When their relationship turns sour, a couple undergoes a procedure to have each other erased from their memories. But it is only through the process of loss that they discover what they had to begin with.
In future Britain, charismatic delinquent Alex DeLarge is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.
Donnie Darko doesn't get along too well with his family, his teachers and his classmates; but he does manage to find a sympathetic friend in Gretchen, who agrees to date him. He has a compassionate psychiatrist, who discovers hypnosis is the means to unlock hidden secrets. His other companion may not be a true ally. Donnie has a friend named Frank - a large bunny which only Donnie can see. When an engine falls off a plane and destroys his bedroom, Donnie is not there. Both the event, and Donnie's escape, seem to have been caused by supernatural events. Donnie's mental illness, if such it is, may never allow him to find out for sure. Written by
Perhaps the most relevant social commentary on U.S society ever put on screen.
Above all, this film has a kind of flow to it like nothing I've ever experienced in any other film before. The magic sets in from the very first moment, when we see Donnie waking up (and the song 'The Demon Moon' starts), and you just go with that flow and let yourself be drawn into that world. The story unfolds like a dream and the ambiguity (at least in the theatrical cut) as well as the fantastic songs help create an absolutely unique and strangely compelling atmosphere.
Fantastic script and fantastic performances: this film has a richness in its characters that amazes me every time I watch it. Forget the director's cut - here for once the theatrical version is the masterpiece. Probably the best social commentary on American society I've ever seen but beautifully woven into an ambiguous, slightly surreal fantasy tale with a haunting soundtrack.