| Ben Kingsley | ... | Otto Frank (2 episodes, 2001) | |
| Hannah Taylor Gordon | ... | Anne Frank (2 episodes, 2001) | |
| Jean-Luc Julien | ... | Various Characters (2 episodes, 2001) |
Series Directed by | |||
| Robert Dornhelm | (2 episodes, 2001) | ||
Series Writing credits | ||
| Kirk Ellis | (2 episodes, 2001) | |
| Melissa Müller | (2 episodes, 2001) | |
Series Produced by | |||
| Kirk Ellis | .... | co-producer (2 episodes, 2001) | |
| David R. Kappes | .... | producer (2 episodes, 2001) | |
| Hans Proppe | .... | executive producer (2 episodes, 2001) | |
Series Original Music by | |||
| Graeme Revell | (unknown episodes) | ||
Series Cinematography by | |||
| Elemér Ragályi | (1 episode, 2001) | ||
Series Film Editing by | |||
| Christopher Rouse | (2 episodes, 2001) | ||
Series Casting by | |||
| Job Gosschalk | (2 episodes, 2001) | ||
| Risa Kes | (2 episodes, 2001) | ||
| Meg Liberman | (2 episodes, 2001) | ||
| Camille H. Patton | (2 episodes, 2001) | ||
| Suzanne Smith | (2 episodes, 2001) | ||
| Angela Terry | (2 episodes, 2001) | ||
| Saida van der Reijd | (unknown episodes) | ||
Series Production Design by | |||
| Ondrej Nekvasil | (1 episode, 2001) | ||
Series Art Direction by | |||
| Jan Vlasák | (1 episode, 2001) | ||
Series Set Decoration by | |||
| Marie Raskova | (1 episode, 2001) | ||
Series Costume Design by | |||
| Barbara Lane | (unknown episodes) | ||
Series Makeup Department | |||
| Eva Ungrová-Malíková | .... | hair stylist / makeup artist (2 episodes, 2001) | |
| Michele Baylis | .... | personal makeup artist: Sir Ben Kinglsey / wigs: Sir Ben Kinglsey (unknown episodes) | |
| Josef Lojik | .... | key hair designer / key makeup designer (unknown episodes) | |
| Rene Stejskal | .... | prosthetic makeup artist (unknown episodes) | |
| Katerina van Gemundova | .... | makeup department interpreter (unknown episodes) | |
Series Production Management | |||
| Michal Cerveny | .... | unit manager (unknown episodes) | |
| Mirka Janatova | .... | second unit manager (unknown episodes) | |
| Brenda K. Kyle | .... | executive in charge of production (unknown episodes) | |
| Deborah Romare | .... | post-production supervisor (unknown episodes) | |
| Pavel Solc | .... | production manager (unknown episodes) | |
| Michelle Weller | .... | production supervisor (unknown episodes) | |
Series Second Unit Director or Assistant Director | |||
| Matthew J. Clark | .... | first assistant director (unknown episodes) | |
| Richard Gironi | .... | first assistant director: second unit (unknown episodes) | |
| Keith Hlady | .... | second unit director (unknown episodes) | |
| Larry D. Horricks | .... | second assistant director (unknown episodes) | |
| Petr Kaderabek | .... | second second assistant director (unknown episodes) | |
| Philip Seeger | .... | third assistant director (unknown episodes) | |
| Michaela Strnadova | .... | first assistant director (unknown episodes) | |
| Jeremy Willis | .... | first assistant director: second unit (unknown episodes) | |
Series Art Department | |||
| Milan Babik | .... | propman (unknown episodes) | |
| Dennis Todorovic | .... | art department coordinator (unknown episodes) | |
| Marketa Tom | .... | art department assistant (unknown episodes) | |
| Karel Vanásek | .... | property master (unknown episodes) | |
Series Sound Department | |||
| Erik Aadahl | .... | sound effects editor (1 episode, 2001) | |
| Michael Babcock | .... | sound effects editor (1 episode, 2001) | |
| David Beadle | .... | dialogue editor (1 episode, 2001) | |
| John Benson | .... | supervising sound editor (1 episode, 2001) | |
| Walt Bost | .... | supervising sound editor (1 episode, 2001) | |
| Andrew Ellerd | .... | sound effects editor (1 episode, 2001) | |
| Sonya Henry | .... | dialogue editor (1 episode, 2001) | |
| Patrick Hogan | .... | dialogue editor (1 episode, 2001) | |
| Helen Luttrell | .... | dialogue editor (1 episode, 2001) | |
| Ralph Osborn III | .... | dialogue editor (1 episode, 2001) | |
| Timothy Pearson | .... | foley artist (1 episode, 2001) | |
| Jeff Sawyer | .... | sound effects editor (1 episode, 2001) | |
| Gretchen Thoma | .... | foley artist (1 episode, 2001) | |
| Jaroslav Jehlicka | .... | sound mixer: second unit (unknown episodes, 2001) | |
| Paul Drenning | .... | foley mixer (unknown episodes) | |
| Stephen Fitzmaurice | .... | adr mixer (unknown episodes) | |
| Michal Holubec | .... | sound recordist (unknown episodes) | |
| Terry O'Bright | .... | sound re-recording mixer (unknown episodes) | |
| Roman Rigo | .... | boom operator (unknown episodes) | |
Series Special Effects by | |||
| Jim Healy | .... | special effects supervisor (unknown episodes) | |
| Martin Kubricht | .... | special effects crew (unknown episodes) | |
Series Visual Effects by | |||
| Gary E. Beach | .... | visual effects consultant (unknown episodes) | |
Series Camera and Electrical Department | |||
| Jan Simecek | .... | electrician (unknown episodes, 2001) | |
| Keith Hlady | .... | director of photography: second unit (unknown episodes) | |
| Viktor Lonek | .... | video assist operator (unknown episodes) | |
| Zdenek Mrkvicka | .... | assistant camera (unknown episodes) | |
| Marci Ragályi | .... | focus puller: loader (unknown episodes) | |
| Nickolas Dylan Rossi | .... | additional second assistant camera: second unit (unknown episodes) | |
| Jaromir Simek | .... | gaffer: second unit (unknown episodes) | |
