New York is the dream city of Tavo and Marina, where the lovers hope to start a better life; at home in Bogota they have to work as pocket pickers at the airport to support their families. ... See full summary »
A recently paroled ex-con who has trouble adjusting to the wacky normalcy of life outside of prison. He has spent the last three years behind bars after getting caught committing a crime and taking the rap for his much more dangerous pal.
Based on the 17th Century play, this modernization finds a young man in love with a woman who is promised to another. Pleading with her man-servant to murder her pledged, he in turn ... See full summary »
Christian Slater is a stranger who comes to a small town. The local citizens think he's up to no good. After bothering him for a while, he blurts out in frustration, that he is there to ... See full summary »
Follow actor J Kimball as he researches what it's like to be old for a role in an upcoming movie. When he meets the residents at The Coconuts convalescent home, he quickly discovers that ... See full summary »
A journalist with solid mob connections falls for a stripper with a dark past. His best friend then drags him to L.A. with the intent of becoming movie men. But does real life and fiction ... See full summary »
During the father-daughter train ride to hide the box (set in the 1970s), the two locomotives shown are in CSX paint. The railroad CSX was not formed until July 1, 1986 as a renaming of the Seaboard System Railroad and Chessie System into one entity. CSX never had passenger service. See more »
You two cheesedicks couldn't improvise a fart after eating a three bean salad.
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A sweet treat for film lovers....and fans of "Pulp Fiction" fantaises in particular.
Minor but most enjoyable matinee fodder which is notable for giving tailor made opportunities to an eclectic cast of "names" who have all been unfortunatley ill used by recent vehicals. Tim Allen seems to relish toning down the roguish chortle (the trailer of "S. C. II" points to a huge potential comeback....and an even huger potential for further typecasting). This was his freshest performance in years....and Christian Slater's charming work prooves just how much warmth and wit do lie untapped underneath the lethargic mannerisms....and make appearances in unworthy megaduds like "Windtalkers" even more sad. Richard Dreyfuss has a much smaller role....(thank heavens) but even he seems a bit more vital and less hammy than he has been of late (except in the unjustly overlooked gem "Tripendorff's Tribe" in which he was hysterical...at least on Cinemax. The love it or hate it factor here is bound to be the playful and very deliberate swipes at Tarantino which seem to be this scripts main reason for existence. Even though I loved "Fiction" (and hated "Gump") I can still appreciate the cheekiness of stealing the diffuse plot structure, toning down the bloodletting and bad words, and injecting two very refreshing elements....a nice sense of humanity and an obviously genuine affection for the art of cinema...anyone who is open to either of those qualities should find much to enjoy in this nice little film.
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