| George Carlin | ... | Himself | |
| Rocco Urbisci | ... | Interviewer (uncredited) |
Directed by | |||
| Rocco Urbisci | |||
Writing credits(in alphabetical order) | ||
| George Carlin | ||
Produced by | |||
| Brenda Carlin | .... | executive producer | |
| George Carlin | .... | executive producer | |
| Lynne D'Ambrosio | .... | producer | |
| Jerry Hamza | .... | producer | |
| Suzanne Harold | .... | producer | |
| Michael Hoffman | .... | producer | |
| Kimber Rickabaugh | .... | producer | |
| Ellen Silva | .... | producer | |
| Rocco Urbisci | .... | executive producer | |
Original Music by | |||
| George Carlin | |||
| Ros Davis | |||
Film Editing by | |||
| Richard 'Jake' Jacobson | |||
| Edward Smith | |||
Production Design by | |||
| Bruce Ryan | |||
Art Direction by | |||
| Mitch Gill | |||
Makeup Department | |||
| Frances A. Kolar | .... | makeup designer | |
Production Management | |||
| Bob Livengood | .... | production manager | |
Sound Department | |||
| Mike Cunningham | .... | utility sound | |
| Terry Kulchar | .... | sound mixer | |
| Jim Parente | .... | utility sound | |
| Victor Smith | .... | utility sound | |
| Jan Stieff | .... | sound | |
Camera and Electrical Department | |||
| John Burdick | .... | camera operator | |
| Bill Lance | .... | video tape operator | |
| Joe Puthoff | .... | camera operator | |
| Hector Ramirez | .... | camera operator | |
| George Riesenberger | .... | lighting designer | |
| Fred Roth | .... | camera operator | |
Other crew | |||
| Terry Adams | .... | supervisor | |
| Stuart Allen | .... | technician | |
| Doug Barry | .... | video | |
| Kim Bromley | .... | unspecified assistant | |
| Ellen Brown | .... | associate director | |
| George Carlin | .... | executive album producer | |
| Gene Crowe | .... | technical director | |
| Frank Lewis | .... | crew | |
| Bill Murillo | .... | crew | |
| Nancy Nash | .... | assistant to producers | |
| Rose Riggins | .... | stage manager | |
Thanks | |||
| Bill Lutz | .... | special thanks | |
| William Wright | .... | special thanks | |
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| George Carlin: Back in Town | George Carlin: Jammin' in New York | George Carlin: Life Is Worth Losing | George Carlin: What Am I Doing in New Jersey? | "On Location: George Carlin at USC" |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section |
Only George Carlin could create entire dissertations based on completely surreal situations concocted in his (self-proclaimed) sick mind. Only George Carlin could get away with talking about the issues he tackles and addressing the fact that we the listener, the audience, get offended much too easily -- that we're offense prone.
Carlin talks about the Words that Speak the Truth. Language is big with Carlin and he uses it like swords to attack his audience to not only extract the laughs but to shoot them with what's real and what's not; what we mean to say when we say what we mean. Addressing the uses of "words you can't call people" he expertly spews forth a barrage of epithets, which only make us more aware that we may be a little more racist than we would like to think ourselves as. The same time he talks about how our own language has evolved over the years: what once we called trailer homes, now we call mobile homes, partly-cloudy has become partly-sunny, cripples become physically challenged.
It's sometimes hard to laugh at Carlin. There are moments when instead of laughing, you stop and think: because he's saying the truth, and the truth "ain't pretty". The uncomfortable situations we find ourselves in, the ease in which one can offend feminists, the hilarity of rape (and the possibility that one day, instead of being called "rape victims" they will be names "involuntary sperm recipient" makes our use of political correctness questionable. Carlin has no limits and knows it. And boy, is it an event to watch him regurgitate his furious observations. You gotta love someone this crotchety who sees things in a particular way and who dares to "go there" where most comedians, even the hardcore ones, would not.