| Imre Sisa | .... | key grip (unknown episodes) | |
| Petr Svoboda | .... | best boy: second unit (unknown episodes) | |
| Roman Vales | .... | best boy (unknown episodes) | |
| Stanislav Vales | .... | camera loader (unknown episodes) | |
| András Váradi | .... | camera operator: "b" camera (unknown episodes) | |
Series Casting Department | |||
| Nancy Bishop | .... | Czech casting executive (2 episodes, 2001) | |
| Jirí Hrstka | .... | extras casting (unknown episodes) | |
| Angela Terry | .... | casting associate (unknown episodes) | |
Series Editorial Department | |||
| Gino Panaro | .... | colorist (1 episode, 2001) | |
| Andrea Folprecht | .... | assistant editor (unknown episodes) | |
| Martin Hubacek | .... | assistant editor (unknown episodes) | |
Series Music Department | |||
| Wolfgang Amadeus | .... | scoring mixer (unknown episodes) | |
| Melissa Deanne Ferguson | .... | music editor (unknown episodes) | |
| Matthew Ferraro | .... | orchestrator (unknown episodes) | |
Series Transportation Department | |||
| Gabriela Dolenska | .... | transportation coordinator (unknown episodes) | |
| Gabriela Dolenski | .... | transportation coordinator (unknown episodes) | |
Series Other crew | |||
| Vladimir Kesl | .... | computer technician (unknown episodes, 2001) | |
| Alisa Buckley | .... | assistant to producer (unknown episodes) | |
| Kathi Danielson | .... | first assistant accountant (unknown episodes) | |
| Marketa Dankova | .... | assistant production coordinator (unknown episodes) | |
| Cody Dorkin | .... | adr voice (unknown episodes) | |
| Boban Dvorak | .... | production assistant (unknown episodes) | |
| Michal Engrth | .... | assistant accountant (unknown episodes) | |
| Suzanne Friedline | .... | adr revoicing (unknown episodes) | |
| Tereza Horakova | .... | production secretary (unknown episodes) | |
| Marianna Krenova | .... | stand-in (unknown episodes) | |
| Darko Stavrik | .... | production assistant (unknown episodes) | |
| Jan Svoboda | .... | assistant location manager (unknown episodes) | |
| Aneta Valaskova | .... | location manager (unknown episodes) | |
| Jana Vesela | .... | production coordinator (unknown episodes) | |
| Zdenek Vrubel | .... | cashier (unknown episodes) | |
| Anne Wilson | .... | production accountant (unknown episodes) | |
| Gabriella Winkler | .... | script supervisor (unknown episodes) | |
| Dale Wyatt | .... | dialogue coach (unknown episodes) | |
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| Anne Frank Remembered | The Diary of Anne Frank | Amen. | Defiance | Good |
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| External reviews | News articles | IMDb TV section |
| IMDb Biography section | IMDb USA section |
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This movie is so much more realistic than every other Anne Frank film. For starters it does not show Anne as a saint-like person and although she was a great, great person, she was just like every other girl (excuse me) young lady, she had her faults, and beyond Anne there were the others who had their problems.
Anne was magnificently played by Hannah Taylor Gordon. She is one of the best Annex that I have seen yet. She was perfect in her characterization and really made you love her. You looked at her on screen and you were caught in love with instantly, she was like magic on screen. She as well as Ben Kingsley and Brenda Blethyn both deserve Emmy nominations for their work.
Otto and Auguste van Pels were spot on. Ben playing Otto Frank not as a regal saintly savior of the Annex members (although in many respects he really was) but as a guiding light, the leader, and the most intelligent. Brenda Blethyn turns in another great performance as the spoiled and unadaptable Mrs. van Pels. Great in all her scenes you learn to give sympathy to this woman in a way you don't give anyone else, especially when you see her in the end.
The rest on the Annex members were also nice. Edith Frank was shown as she might really have been in real life. A woman going through a mid-life crises of sorts. Looking back and perhaps not being quite satisfied with her marriage and life. Peter van Pels was as I've never seen him before. The actor was excellent and gave life to Peter which is something I've always wanted to see from the Peter van Pels actors. Mr. van Pels and Mr. Pfeffer are wonderful too. And all of the Secret annex occupants really made a great relationship with the workers.
Lili Taylor pulled of a nice performance as Miep, very selfless and hard working. The rest were great too, including the warehouse worker. However, my main complaint was that Bep Voskuijl was shown to be an utter ditz. Maybe she was written this way because Miep said that that was the way she was, however, I did find it somewhat sad to see her portrayed that way.
The crew also pulled of excellent work. The costuming was nice. Barbara Lane was able to show with good quality how that Franks, van Pels, and Mr. Pfeffer were not poor. Never were they poor, they were very well off. I feel many costumers in the past have assumed that because they were all Jews being persecuted and in hiding that they were poor. Although the quality of clothing would have gone down with time (as shown) she still was able to put forth wonderful work. As did the art department going into nice detail to recreate the annex and the Frank house. Brilliantly filmed all around, power to the writer and producers for going outside the annex.