IMDb > George Carlin: Jammin' in New York (1992) (TV)
George Carlin: Jammin' in New York
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George Carlin: Jammin' in New York (1992) (TV) More at IMDbPro »

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Down 16% in popularity this week. See why on IMDbPro.
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Release Date:
24 April 1992 (USA) See more »
When George Carlin is asked which HBO concert is his favorite, his answer is always, "Jammin' In New... See more » | Add synopsis »
Nominated for Primetime Emmy. Another 2 wins See more »
User Reviews:
Sound and the Fury See more (4 total) »



George Carlin ... Himself

Directed by
Rocco Urbisci 
Writing credits
(in alphabetical order)
George Carlin 

Produced by
Brenda Carlin .... executive producer
George Carlin .... producer
Jerry Hamza .... executive producer
Bob Livengood .... associate producer
Kimber Rickabaugh .... producer
Rocco Urbisci .... producer
Production Design by
Bruce Ryan 
Set Decoration by
Brenda Carlin 
Gage Williams 
Makeup Department
Frances A. Kolar .... makeup designer
Production Management
Gary Natoli .... stage production manager
Second Unit Director or Assistant Director
Liz Plonka .... associate director
Sound Department
Terry Kulchar .... sound
Michael Stone .... sound mixer
Camera and Electrical Department
Theodore Ashton .... camera operator
Allen Branton .... lighting designer
John Burdick .... camera operator
Ed Crosby .... camera operator
Larry Heider .... camera operator
Charlie Huntley .... camera operator
Bill Lance .... video tape operator
Ron Smith .... camera operator
Other crew
Terry Adams .... supervisor
John Bradley .... supervisor
Sandy Broadway .... assistant to producers
George Carlin .... executive album producer
Gene Crowe .... technical director
Ros Davis .... production assistant
Michele DuPepe .... production coordinator
Jacquelyn A. Gibbons .... production assistant (as Jackie Gibbons)
George Singer .... production coordinator
William S. Turchyn .... production assistant
James Urbisci .... production assistant
Jill Whelon .... production assistant
Keith Winikoff .... video
Dennis Blair .... special thanks
Sam Kinison .... dedicatee (as Sam)

Production CompaniesDistributors

Additional Details

Also Known As:
59 min

Did You Know?

George Carlin considered this to be his best special and the special in which he found his full comedic voice.See more »
George Carlin:It's the only metaphor we have in our public discourse for solving a problem; it's called declaring a war. We got a war on poverty, the war on crime, war on litter, the war on cancer, the war on drugs. But you ever notice there's no war on homelessness, is there? Nah. No war on homelessness. You know why? There's no money in that problem.
George Carlin:There's no money in that problem. Nobody stands... it's true. Nobody stands to get rich off of that problem. You could find a solution to homelessness, where the corporate swine and the politicians could steal a couple million dollars each, you'd see the streets of America begin to clear up pretty god damn quick, I'll guarantee you that.
See more »
Movie Connections:
Featured in George Carlin: 40 Years of Comedy (1997) (TV)See more »


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13 out of 15 people found the following review useful.
Sound and the Fury, 25 November 2005
Author: nycritic

If George Carlin has been known to use outrage and combine it with a razor-sharp wit to express his comedy, and if in his previous outing: DOING IT AGAIN, he was his usual manic, curmudgeonly self, JAMMIN' IN NEW YORK finds him just this shy of pure rage.

It comes to no surprise to anyone who has seen Carlin on stage that he isn't one to shy away from telling it like it is for better or for worse. He begins his routine by immediately going political: about the Persian Gulf War, he says, "It's first war we've had that was on every news channel, plus cable. We like war because we're a war-like people (...) We're good at it. And it's a good thing we are, we're not very good at anything else anymore!" With this he begins his attack on how we as a nation can bomb other countries, especially "brown people" (except Germans, and only because they were trying to 'cut in on our action.'). He talks about being his own person, someone who thinks for himself, and about how war is about "prick-waving" and nothing else. And seeing it today as yesterday it makes sense: all he's pointing the finger at is on the general situation and where we're headed, and no one is better than he in making war as a concept a sexual thing and an issue of manhood.

But he soon gets the political stuff out of the way, and goes into dissertations on embarrassing situations -- the trivial things we go through -- which are flat-out funny. No one better than Carlin to talk about how when there are times when you're coming up the stairs and think there is one extra step, or when you've woken up and not known which day it was. And of course, his forte: language, and our misuse or over use of it for things that don't need such technicality. Who better than he to talk about the minutiae of airplane instructions? Carlin, with his wonderful language and powerful wit, makes it happen. Often, it's funny, sometimes, a little cringe-inducing, but give me someone who does not like his humor and his incursions into the darker side of humanity and I will give you a liar. What is comedy, than a reflection of people's foibles and human tragedy?

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