| Photos (See all 12 | slideshow) |
Directed by | |||
| Chris Ver Wiel | |||
Writing credits(WGA) | ||
| Chris Ver Wiel | (written by) (as Chris Verwiel) | |
Original Music by | |||
| Randy Edelman | |||
Cinematography by | |||
| Jerzy Zielinski | |||
Film Editing by | |||
| Roger Bondelli | |||
Casting by | |||
| Steve Brooksbank | |||
| Jon Comerford | |||
| Mary Jo Slater | |||
Production Design by | |||
| Charles Rosen | |||
Art Direction by | |||
| Peter Emmink | |||
Set Decoration by | |||
| Christina Kuhnigk | |||
| Michael McShane | |||
Costume Design by | |||
| Betsy Cox | |||
| Kei Yano | |||
Makeup Department | |||
| Julia Carter | .... | assistant makeup artist | |
| Hallie D'Amore | .... | makeup artist: Tim Allen | |
| Ina Green | .... | assistant hair stylist | |
| Mary Sue Heron | .... | key makeup artist (as Marysue Heron) | |
| Kevin Hutchinson | .... | special makeup effects artist | |
| Moira Wijk | .... | key hair stylist | |
Production Management | |||
| W. Michael Beard | .... | post-production supervisor | |
| Dennis Chapman | .... | unit production manager | |
| Lisa Kalushner | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Christopher Binney | .... | second assistant director | |
| Cassandra Cronenberg | .... | third assistant director | |
| Andrew Shea | .... | first assistant director | |
Art Department | |||
| John Archbell | .... | property master | |
| Simon Corton | .... | on-set dresser | |
| Rojuano Espiritu | .... | assistant set dresser | |
| Ron Hobbs | .... | storyboard artist | |
| David Joseph | .... | lead dresser | |
| Cary A. King | .... | set dresser and onset dresser | |
| Billy Koon | .... | key scenic painter | |
| Christina Kuhnigk | .... | set buyer | |
| Valerie Kurck | .... | second assistant art director | |
| Mark Kurtyka | .... | head carpenter | |
| Brent McGillivray | .... | first assistant art director | |
| Dan Mucka | .... | construction coordinator | |
| Donald Peddie | .... | assistant set dresser | |
| William Poulter | .... | assistant set dresser | |
| Jeff Silver | .... | set dresser | |
| Peeter Tammemagi | .... | assistant property master | |
| Matthew G. Wright | .... | set dresser | |
Sound Department | |||
| Matt Ahrens | .... | assistant sound effects editor | |
| David Appleby | .... | sound re-recording mixer (as Dave Appleby) | |
| Brian Avery | .... | production sound mixer | |
| Brian Avery | .... | sound recordist | |
| Steve Baine | .... | foley artist | |
| Kevin Banks | .... | foley editor | |
| Kevin Banks | .... | sound editor | |
| Elma Bello | .... | dialogue editor | |
| Elma Bello | .... | re-conform editor | |
| Fred Brennan | .... | dialogue editor | |
| Richard Cadger | .... | dialogue editor (as Rick Cadger) | |
| Christian Carruthers | .... | sound re-recording mixer | |
| Gavin Coford | .... | boom operator | |
| Roderick Deogrades | .... | sound effects editor | |
| John Elliot | .... | foley assistant | |
| Gina Gyles | .... | foley assistant | |
| Steve Hammond | .... | foley artist | |
| Richard Harkness | .... | sound effects editor (as Rich Harkness) | |
| Ronayne Higginson | .... | dialogue editor | |
| Robbie John | .... | sound trainee | |
| Martin Gwynn Jones | .... | assistant dialogue editor | |
| Sean Kelly | .... | dialogue editor | |
| Garrett Kerr | .... | supervising dialogue editor | |
| Ana Malcon | .... | foley assistant | |
| Ron Malligers | .... | foley engineer (as Ron Mellegers) | |
| David McCallum | .... | sound effects editor | |
| Peter Persaud | .... | foley recordist | |
| Brent Pickett | .... | first assistant sound editor | |
| Greg Shim | .... | adr engineer | |
| Mark Shnuriwsky | .... | sound editor | |
| Brad Thornton | .... | sound re-recording mixer | |
| Robert Warchol | .... | sound effects editor | |
| Mark Zsifkovits | .... | sound re-recording mixer | |
Special Effects by | |||
| Mohammad Ghorbankarimi | .... | special effects supervisor | |
| Patrick Hirlehey | .... | special effects: Jaleo Master | |
| Brock Jolliffe | .... | special effects coordinator | |
| George Levai | .... | special effects: Jaleo Master | |
| Robert C. Shannon | .... | underwater special effects diver | |
Visual Effects by | |||
| Lisa Carr-Harris | .... | 2D artist: C.O.R.E. Digital Pictures | |
| Sara Fillmore | .... | production manager: C.O.R.E. Digital Pictures | |
| Dipankar Goswamy | .... | 3D animator: C.O.R.E. Digital Pictures | |
| Shane Kinnear | .... | executive producer: C.O.R.E. Digital Pictures | |
