| Photos (See all 16 | slideshow) | Videos (see all 2) |
| William H. Macy | ... | Lawrence 'Larry' Newman | |
| Laura Dern | ... | Gertrude 'Gert' Hart | |
| David Paymer | ... | Mr. Finkelstein | |
| Meat Loaf | ... | Fred (as Meat Loaf Aday) | |
| Kay Hawtrey | ... | Mrs. Newman | |
| Michael Copeman | ... | Carlson | |
| Kenneth Welsh | ... | Father Crighton | |
| Joseph Ziegler | ... | Mr. Gargan | |
| Arlene Meadows | ... | Mrs. Dewitt | |
| Peter Oldring | ... | Willy Doyle | |
| Robert McCarrol | ... | Meeting Hall Man (as Robert Mccarrol) | |
| Shaun Austin-Olsen | ... | Sullivan | |
| Kevin Jubinville | ... | Mr. Cole Stevens | |
| B.J. McQueen | ... | Mel | |
| Conrad Bergschneider | ... | Tough's Leader | |
| Brad Austin | ... | First Tough | |
| David Blacker | ... | Petey | |
| Beatriz Pizano | ... | Rape Victim (as Betariz Pizano) | |
| Rick Braggins | ... | Mr. Lorring | |
| Rodger Barton | ... | Sergeant | |
| Andrew Massingham | ... | Policeman | |
| Bryon Bully | ... | Billy | |
| Anita Burkhart | ... | Speaking Woman on Subway | |
| Olivia Slavin | ... | Mrs. Dewitt's Granddaughter | |
| Wendy Lyon | ... | Elsie | |
| Angela Fusco | ... | Second Woman on Subway | |
| Barbara Barnes-Hopkins | ... | Maid | |
| Stefan Brogren | ... | Bodyguard (as Stephan Brogren) | |
| Paulette Sinclair | ... | M.P. Receptionist | |
| Pat Patterson | ... | Green Grocer | |
| Julia Paton | ... | Waitress | |
| Leo Petrus | ... | Truck Driver | |
| Durward Allen | ... | Photographer | |
| Peter Evans | ... | Man in Theater | |
| Tedde Moore | ... | Woman #1 in Theater | |
| Anna Louise Richardson | ... | Woman #2 in Theater (as Anna-Louise Richardson) |
Directed by | |||
| Neal Slavin | |||
Writing credits | ||
| Arthur Miller | (novel) | |
| Kendrew Lascelles | (screenplay) | |
Produced by | |||
| Thomas D. Adelman | .... | co-producer | |
| Thomas D. Adelman | .... | line producer | |
| Michael Bloomberg | .... | producer (as Michael R. Bloomberg) | |
| Martin Geller | .... | executive producer | |
| Kip Konwiser | .... | co-producer | |
| Robert A. Miller | .... | producer | |
| Neil O'Connor | .... | executive producer | |
| Jamie Rizzo | .... | executive producer | |
| Sherri Saito | .... | line producer: Canada | |
| Anita Slavin | .... | executive producer | |
| Neal Slavin | .... | producer | |
Original Music by | |||
| Mark Adler | |||
Cinematography by | |||
| Juan Ruiz Anchía | (director of photography) (as Juan Ruiz-Anchia) | ||
Film Editing by | |||
| Tariq Anwar | |||
| David B. Cohn | |||
Casting by | |||
| Felicia Fasano | |||
| Anne McCarthy | |||
| Mary Vernieu | |||
Production Design by | |||
| Vlasta Svoboda | |||
Art Direction by | |||
| Edward Bonutto | |||
Set Decoration by | |||
| Michelle Convey | |||
Costume Design by | |||
| Vicki Graef | |||
Makeup Department | |||
| James D. Brown | .... | chief hair stylist | |
| Linda Dowds | .... | key makeup artist | |
| Traci Loader | .... | assistant makeup artist | |
| Linda Melazzo | .... | makeup artist: Ms. Dern (as Linda V. Melazzo) | |
| Rita Pacitto | .... | assistant hair stylist | |
Production Management | |||
| Sherri Saito | .... | production manager | |
| Natalie Samanon | .... | post-production supervisor (as Nathalie Samanon) | |
Second Unit Director or Assistant Director | |||
| Sarah Campbell | .... | second assistant director | |
| Jennifer Côté | .... | trainee assistant director | |
| Felix Gray | .... | first assistant director | |
| Patrick Murphy | .... | third assistant director | |
Sound Department | |||
| Eric Behrend | .... | sound re-recording mixer | |
