A fake Fabergé egg and a fellow agent's death leads James Bond to uncovering an international jewel smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on NATO forces.
A renegade general and his group of U.S. Marines take over Alcatraz and threaten San Francisco Bay with biological weapons. A chemical weapons specialist and the only man to have ever escaped from the Rock attempt to prevent chaos.
Pierce Brosnan gives one last mission as James Bond. Starting off in North Korea, Bond is betrayed and captured. 14 months later, Bond is set free, but traded for Zao who was captured by MI6. When back in his world, Bond sets off to track down Zao. Bond gets caught up in yet another scheme which sends him to millionaire Gustav Graves. Another MI6 agent known as Miranda Frost is also posing as a friend of Graves. Bond is invited to a presentation held by Graves about a satellite found in space which can project a huge laser beam. Bond must stop this madman with a fellow American agent, known as Jinx. Whilst Bond tries to stop Graves and Zao, will he finally reveal who betrayed him? Written by
The magazine with the picture of Gustav Graves that Bond reads on the British Airways flight is the real in-flight magazine for British Airways. Called "High Life", the edition seen was for the month of November 2002. The Magazine in fact interviews the actor playing Graves about his part and includes an article on all previous Bond Movies and their respective stunts. See more »
Colonel Moon is beating up the punching bag. Afterwards, it is unzipped and a man falls out. However, when he was beating up the punching bag, it was shaped like a regular punching bag, not like it had a man inside. If it had a man inside, there would have been a lot more air in the bag. See more »
Mr. Van Bierk:
[stepping out of helicopter]
Look, what is this? I'm supposed to...
[Bond puts a gun to Mr. Van Bierk's head and takes his sunglasses]
See more »
In the traditional walk-and-shoot opening, the bullet Bond fires can be seen shooting towards the camera - meaning that Bond has shot up the gun barrel of his opponent! See more »
Come back George, all is forgiven: At lease "On Her Majesty's Secret Service" was recognizable as a Bond film. The latest installment in the franchise, the 20th installment in fact, should have been a cause for celebration. Instead, I have to rate it a solid 1, and that only because the system won't let me rate it lower. When did James Bond morph with Rambo? What happened to the wit and charm that was evident in the best of the series, films like 'Goldfinger" and "The Spy Who Loved Me"?
There is nothing in this film that feels original or fresh. And the John Woo influenced cinematics have no place in a Bond film. And what's with the use of CGI in place of real stuntmen doing the impossible, as they did in every other film? Sure, it may look "super cool" in concept, but in fact it looks fake and out of place. They didn't use CGI to make trucks act like race cars in "License To Kill".
I'm afraid that on his 40th anniversary, the cinematic James Bond is looking every bit his age, dressed up like a 70 year old hustler trying to pick up teenagers. Forget the snazzy trappings and the flashy action scenes and get back to the basics.
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