| Stan Klychko | .... | technical support: C.O.R.E. Digital Pictures | |
| Michael Kowalski | .... | production manager: C.O.R.E. Digital Pictures | |
| Tanya Kuzmanovic-Howard | .... | production coordinator: C.O.R.E. Digital Pictures | |
| Bob Munroe | .... | visual effects supervisor | |
| Ken Ouellette | .... | 3D animator: C.O.R.E. Digital Pictures | |
| Nordin Rahhali | .... | 3D animator: C.O.R.E. Digital Pictures | |
| Nordin Rahhali | .... | animation supervisor: C.O.R.E. Digital Picture | |
| John A. Shaw | .... | technical support: C.O.R.E. Digital Pictures | |
| Tracey Vaz | .... | 2D artist: C.O.R.E. Digital Pictures | |
| Michael Wile | .... | 3D animator: C.O.R.E. Digital Pictures | |
| Alphonso Young | .... | 2D artist: C.O.R.E. Digital Pictures | |
Stunts | |||
| Nick Alachiotis | .... | stunts | |
| Ron Bell | .... | stunts | |
| James Binkley | .... | stunts | |
| Matt Birman | .... | stunts | |
| Shelley Cook | .... | stunts (as Shelly Cook) | |
| Rick Forsayeth | .... | stunt coordinator | |
| Danny Lima | .... | stunts | |
| Dwayne McLean | .... | stunts | |
| Regan Moore | .... | stunt rigger | |
| Layton Morrison | .... | stunts | |
| Valentin Nedialkov | .... | stunts | |
| Billy Oliver | .... | stunts (as Bill Oliver) | |
| Sue Parker | .... | stunts | |
| Edward A. Queffelec | .... | stunts (as Ed Queffelec) | |
| Robert Racki | .... | stunts | |
| Bryan Renfro | .... | stunts | |
| Paul Rutledge | .... | stunts | |
| Robert C. Shannon | .... | water safety | |
| Peter Szkoda | .... | stunts | |
| Tye Tyukodi | .... | stunts (as Anton Tyukodi) | |
| Ron Van Hart | .... | stunts | |
Camera and Electrical Department | |||
| Andy Barnet | .... | grip | |
| Mark Berlet | .... | gaffer | |
| Andy Chmura | .... | camera operator | |
| Ross Church | .... | grip | |
| Mark Cyre | .... | first assistant camera | |
| Alex Zeek Cywink | .... | electric trainee | |
| John Foss | .... | assistant rigging grip | |
| Ava Gerlitz | .... | still photographer | |
| Kenny Green | .... | electrician | |
| Gene Grey | .... | grip | |
| Mitch Holmes | .... | key grip | |
| Rick Leger | .... | generator operator | |
| Robin Lopes | .... | dolly grip | |
| David McNeil | .... | rigging gaffer | |
| Patricia Meyer | .... | camera trainee | |
| Rahul Parekh | .... | rigging grip | |
| Loreen Ruddock | .... | best boy electric | |
| Christopher J. Toudy | .... | best boy grip (as Chris Toudy) | |
| Neil Trafford | .... | second assistant camera: "a" camera | |
| Chris Zak | .... | electrician | |
Casting Department | |||
| Larissa Giroux | .... | casting associate: Canada | |
| Zameret Kleiman | .... | extras casting | |
| Jeff Olan | .... | extras casting | |
Costume and Wardrobe Department | |||
| Elayne Alexander | .... | on-set wardrobe | |
| Arlene Kamalatisit | .... | wardrobe trainee | |
| Julie O'Brien | .... | costume designer: USA | |
| Melissa Antablin | .... | costume supervisor (uncredited) | |
Editorial Department | |||
| Marcus Manton | .... | additional editor | |
| Arthur Montreuil | .... | color timer | |
| Colin Moore | .... | colorist | |
| Corinne Villa | .... | assistant editor | |
Music Department | |||
| Elton Ahi | .... | scoring engineer | |
| David Bondelevitch | .... | music editor | |
| Mike Phillips | .... | assistant music editor | |
| Jeff Wolpert | .... | music editor | |
Transportation Department | |||
| Brad Bell | .... | transportation captain | |
| Eddie Bowman | .... | transportation coordinator | |
| William Kuehn | .... | transportation coordinator | |
| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section |
This is a movie that uses one of those "clever" dirty tricks that the writer ought to have avoided: It's analyzing itself so tightly that, according to its own analysis, it is necessarily a masterpiece. It's blowing its own trumpet. It's too self-aware. And the pity is that it doesn't need it. It starts out slow, but it's actually a very good story, which should have been allowed to run its course *au naturel*, without the over-analytical commentary by Critical Jim. This, for me, is the main reason why this movie fails to garner more than a 6 out of 10.
Another reason is, as I said, it starts out too slow. It takes too long to get into high gear. It has too little to engage the viewer. For half the movie, the only thing that makes you want to spend your time on it is Portia de Rossi's prettiness. To be a really good movie, it needed to have had a number of more attractive elements, be they pretty women or interesting plot turns.