Bella Martha (2001)

User Rating:

7.4/10   

Director:

Sandra Nettelbeck

Writer:

Sandra Nettelbeck (writer)

Release Date:

18 April 2002 (Germany)

Genre:

Comedy | Romance | Drama

Tagline:

In Martha's enchanted kitchen, more than the food is starting to simmer. With some special ingredients they just might discover a recipe for passion.

Plot:

When a headstrong chef takes charge of her equally stubborn 8-year-old niece, the tensions between them mount... until an Italian sous-chef arrives to lighten the mood.

Plot Keywords:

Chef | Cooking | Restaurant | Car Accident | Italian

Awards:

14 wins & 5 nominations

Cast

Martina Gedeck	...	Martha Klein
Maxime Foerste	...	Lina Klein (Martha's niece)
Sergio Castellitto	...	Mario
August Zirner	...	Martha's Therapist
Sibylle Canonica	...	Frida
Katja Studt	...	Lea
Antonio Wannek	...	Carlos
Idil Üner	...	Bernadette
Oliver Broumis	...	Jan
Ulrich Thomsen	...	Sam Thalberg
Gerhard Garbers	...	Herr Steinberg
Angela Schmidt	...	Frau Steinberg
Diego Ribon	...	Giuseppe Lorenzo
W.D. Sprenger	...	Noisy customer
Victoria Trauttmansdorff	...	Companion (as Victoria Trauttmannsdorff)

Also Known As:

Mostly Martha (International: English title) (UK) (USA)
Drei Sterne (Germany) (working title)
Martha (Germany) (working title)
Ricette d'amore (Italy)

MPAA:

Rated PG thematic material and mild language.

Runtime:

109 min | Japan:105 min

Country:

Italy | Germany | Austria | Switzerland

Language:

German | Italian

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

Argentina:13 | Australia:PG | Finland:S | Germany:o.Al. | Hong Kong:I | Netherlands:AL | Norway:A | Spain:T | UK:PG | USA:PG | Singapore:PG

Filming Locations:

Hamburg, Germany

Company:

Arte

Trivia:

Sergio Castellitto's German wasn't good enough so Frank Glaubrecht was brought in to dub his voice for the German version.

Goofs:

Continuity: When Mario and Lina get ready to cook dinner at Martha's apartment, Lina puts on her apron twice.

Quotes:

Mario: [to Frida, about chef Martha] It's your restaurant, but her kitchen. Without her, it's just a pile of metal. It's for her to decide.

Movie Connections:

Referenced in Film Geek (2005)

Soundtrack:

Volare

Four relationships, two fronts, an island (no woman is....)

(spoiler regarding the general plot)

Bella Martha reminds me of About A Boy, the "no man is an island" aspect of it. In some ways, Martha is like the guy played by Hugh Grant. The difference though is that while he apparently is really happy about the state of affairs, i.e. the isolation, she is not (even if she may not be fully aware of her own unhappiness). She has to visit a therapist regularly, although she claims that this is purely on instruction of her boss. I call this visit the first of the four "relationships" just to make the number sound more interesting.

The other three relationship all start to develop quite early in the film. First, a neighbour moves in, a gentlemanly engineer called Sam. Then in her "office" i.e. the kitchen of a restaurant where she is the chef, a chap called Mario is brought in by her boss as temporary relief for her assistant on maternity leave. Finally, death of her single-parent sister in an accident left her taking care of her eight-year-old niece Lina while they search her father in Italy.

The first half of the film developed these three relationships along the two fronts: home and office. Soon, it is clear that Sam's role is not really significant, serving just as a dependable friend and emergency-baby-sitter. On the other hand, rocky starts of the other two relationships smooth out as the two fronts merge. Lina comes to the restaurant kitchen in the evenings, becoming a darling there, while Mario becomes a family friend and Lina's buddy, and the three look just like a family. We begin to see smiles on Martha's face.

As in similar movies, just after the mid-point, when characters are well developed and things go nicely, conflicts occur. What I found is that the hostility of Lina towards Martha is less than convincing, even if we take into account her possible rejection of Martha as a mother-substitution. The eventual reconciliation also comes a little too easily. The other conflicts, on which I won't go into details, are not that well developed.

But that is exactly the main point. This is not a Hollywood movie with the standard formula of powerful dramatic conflicts and climatic tear-jerking conclusions. This point is well made when we see the ending of the story given to us quite casually as part of the credit roll. Oh yes, there's a concluding scene with the therapist, reminding us of the sense of humour that comes as part of the film.

Smooth jazz (not sure if that's the right terminology) has been used throughout the film, at the right times, enhancing it rather than distracting from it.

Finally, I really love the scenes in the kitchen which is Martha's entire universe at the beginning of the film, as well as where her reconciliation with both Mario and Lina first takes place. The story aside, I really enjoy the operation in the kitchen, which is the exact opposite to the mass production lines brought about by the industrial revolution. Here, in Martha's kitchen, things are done with what I can only describe as artistic flair.