IMDb >
Donnie Darko (2001)
Quicklinks
Top Links
trailers and videosfull cast and crewtriviaofficial sitesmemorable quotesOverview
main detailscombined detailsfull cast and crewcompany creditsAwards & Reviews
user reviewsexternal reviewsawardsuser ratingsparents guidemessage boardPlot & Quotes
plot summarysynopsisplot keywordsmemorable quotesDid You Know?
triviagoofssoundtrack listingcrazy creditsalternate versionsmovie connectionsFAQOther Info
box office/businessrelease datesfilming locationstechnical specsliterature listingsNewsDeskPromotional
taglines trailers and videos posters photo galleryExternal Links
showtimesofficial sitesmiscellaneousphotographssound clipsvideo clipsDonnie Darko (2001) More at IMDbPro »
| Photos (See all 58 | slideshow) | Videos (see all 8) |
          |
|
Overview
User Rating:
Your Rating:
Director:
Writer:
Richard Kelly (written by)
Release Date:
30 January 2002 (France)
See more »
Tagline:
Life is one long insane trip. Some people just have better directions. See more »
Plot:
A troubled teenager is plagued by visions of a large bunny rabbit that manipulates him to commit a series of crimes, after narrowly escaping a bizarre accident. Full summary » | Full synopsis »
Awards:
11 wins
&
12 nominations
See more »
NewsDesk:
(1202 articles)
Alyce Kills Bashes its Way to DVD
(From Dread Central. 18 June 2013, 1:00 PM, PDT)
Alyce Kills DVD Release Details and Cover Art
(From DailyDead. 18 June 2013, 11:30 AM, PDT)
Thn’s Top Ten Former Child Stars That You Now Totally Would: Part Two
(From The Hollywood News. 16 June 2013, 3:30 AM, PDT)
(From Dread Central. 18 June 2013, 1:00 PM, PDT)
Alyce Kills DVD Release Details and Cover Art
(From DailyDead. 18 June 2013, 11:30 AM, PDT)
Thn’s Top Ten Former Child Stars That You Now Totally Would: Part Two
(From The Hollywood News. 16 June 2013, 3:30 AM, PDT)
User Reviews:
compelling, eerie, intense, haunting, evocative, potent, sad, heroic
See more (2006 total) »
Cast
(in credits order) (verified as complete)
Directed by | |||
| Richard Kelly | |||
Writing credits | ||
| Richard Kelly | (written by) | |
Produced by | |||
| Christopher Ball | .... | executive producer (as Chris J. Ball) | |
| Drew Barrymore | .... | executive producer | |
| Adam Fields | .... | producer | |
| Thomas Hayslip | .... | line producer (as Tom Hayslip) | |
| Nancy Juvonen | .... | producer | |
| Casey La Scala | .... | executive producer | |
| Hunt Lowry | .... | executive producer | |
| Sean McKittrick | .... | producer | |
| Aaron Ryder | .... | executive producer | |
| William Tyrer | .... | executive producer | |
Original Music by | |||
| Michael Andrews | |||
Cinematography by | |||
| Steven Poster | (director of photography) | ||
Film Editing by | |||
| Sam Bauer | |||
| Eric Strand | |||
Casting by | |||
| Joseph Middleton | |||
| Michelle Morris | (as Michelle Morris Gertz) | ||
Production Design by | |||
| Alec Hammond | (as Alexander Hammond) | ||
Set Decoration by | |||
| Jennie Harris | |||
Costume Design by | |||
| April Ferry | |||
Makeup Department | |||
| Merribelle Anderson | .... | hair stylist | |
| Merribelle Anderson | .... | second hair stylist | |
| Lynn Barber | .... | makeup department head | |
| Dorinda Carey | .... | assistant makeup artist | |
| Leslie Devlin | .... | assistant makeup artist | |
| Kathleen Freeman | .... | assistant makeup artist (as Kathleen Freeman-Smith) | |
| Kimberly Greene | .... | makeup artist: Drew Barrymore | |
| Isabel Harkins | .... | assistant makeup department head | |
| Cammy R. Langer | .... | hair stylist (as Cammy Langer) | |
| Lori McCoy-Bell | .... | hair department head | |
| Barbara Olvera | .... | hair stylist: Drew Barrymore | |
| Thomas E. Surprenant | .... | special makeup effects artist (as Thomas Surprenant) | |
| Dale Brady | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Betsy Mackey | .... | unit production manager | |
| Nancy Kirhoffer | .... | post-production supervisor (uncredited) | |
| Cynthia Nicolella | .... | post-production supervisor (uncredited) | |
| Kim Percival | .... | production supervisor (uncredited) | |
Second Unit Director or Assistant Director | |||
| Richard L. Fox | .... | first assistant director | |
