his gun / his men are holding him back]
Alexis Petrovich: I will kill you myself! I will disappear your whole family! Tell your people, you want to do business with us, we are on channels 1 through 5! Got it?
[to the cameraman]
Alexis Petrovich: You got that?
[laughs]
Alexis Petrovich: Goddamn mouse.

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Connections

Referenced in Bad Movie Beatdown: When in Rome (2011)

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Soundtracks

"America the Beautiful"
Written by Samuel A. Ward

User Reviews

One of the worst remakes ever.

A good friend of mine, and fellow rabid film fan, said he would give me a tenner (£10) if I honestly felt that Rollerball was worth a score higher than 1/10; as much as I need the cash, I just can't bring myself to lie. Rollerball is absolutely dire and truly deserves the lowest rating possible.

A muddled, unexciting piece of drivel from the word go, John McTiernan's lousy remake of Norman Jewison's 70s cult favourite is every inch as bad as you have probably heard. Perpetually-perplexed-looking Chris Klein is unwisely cast as Jonathan (portrayed by James Caan in the original), a thrill junkie who is convinced by good friend Marcus Ridley (LL Cool J) to try his hand at Rollerball, a dangerous team sport played in Russia and its neighbouring countries.

The evil men controlling the sport, led by Alexis Petrovich (Jean Reno), are corrupt gangsters who will trade players lives in order to boost their ratings. But a brave American citizen like Jonathan isn't about to kowtow to the demands of nasty foreigners, and sets about upsetting the applecart.

To be honest, there are so many reasons to despise this movie, I really do not know where to start. I guess as good a place as any would be with director McTiernan, who seems to have lost all ability to make a decent film. This is the man who redefined the action movie in the 80s with Die Hard. He also proved he could do a decent remake with The Thomas Crown Affair. So what the hell happened here?

His Rollerball is unexciting, glossy toss that makes the mistake of pandering to the teen crowd. As a result, we get a pretty boy lead 'actor' (Klein makes Keanu Reeves look like Olivier), a rapper playing support, an ex-model (Rebecca Romijn-Stamos) as the love interest, and even an inexplicable appearance by noise-merchants Slipknot. The script treats the viewer with contempt, making no attempt to explain the titular game, rendering the action scenes meaningless. If we have no idea of the rules of the sport, how the hell can we get excited about it?

Visually the film is even worse: the 'roller dome'—the arena in which Jonathan is king (despite constantly looking as if he is about to wet himself)—resembles a kids activity area rather than a tough battlefield; the players, dressed in shiny PVC, look like they're off to an S&M party; and for some reason an entire chase scene is shot viewed though some kind of night-vision goggles.

The acting ranges from poor (Reno, Romijn-Stamos) to very poor (Klein, rapidly becoming my most hated actor, and LL Cool J).

Gone is the bone-crunching realistic violence of the original film; in McTiernan's version of the sport, it seems that no-one is supposed to get hurt—if they do get injured, it's because of their unscrupulous bosses and their money-grabbing ways. Gone is the futuristic setting—this one is supposed to be in the here and now! And gone is any respect I had for JohnMcTiernan.