George Kuffs didn't finish high-school, just lost his job and his girlfriend who still is in college is pregnant. Since he can't see how he can support her, he thinks she is better off ... See full summary »
Bruce A. Evans
Ric Roman Waugh
CHRISTIAN SLATER plays a worldly and urbane priest who is forced to challenge his comfortable existence as an ecclesiastical spin-doctor when he comes to believe in the innocence of a young... See full summary »
Christian Slater is a stranger who comes to a small town. The local citizens think he's up to no good. After bothering him for a while, he blurts out in frustration, that he is there to ... See full summary »
From start to finish, it's a story of friendship between 4 street-wise males who don't mind using violence to achieve the lives that they want. They trust no one but each other which is vital to their success as mobsters.
During the father-daughter train ride to hide the box (set in the 1970s), the two locomotives shown are in CSX paint. The railroad CSX was not formed until July 1, 1986 as a renaming of the Seaboard System Railroad and Chessie System into one entity. CSX never had passenger service. See more »
You two cheesedicks couldn't improvise a fart after eating a three bean salad.
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This is a movie that uses one of those "clever" dirty tricks that the writer ought to have avoided: It's analyzing itself so tightly that, according to its own analysis, it is necessarily a masterpiece. It's blowing its own trumpet. It's too self-aware. And the pity is that it doesn't need it. It starts out slow, but it's actually a very good story, which should have been allowed to run its course *au naturel*, without the over-analytical commentary by Critical Jim. This, for me, is the main reason why this movie fails to garner more than a 6 out of 10.
Another reason is, as I said, it starts out too slow. It takes too long to get into high gear. It has too little to engage the viewer. For half the movie, the only thing that makes you want to spend your time on it is Portia de Rossi's prettiness. To be a really good movie, it needed to have had a number of more attractive elements, be they pretty women or interesting plot turns.
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