| Heather Grierson | .... | second assistant director | |
| Casey Mako | .... | second second assistant director | |
Art Department | |||
| Denise Anderson | .... | assistant property master | |
| Mark Anderson | .... | property master | |
| Bryan Belair | .... | construction coordinator (as Brian Belair) | |
| Michelle R. Belair | .... | propmaker (as Michelle Belair) | |
| Andrew Berentis | .... | propmaker | |
| Jonathan Bernardi | .... | propmaker | |
| Richard Bloom | .... | art department coordinator | |
| Christopher Cuneo | .... | propmaker | |
| Gregory Diggins | .... | propmaker (as Greg Diggins) | |
| Dino Doane | .... | propmaker | |
| Tim Durrell | .... | propmaker | |
| Patrick Foyle | .... | propmaker | |
| Andrew Garcia-Price | .... | storyboard artist | |
| Thomas Gibson | .... | painter | |
| Gregg Hager | .... | propmaker | |
| Ted Harms | .... | propmaker foreman | |
| Ted Harms | .... | propmaker (as Ted Harms Jr.) | |
| Russel Harvey | .... | painter (as Russell Harvey) | |
| Jeff Higinbotham | .... | set dresser | |
| Tim Jackson | .... | construction foreman (as Timothy Jackson) | |
| Jay Kelly | .... | graphic artist | |
| Roger Knight | .... | swing gang | |
| Terry Lasko | .... | propmaker | |
| Christian E. Lemer | .... | propmaker (as Christian Lemer) | |
| Julia K. Levine | .... | set designer (as Julia Levine) | |
| Jamie Maheu | .... | set dresser (as Jamie Mehue) | |
| Mark Mastropietro | .... | propmaker | |
| Augustine Mendez Jr. | .... | labor foreman | |
| Michael Mikita | .... | paint foreman | |
| Missy Parker | .... | buyer | |
| Alejandro Poli | .... | propmaker (as Poli Alejandro) | |
| Mike Reiber | .... | painter | |
| Christopher Schultz | .... | on-set dresser | |
| Ed Sher | .... | painter | |
| Bart Sullivan | .... | swing gang | |
| Edward Tamayo | .... | set dresser (as Ed Tamayo) | |
| J.R. Vasquez | .... | lead man | |
| Scott Vollmer | .... | propmaker | |
Special Effects by | |||
| Lorraine Fadden | .... | special effects crew | |
| Scott Garcia | .... | special effects crew | |
| Robbie Knott | .... | special effects coordinator | |
| Daniel Yates | .... | special effects crew (as Dale Yates) | |
Visual Effects by | |||
| David Alexander | .... | compositor: Amalgamated Pixels | |
| R. Christopher Biggs | .... | senior compositor: Amalgamated Pixels | |
| Culley Bunker | .... | compositor: Amalgamated Pixels (as Culley M. Bunker) | |
| D. Walt Cameron | .... | compositor: Amalgamated Pixels | |
| Kelly Carlton | .... | additional visual effects | |
| Kelly Carlton | .... | visual effects supervisor (director's cut) | |
| Dennis Fitzsimmons | .... | compositor: Amalgamated Pixels | |
| Derry Frost | .... | head of production: Amalgamated Pixels | |
| Marcus Keys | .... | visual effects supervisor | |
| Ken Locsmandi | .... | senior animator: Amalgamated Pixels | |
| Joe Mangione | .... | senior animator: Amalgamated Pixels | |
| Michael Morreale | .... | digital supervisor: Amalgamated Pixels (as Michael J. Morreale) | |
| Jeremy Oddo | .... | senior animator: Amalgamated Pixels | |
| Phillip Palousek | .... | digital coordinator: Amalgamated Pixels | |
| Chad Royer | .... | senior compositor: Amalgamated Pixels | |
| Paul Scott | .... | digital producer: Amalgamated Pixels | |
| Gregory S. Scribner | .... | compositor: Amalgamated Pixels | |
| Teod Tomlinson | .... | senior animator: Amalgamated Pixels | |
| Christopher Dusendschon | .... | digital imaging: THDX (uncredited) | |
| Steven Emmert | .... | optical compositor: THDX (uncredited) | |
Stunts | |||
| Robin Lynn Bonaccorsi | .... | stunts (as Robin Bonaccorsi) | |
| Dan Bradley | .... | stunts | |
| Mickey Giacomazzi | .... | stunt coordinator | |
| Sean Graham | .... | stunts | |
| Hugh Aodh O'Brien | .... | stunts | |
| Jeanna Phillips | .... | stunts | |
Casting Department | |||
| Dena Berman | .... | casting assistant | |
| Debe Waisman | .... | extras casting | |
Costume and Wardrobe Department | |||
| Donna Berwick | .... | assistant costume designer | |
| Naillon Joan Cass | .... | costumer (as Joan Naillon Cass) | |
| David Ferry | .... | costumer | |
| Nisa Kellner | .... | costumer | |
| Joseph Markham | .... | costume supervisor (as Joe Markham) | |