| David Bell | .... | cable puller | |
| Greg Chapman | .... | sound recordist | |
| David B. Cohn | .... | supervising sound editor (as David B. Cohen) | |
| Dean Drabin | .... | adr mixer (as Dean Dravin) | |
| Ben Georgiades | .... | assistant sound engineer | |
| Jonathan Golodner | .... | sound editor | |
| Vincent Guisetti | .... | foley walker (as Vince Guisetti) | |
| Howard London | .... | adr mixer | |
| Peggy McAffee | .... | sound editor | |
| Amy Morrison | .... | dialogue editor | |
| Bryan Pennington | .... | stereo sound consultant: Dolby | |
| Ken Porter | .... | boom operator | |
| Elizabeth Rainey | .... | foley walker | |
| Neale Ricotti | .... | second assistant engineer | |
| Kyle Rochlin | .... | foley mixer | |
| Steven M. Sax | .... | sound editor (as Steve Sax) | |
| David Spence | .... | dialogue editor | |
| Jon Taylor | .... | sound re-recording mixer | |
| Tim Tuchrello | .... | first assistant sound editor (uncredited) | |
Special Effects by | |||
| Lisa Pacitto | .... | special effects coordinator: Laird McMurray Services | |
| Skyler Wilson | .... | special effects key (as Skylar Wilson) | |
| Ray Comiso | .... | special effects technician (uncredited) | |
| Ray McMillan | .... | front projection (uncredited) | |
| Laird McMurray | .... | special effects coordinator (uncredited) | |
| Jeff Skochko | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Reid Burns | .... | visual effects producer: The Image Resolution Inc. | |
| Reid Burns | .... | visual effects supervisor: The Image Resolution Inc. | |
| Greg Dewey | .... | optical department mattes: The Image Resolution Inc. | |
| Michael Ferriter | .... | digital compositing artist: The Image Resolution Inc. (as Mike Ferriter) | |
| Patrick Flanagan | .... | digital compositing artist: The Image Resolution Inc. | |
| David McCue | .... | optical effects supervisor: The Image Resolution Inc. (as Dave McCue) | |
| Beth Parker | .... | digital lineup: The Image Resolution Inc. | |
| Beth Parker | .... | optical lineup: The Image Resolution Inc. | |
| Kevin Shawley | .... | digital compositing artist: The Image Resolution Inc. | |
| Randall Weatherington | .... | animation camera: The Image Resolution Inc. | |
Stunts | |||
| Wayne Brown | .... | stunts | |
| Curtis Hibbert | .... | stunts | |
| Brian Jagersky | .... | stunt coordinator | |
| Chris Lamon | .... | stunts | |
| Duncan McLeod | .... | stunts | |
| Billy Oliver | .... | stunts | |
| Bryan Thomas | .... | stunt double: Newman | |
| Matthew Vanhart | .... | stunt double: Finkelstein (as Matthew Van Hart) | |
| Steve Vignola | .... | stunts | |
Camera and Electrical Department | |||
| Jeffrey Michael Adams | .... | grip (as Jeff Adams) | |
| Keith Adams | .... | grip | |
| Sean Bourdeau | .... | best boy grip | |
| Morgan Carpenter | .... | electrician | |
| Robert Cochrane | .... | dolly grip | |
| Kevin Craine | .... | generator operator | |
| Alex Dawes | .... | rigging gaffer | |
| Sean Dawes | .... | electrician | |
| Aidan Dunstan | .... | camera trainee | |
| Richard Emerson | .... | key grip (as Rico Emerson) | |
| Sophie Giraud | .... | still photographer | |
| Vince Gordon | .... | electrician | |
| Robert Herring | .... | key rigging grip | |
| Sacha Hindle | .... | video playback operator | |
| Reni Hoz | .... | first assistant camera | |
| Martin Lake | .... | grip | |
| Scott MacKinnon | .... | best boy electric | |
| Russ Martin | .... | still photographer | |
| Kevin Murphy | .... | gaffer | |
| Kirsta Teague | .... | second assistant camera | |
