Andrew Garfield, Mahershala Ali, Ruth Negga, and five others received their first-ever acting nominations for 2017. While these actors are new to the Academy Awards, you may recognize them from their earlier work.
In 17th century Paris, a dashing swordsman named D'Artagnan finds himself at odds with the powerful forces taking over France. He sets out to avenge the murder of his parents and finds his country cleaved by chaos and civil unrest. His heart softens only for Francesca, a fiery peasant girl who claims D'Artagnan's heart on sight. Written by
Sujit R. Varma
D'Artagnan did really exist. His name was Charles de Batz and was called D'Artagnan when he arrived in Paris probably because he was coming from the south-west of France (where the movie was partly shot) and where is the little city of Artagnan. See more »
There are two jet contrails in the sky at D'Artagnan's parents' funeral. See more »
Do not turn your back on me, D'Artagnan, for I will fight you!
Do not fight me, Aramis, for I will kill you.
See more »
I doubt I need to explain the plot. It's Three Musketeers, nuff said. However this time, it has action choreographed by Hong Kong master Xin Xin Xiong (martials arts buffs among you may recognize the name).
Neat production values and some interesting kung-fu/swashbuckling set pieces, like sword duels on the side of a tower or across ladders, aside, this is a really dull, lackluster version of the classic adventure (at least W.S' mess had some steampunk thrown in, and even Disney gave us the forever badass Michael Wincott and a rather amusing Oliver Platt).
OH BOY, OH BOY, where to start? Well, the performances are flat-as- shot-tires all around, with the normally terrific Stephen Rea as a seemingly always monotone Richeleu being especially inexcusable. Mix that with thin characters that aren't engaging or lively in the slightest, and a plot that oversimplifies the story absurdly to focus solely on D'Artagnan, making the other Musketeers almost redundant, as well as even more lifeless (the witty repartee and banter, as well as 'All for One' friendship that almost every other version has? Completely Absent). And as if this cake needed more icing, the utterly generic score from the otherwise talented David Arnold (Stargate, Sherlock) that doesn't do much adrenaline pumping, nor has any real whimsy or levity to it.
In the end, this is the text-book definition of 'unnecessary'. The concept of swashbuckling + kung fu should make for, at least, good cheesy fun, but when that is the ONE and ONLY thing your movie has going for it, you have officially failed as a film maker.
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