A woman takes the law into her own hands after police ignore her pleas to arrest the man responsible for her husband's death, and finds herself not only under arrest for murder but falling in love with an officer.
George, after getting out of prison, begins looking for a job, but his time in prison has reduced his stature in the criminal underworld. The only job he can find is to be a driver for ... See full summary »
Julian makes a lucrative living as an escort to older women in the Los Angeles area. He begins a relationship with Michelle, a local politician's wife, without expecting any pay. One of his... See full summary »
Spike Lee's take on the "Son of Sam" murders in New York City during the summer of 1977 centering on the residents of an Italian-American South Bronx neighborhood who live in fear and distrust of one another.
Love, retribution and redemption. Devastated by her husband's death from a drug overdose, Philippa, a British teacher living in Turin, Italy, tries to bring justice to the biggest drug dealer in Turin when the local police ignore her information about him. In building a home-made bomb and setting off a plan that fails miserably, her status changes from young widow to that of a criminal in custody. Young police officer Filipo descends into Philippa's life, changing her bleak outlook on existence into one in search of tranquility among corruption, as they become unlikely soul mates and lovers. Written by
The train shown when Filippo and Philippa arrive in Tuscany is not compatible with the passenger car seen from the inside in earlier shots. See more »
[in Italian supervising simulation]
Follow the terrain. Good. Keep it perpendicular to the ridge. That's it. Under real conditions you might have to compensate for the wind here. Now, maintain you height. Watch your height, careful.
[climbing higher simulator switches off]
In a real helicopter you can't just keep flying higher.
How high can I fly?
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A gorgeous film, start to finish. Within ten minutes you'll know your in the hands of a real talent. By the middle you'll be hypnotized. It's ravishing and beautiful.
And yet it's not all soppy. The whole point of seeing this film isn't pretty pictures, but a slowly evolving story and relationship between two people caught in a hellish situation. That it's gorgeous, fascinating, and spell-like all in one is just part of the treat.
I've seen other posters here complain that the direction of this film isn't in the tradition of "Three Colors" or other of Krzysztof Kieslowski's work; as if, because the story is based on one of his ideas, the follow-through had to be some sort of homage. That strikes me as totally irrelevant. The idea came to other hands, who made a film according to their own lights. There's no need to compare what-might-have-beens. This is a beautiful, transcendent film. See it.
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