| Steve Van Denzen | .... | grip | |
| Mark Willis | .... | camera operator | |
Casting Department | |||
| Luisa Cabbidu | .... | extras casting (as Luisa Cabidu) | |
| Zameret Kleiman | .... | extras casting | |
| Jocelyn Legault | .... | casting associate: Toronto | |
| Freddy Luis | .... | casting assistant: Los Angeles (as Freddie Luis) | |
| Clare Walker | .... | casting: Canada | |
Costume and Wardrobe Department | |||
| Ann Henshaw | .... | assistant costume designer | |
| Laurie Munday | .... | key set costumer | |
| Mia Sturup | .... | costume supervisor | |
| Gisella Zomparelli | .... | costume truck supervisor | |
Editorial Department | |||
| Diane Brunjes Robb | .... | post-production trainee: Toronto (as Diane Brunjes) | |
| Steve Corcoran | .... | second assistant editor: Toronto | |
| Maura Forziati | .... | post-production assistant | |
| Adam Geiger | .... | second assistant editor: Los Angeles | |
| April Lewis | .... | negative cutter: US Computamatch | |
| Malcolm Pearcey | .... | cutter | |
| Saska Simpson | .... | first assistant editor | |
| Marilyn Sommer | .... | negative cutter: US Computamatch | |
| Mike Stanwick | .... | color timer | |
| Donald Freeman | .... | final colorist (uncredited) | |
Music Department | |||
| Mark Adler | .... | score orchestrator | |
| Joanie Diener | .... | music editor | |
| Geoff Foster | .... | score recordist | |
| Gerry Gershman | .... | music supervisor | |
| Isobel Griffiths | .... | orchestral contractor | |
| Jennie Muskett | .... | scoring coordinator: London | |
| Tony Stanton | .... | music preparation | |
Transportation Department | |||
| Barry Barber | .... | driver: set decoration | |
| John Bignell | .... | az driver | |
| Mike Billard | .... | head driver | |
| Ron Coles | .... | driver captain | |
| Dennis Dolcetti | .... | driver | |
| Ron Hilts | .... | driver (as Ron Hiltz) | |
| Brian Lytle | .... | driver: Mr. Macy | |
| Joe Morris | .... | driver | |
| Reg Renolds | .... | driver: honeywagon | |
| Jean Ritchie | .... | driver | |
| Alan Shoub | .... | driver | |
| Robert Smith | .... | transportation coordinator | |
| Joe Vechiola | .... | driver: Ms. Dern (as Joe Vecciola) | |
Other crew | |||
| Kevin Alakas | .... | office production assistant | |
| Susan Araki | .... | representative: DGC | |
| Susan Bassett | .... | assistant production accountant | |
| Debra Beers | .... | location manager | |
| McMillan Binch | .... | legal: Willkie, Farr & Gallagher | |
| Heenan Blaikie | .... | legal: Alexander, Nau, Lawrence & Frumes LLP | |
| Michael Bloomberg | .... | presenter (as Michael R. Bloomberg) | |
| Blake Busby | .... | graphics: titles, The Image Resolution Inc. | |
| Ian Campbell | .... | stand-in: Mr. Macy | |
| Anthony Carovillano | .... | on-set craft (as Anthony Carvalino) | |
| Rory Cheyne | .... | clearance research | |
| Jonathan Dana | .... | producer's representative | |
| Patti Davidson | .... | stand-in: Ms. Dern | |
| Trisha DeLuca | .... | assistant: Mr. Slavin | |
| Suzanne Dentay | .... | associate publicist | |
| James Fraser | .... | clearance research | |
| Bobbie Gardner | .... | on-set nurse coordinator | |
| Sabine Graham | .... | production coordinator (as Sabine Bernhard) | |
| Darron Leiren-Young | .... | production assistant | |
| Jayme Lemons | .... | assistant: Ms. Dern | |
| Ken Leslie-Smith | .... | representative: IATSE 411 | |
| Kristian Loosberg | .... | location production assistant | |
| Chris Martin | .... | assistant location manager | |
| Susan Moffatt | .... | production steward: ACTRA | |
| Peter Muldoon | .... | production accountant | |