Editorial Department | |||
| Ngozi Akbar | .... | assistant editor | |
| Allen Barnwell | .... | post-production assistant | |
| Mark Eggenweiler | .... | assistant editor | |
| Kevin Greutert | .... | first assistant editor (director's cut) | |
| Jim Passon | .... | color timer | |
| Robert W. Sterrett III | .... | post-production assistant | |
| Greg Thompson | .... | assistant editor | |
| Lisa Valenzuela | .... | post-production assistant | |
| Chris Regan | .... | color timer (uncredited) | |
Music Department | |||
| Jennifer Barak | .... | music editor | |
| Ged Bauer | .... | music consultant (director's cut) | |
| Todd Burke | .... | score mixer | |
| Todd Burke | .... | score recordist | |
| Shannon Erbe | .... | music editor | |
| Steve Genewick | .... | assistant music engineer | |
| Manish Raval | .... | music supervisor | |
| Tom Wolfe | .... | music supervisor | |
Thanks | |||
| Christina Applegate | .... | special thanks | |
| Danny Elfman | .... | special thanks | |
| M.C. Escher | .... | special thanks | |
| Naomi Foner | .... | special thanks (as Naomi Foner Gyllenhaal) | |
| Stephen Gyllenhaal | .... | special thanks | |
| Aimee Mann | .... | special thanks | |
| Moby | .... | special thanks | |
| Jonathan Mostow | .... | special thanks | |
| Eli Roth | .... | special thanks | |
| Tony Scott | .... | special thanks | |
| Kevin Smith | .... | special thanks | |
Production Companies
- Pandora Cinema (in association with) (as Pandora)
- Flower Films (II) (as A Flower Films Production)
- Adam Fields Productions
- Gaylord Films
- Pandora Cinema (2001) (worldwide) (all media)
- Newmarket Films (2001) (USA) (theatrical)
- A-Film Distribution (2002) (Netherlands) (theatrical)
- Asmik Ace Entertainment (2002) (Japan) (theatrical)
- Bir Film (2003) (Turkey) (theatrical)
- Dan Films (2002) (Denmark) (theatrical) (Scandinavia)
- Manga Films (2002) (Spain) (theatrical)
- Metrodome Distribution (2002) (UK) (theatrical)
- Metropolitan Filmexport (2002) (France) (theatrical)
- Pony Canyon (2002) (Japan) (theatrical)
- 20th Century Fox Home Entertainment (2002) (USA) (DVD)
- 20th Century Fox Home Entertainment (2002) (USA) (VHS)
- 20th Century Fox Home Entertainment (2004) (USA) (DVD)
- 20th Century Fox Home Entertainment (2009) (USA) (DVD) (Blu-ray)
- A-Film Home Entertainment (2002) (Netherlands) (DVD)
- A-Film Home Entertainment (2005) (Netherlands) (DVD) (Quality Film Collection)
- Egmont Entertainment (2002) (Finland) (DVD)
- Finnkino (2002) (Finland) (VHS)
- Flashstar Home Vídeo (2003) (Brazil) (DVD)
- Flashstar Home Vídeo (2003) (Brazil) (VHS)
- Home Box Office (HBO) (2004) (Czech Republic) (TV)
- Madman Entertainment (2003) (Australia) (DVD)
- Media Cooperation One (MC-One) (2004) (Germany) (DVD)
- Media Cooperation One (MC-One) (2004) (Germany) (VHS)
- Metrodome Distribution (2004) (UK) (DVD)
- Moviemax (2004) (Italy) (all media)
- New Age Entertainment (2002) (Portugal) (all media)
- Nordisk Film (2004) (Finland) (DVD)
- Nordisk Film (2002) (Sweden) (DVD)
- SP Films (2011) (Argentina) (all media)
- SubTV (2005) (Finland) (TV)
- Vertice Cine (2002) (Spain) (DVD)
- Amalgamated Pixels
- Effects Group, The
- SSI Advanced (visual effects compositing) (director's cut) (as SSI Advanced Post Services)
- Amnesty International special thanks
- Anchor Bay Entertainment "Evil Dead" footage
- Capitol Studios score mixing facilities
- Cast & Crew Catering catering
- Chapman/Leonard Studio Equipment cranes and dollies
- DeLuxe Laboratories color timing (as Deluxe)
- Dedo Light special thanks
- Digital Cut Post Inc. avid film composers provided by
- Direct Tools & Fasteners expendables
- EFX Systems sound editing and mixing facilities
- Edward Steidel & Company foley artists
- Elgonix Labs, Los Angeles score recording (as Elgonix Labs)
- Everloving Records score album
- Film Finances completion guarantor
- Insignia Public Relations unit publicity
- LaserPacific digital motion picture laboratory services (as Laserfilm Film Recording Services)
- Lowell Light special thanks
- Micdi Productions music editing
- Oberman, Tivoli, Miller and Pickert post-production accounting
- Pacific Title titles and opticals
- Paskal Lighting special thanks
- Post Logic special thanks
