In 1971 Salford fish-and-chip shop owner George Khan expects his family to follow his strict Pakistani Muslim ways. But his children, with an English mother and having been born and brought... See full summary »
London 1969 - two 'resting' (unemployed and unemployable) actors, Withnail and Marwood, fed up with damp, cold, piles of washing-up, mad drug dealers and psychotic Irishmen, decide to leave... See full summary »
Richard E. Grant,
An English Professor tries to deal with his wife leaving him, the arrival of his editor who has been waiting for his book for seven years, and the various problems that his friends and associates involve him in.
With only the plan of moving in together after high school, two unusually devious friends seek direction in life. As a mere gag, they respond to a man's newspaper ad for a date, only to find it will greatly complicate their lives.
When Gerry And Sewell Go To The Sunderland, they are seen getting the bus at Haymarket Bus Station in Newcastle City Centre, this is wrong because The Go-North East Bus Company and Nexus transport authority only run buses to Sunderland from Eldon Square Bus Station in Newcastle See more »
Written by Gabrielle (as Gabriella Bobb) & Timothy Laws
Published by Perfect Songs Ltd. / Period Music
(administered by Zomba Songs Inc.) (BMI)
(administered by Zomba Music Publishers Ltd. in the UK and Eire)
Performed by Gabrielle
Courtesy of Go! Beat / Polydor UK Ltd.
Licensed by kind permission from The Film and TV Licensing Division, part of the Universal Music Group See more »
Herman has made northern drama his own with Little Voice and Brassed Off, but the formula falters in this ropey, flat and contrived tale of two teenage delinquents trying to get season tickets to see Newcastle.
Truancy, underage smoking and drinking, underage sex, teenage abortion, school bullying, drug abuse, substance abuse, depression, child violence, child sex abuse, shoplifting, housebreaking, auto theft, violent assault and armed robbery all put in an appearance here. None of these issues are explored, they merely serve to move the story along from one implausible situation to another. The film is not as acutely observed as Trainspotting, as poignant as The Full Monty, or as reflective of the times as Wonderland (from which it shamelessly steals music in an overly-manipulative manner). I suspect none of the filmmakers are from Newcastle, and have certainly never experienced the social problems the film references. I am all for entertainment, and Herman's track record shows he is aware of the need to balance the social message with laughs and tears. Quite simply, he comes up incredibly short here.
The film has a nice ending, but there are far too many flat, banal moments to sit through to get there. Nicely shot, not very well acted, and ultimately fails on three crucial points: script, script, script.
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