| Marie A. Nazar | .... | publicist (as Marie Nazar) | |
| Rick Perotto | .... | representative: IATSE | |
| Basil Person | .... | assistant production coordinator | |
| George Pimentel | .... | interpreter | |
| Daniela Saioni | .... | script supervisor | |
| Erik Sudmals | .... | second assistant production accountant | |
| Shawn Tanaka | .... | assistant: Mr. Macy | |
| Mimi Wolch | .... | representative: IATSE | |
| Tara Ziemba | .... | on-set craft | |
Thanks | |||
| Lee Adasko | .... | thanks | |
| Wayne Alexander | .... | thanks (as L. Wayne Alexander) | |
| Rhonda Baron | .... | thanks | |
| Seth Berg | .... | thanks | |
| Susan Bloomberg | .... | thanks | |
| Christina Buchli | .... | thanks | |
| George Buck | .... | thanks | |
| Freida Oline Burkhart | .... | in loving memory of | |
| Scott Cain | .... | thanks | |
| Wayne Carmona | .... | thanks | |
| Jill Anne Castle | .... | thanks | |
| Chris Dalton | .... | thanks | |
| Dick Descherer | .... | thanks | |
| Ken Dhaliwal | .... | thanks | |
| Sally Dundas | .... | thanks | |
| Ken Ferguson | .... | thanks | |
| Jill Franklin | .... | thanks | |
| Susan Garson | .... | thanks | |
| Robert Goldfarb | .... | thanks | |
| Dan Grossman | .... | thanks | |
| Mark Halloran | .... | thanks | |
| Mary Ann Haney | .... | thanks | |
| Ken Hauptman | .... | thanks | |
| Michael Hausman | .... | our deepest appreciation | |
| Kenneth Higney | .... | thanks | |
| Mack Hill | .... | thanks | |
| Jennifer Jesperson | .... | thanks | |
| Cris Judd | .... | thanks | |
| Bob Knight | .... | thanks | |
| Carol Leslie | .... | thanks | |
| Tom Lopinski | .... | thanks | |
| Erica Loutsch | .... | thanks | |
| Hope T. Mastras | .... | thanks | |
| Gary Miller | .... | thanks | |
| Jonathan Miller | .... | additional thanks | |
| Nicky Morrow | .... | thanks (as Nick Morrow) | |
| Marty Olinick | .... | thanks | |
| Roger Playter | .... | thanks | |
| Marisa Porter | .... | thanks | |
| Sandra Richmond | .... | thanks | |
| Diane Rizzo | .... | thanks | |
| Tom Rowland | .... | thanks | |
| Alan Schwartz | .... | thanks | |
| Zel Schwartzman | .... | thanks | |
| Ellen Urell | .... | thanks | |
| Barbara Von Schieber | .... | thanks | |
| Alex Wengert | .... | thanks | |
| David Wolf | .... | thanks | |
|
|
|
|
|
| Crossfire | Mr. & Mrs. Bridge | Angry Harvest | Persepolis | Come See the Paradise |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
One of Arthur Miller's finest works, Focus, comes to the screen and while there was a lot to like about the movie, some of it seemed like it was almost unreal (though I'm not sure if that's in a good or bad way).
William H. Macy, great as always, plays Lawrence Newman, average Joe and good guy in Brooklyn, NY in the early 1940's who finds he needs a new pair of specs. Unfortunately, his choice of glasses makes him appear to be, well, Jewish, as this seems to his mother from the start. Lawrence tries to ignore the ignorance and bigotry in his neighborhood against the Jewish people, but with a string of events involving his neighbors (Meat Loaf, David Paymer), and a new girlfriend (Laura Dern in one of her best performances) who knows what trouble Lawrence is in, push him into the conflict of his life.
Often, Focus, delivers a poignant, startling and smart story in showing a character with so much at stake it is making him insane. Macy and the rest of the cast are so close to perfect and if only for them make this a must see. Not to dissapoint the fans of Miller's book, I suppose, but if it does then that is just another flaw. B+