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Focus (I) (2001)

 -  Drama | Romance  -  2 May 2002 (Australia)
6.8
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Ratings: 6.8/10 from 2,598 users   Metascore: 53/100
Reviews: 55 user | 36 critic | 27 from Metacritic.com

In the waning months of World War II, a man and his wife are mistakenly identified as Jews by their anti-Semitic Brooklyn neighbors. Suddenly the victims of religious and racial persecution... See full summary »

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Title: Focus (2001)

Focus (2001) on IMDb 6.8/10

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2 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Lawrence Newman
...
Gertrude Hart
...
Mr. Finkelstein
...
Fred (as Meat Loaf Aday)
Kay Hawtrey ...
Mrs. Newman
...
Carlson
...
Father Crighton
...
Mr. Gargan
Arlene Meadows ...
Mrs. Dewitt
...
Willy Doyle
Robert McCarrol ...
Meeting Hall Man (as Robert Mccarrol)
Shaun Austin-Olsen ...
Sullivan
...
Mr. Cole Stevens
B.J. McQueen ...
Mel
Conrad Bergschneider ...
Tough's Leader
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Storyline

In the waning months of World War II, a man and his wife are mistakenly identified as Jews by their anti-Semitic Brooklyn neighbors. Suddenly the victims of religious and racial persecution, they find themselves aligned with a local Jewish immigrant in a struggle for dignity and survival. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

Everything Is About To Become Very Clear

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for thematic material, violence and some sexual content | See all certifications »
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Details

Country:

Language:

Release Date:

2 May 2002 (Australia)  »

Also Known As:

Foco  »

Filming Locations:

 »

Box Office

Opening Weekend:

$24,139 (USA) (19 October 2001)

Gross:

$717,820 (USA) (15 March 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Neal Slavin claimed to have wanted to make this film since college. See more »

Goofs

Just after Mr. Newman has been attacked, one of the frames on his glasses is obviously bent. However, when he enters Mr. Finkelstein's shop just seconds later, his glasses are in perfect shape. See more »

Quotes

Lawrence 'Larry' Newman: Really, Gertrude, I never stop thinking about you. It's like I've been thinking about you for years. That's why you struck me so the first time I saw you.
See more »

Crazy Credits

In Loving Memory of Frieda Oline Burkhart See more »

Connections

Version of Theatre 625: Focus (1966) See more »

Soundtracks

Does Everyone Know About This
(1945)
Written by Arthur Altman and Charles Newman
Performed by Martha Tilton with Paul Weston and His Orchestra
Published by Southern Music Publishing Co. Inc. (ASCAP)
Courtesy of Capitol Records
Under license from EMI-Capitol Music Special Markets
See more »

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User Reviews

American Anti-Semitism Confronted in "Focus"
19 November 2001 | by (New York, N.Y.) – See all my reviews



In 1947, two films, "Crossfire" and "Gentlemen's Agreement," opened a queasy Hollywood's examination of anti-Semitism in our society. "Gentlemen's Agreement" dealt with religious bigotry at the level of high, or at least upper middle-class, America while "Crossfire" exposed the brutal violence that always accompanies irrational hatred and bias. Both films made, and continue to make, an impression.

Overall, Hollywood has left anti-Semitism in the U.S. pretty much alone. That many Jews have found success at both ends of the movie camera is well-known. That some of those Jews, many with Anglicized names, particularly feared the sting of the anti-communist fervor of the HUAC and Mc Carthy era, is a still disturbing and lasting legacy of a difficult time in our history. The controversy several years ago about the special Oscar for Elia Kazan brought the issue to the attention of millions ignorant of the heyday of Hollywood's involvement with the anti-communist campaign. Kazan, incidentally, directed "Gentlemen's Agreement."

"Focus," which is showing in remarkably few theaters (only two in Manhattan and I wouldn't bet on a long run) both exaggerates and encapsulates a strain of anti-Semitism in New York City during the Second World War that, even today, few who recall it say much about its pervasiveness.

The War Department was discomfited to learn through surveys that a surprising minority of servicemen thought the war was being fought for Jewish interests or that actually it had been caused by Jews. These beliefs, possibly spawned by the virulent rhetoric of Father Coughlin, the near treasonous utterances of Charles Lindbergh and the organized pro-Nazi rallies of the Bund (the U.S. arm of the Nazi Party), were more widespread than most accounts of the war recognize let alone explore.

"Focus" takes place in a Brooklyn neighborhood of seeming homogeneity marred only by the presence of Finkelstein, the candy store proprietor on the corner. To insure that the audience understands the depth of the community's fear of Jews, quick shots of his unmistakably "frum" (Orthodox) relatives from the Lower East Side are presented several times.

The cohort of organized thugs who harass both the nerdy-with-glasses-mistaken-as-a-Jew guy, William H. Macy, and his glamorous-in-a-forties-way, also mistaken as Jewish, bride, Laura Dern, didn't exist in New York City. Anti-semitic assaults occurred but they were sporadic and involved local youths, not followers of a priest who in the film is the spitting image of Father Coughlin back from hell.

What is so chilling is that the married couple's abhorrence of the growing and organized anti-Semitic harassment is not matched by any introspection as to the baseness of their own feelings about Jews. Both Mr. Macy and Ms. Dern are extraordinary as actors in a small, local drama that recasts their lives without, perhaps, causing them to reshape their own bigoted views. Or do they change?

This is a moving drama that invites exploration of part of the reality of World War II on the Home Front not covered in the continuing outpouring of Greatest Generation memoirs. When available for rental or purchase it should secure the much wider audience it deserves.


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