- Renaissance Pictures "Evil Dead" footage
- Richmond Times-Dispatch special thanks
- Steve and Edie's Gourmet Looping loop group (as Steve & Edie)
- Surpin, Mayersohn & Edelstone production legal
- The Conformist negative cutting
- Virginia Film Commission special thanks
- Wilshire Stages, The sound editing and mixing facilities
- Wilshire Stages, The sound services (director's cut)
Additional Details
Also Known As:
"Donnie Darko: The Director's Cut" - USA (director's cut)
See more »
See more »
MPAA:
Rated R for language, some drug use and violence
Parents Guide:
Runtime:
113 min | 133 min (director's cut)
Country:
Language:
Color:
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:
Certification:
Australia:M | Canada:14A (Manitoba/Ontario) | Canada:G (Quebec) | Czech Republic:15 | Finland:K-15 | France:U | Germany:16 | Hong Kong:IIB | Ireland:15 | Italy:T | Japan:PG-12 | Netherlands:12 | New Zealand:R16 | Norway:15 | Portugal:M/16 | Singapore:NC-16 | South Korea:15 | UK:15 | USA:R | Canada:AA (Ontario) (original rating) | USA:R (director's cut) | Portugal:M/12 (director's cut) | Iceland:16 | Spain:13 | Hungary:16 | Brazil:14 | New Zealand:M (director's cut) | Sweden:11 (TV rating) | Sweden:15 | Mexico:B | Canada:PG (British Columbia) (director's cut) | Argentina:16
Filming Locations:
Company:
Did You Know?
Trivia:
At the start of the movie, when Donnie rides his bicycle back into town, right after he passes the two ladies out "powerwalking", its actually Frank passing by in his red Trans Am.See more »
Goofs:
Errors in geography: Middlesex, VA, is mostly flat and does not have hills as depicted in the movie.See more »
Movie Connections:
References It's a Wonderful Life (1946)See more »
Soundtrack:
NotoriousSee more »
FAQ
Why is Donnie laughing at the end and/or why doesn't he get out of bed?What part does Cherita Chen play in the film? Why does Donnie put on Cherita's ear muffs?
What happened to Gretchen's mother at the end of the film?
See more »
See more (2006 total) »
Message Boards
Discuss this movie with other users on IMDb message board for Donnie Darko (2001) See more »Recommendations
If you enjoyed this title, our database also recommends:
Show more recommendations
|
|
|
|
|
| Carrie | The Butterfly Effect | Freeway | La corta notte delle bambole di vetro | Southland Tales |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
Related Links
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Drama section |
| IMDb USA section |
Copyright © 1990-2013
IMDb.com, Inc.
Conditions of Use | Privacy Policy | Interest-Based Ads
An 
company.
Being an angst-ridden teenager has never been easy, especially when you can see what's down the road, and it looks a lot like the end of your world.
Writer and Director Richard Kelly is an artist whose films I will anticipate and Jake Gyllenhaal is truly remarkable among a very rich cast. He plays a troubled young man with a brilliant intellect and a vast imagination, struggling with the boredom of standard education, and a society afraid of its own shadow (e.g. contemporary America). An imaginary friend, Frank - a seven foot tall metal-headed skull-faced demon-rabbit saves his life by removing him from the the scene of a catastrophe just before it occurs, only to lead him down an alternative path to an even more terrible oblivion complete with forecasts of doom, psychiatrists, and self-help charlatans.
This film feels as creepy as any well-made ghost story I have ever seen, yet redefines the genre of supernatural storytelling in a very unique and original way.
Donnie Darko is a film about heroism and sacrifice, decorated with disturbing imagery, the horror of everyday life, and a soundtrack reminiscent of Lynch's best. It is also a film worthy of several viewings and at least as many varied interpretations.
I can not honestly recommend this to anybody who attends films for the pure sake of entertainment. Nor can I recommend it to people who need straight answers or have limited attention spans. It's art, and does not need to provide pat explanations for itself. As entertaining as this film may be, it has an unrelenting and merciless dark side, and might disturb even the most veteran indy film carmudgeon.
This is a great film. See it.