The story of Irena Sendler, a social worker who was part of the Polish underground during World War II and was arrested by the Nazis for saving the lives of nearly 2,500 Jewish children by smuggling them out of the Warsaw ghetto.
John Kent Harrison
Marcia Gay Harden,
Steven Spielberg was to be the executive producer, but declined after receiving a letter from Anne Frank's relatives asking him not be involved with the project because it was not based on the authorized account of Franks' life. See more »
In the movie, the address given to the Germans of the hiding place over the telephone by the supposed informer is incorrect. The informer says the address is 263 Lindtstradt, but was actually 263 Prinsengracht. It still exists today as the Anne Frank House museum in Amsterdam. The real betrayer of the hiding place has never been revealed or proven beyond only circumstantial evidence. The informer depicted in the movie is based on the belief of Melissa Muller, who wrote the book (Anne Frank: A Biography) that the movie is largely based on. In her book "The Hidden Life of Otto Frank" by Carol Ann Lee, which was published in 2002 and revised in 2003, an entirely different theory as to the identity of the informer is presented. Officially, the identity of the actual informer that betrayed those in the hiding place has never been conclusively determined and most likely never will be, as most of those that would be able to shed more light on the subject have since died. See more »
I want to be a champion skater, and a writer. I want my picture in all the magazines. Maybe I'll be a movie star. I want to be different from all the other girls. I want to be a modern woman, I want to travel. I want to study languages - languages and history. I want to to everything. I want to...
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This well-made TV movie is a very moving experience. Seeing in graphic detail how a well-adjusted and endearing teenage girl deals with the horrors of persecution as her family is forced into hiding to avoid the Nazi terror cannot fail to engage the heart and mind. It shows Anne before the Nazi invasion of Holland as a bubbling girl eager for education and socialisation. Her indomitable spirit is well portrayed during her family's long months of hiding in the back of a factory in Amsterdam. Her physical deterioration after her capture is shown graphically, as is her will to survive to make her mark upon the world. Ironically, she did make her mark upon the world posthumously through her diary, the most-widely read work of non-fiction in the world after the Bible.
For me, the virtual incarceration of her family in the factory was very sad and thought-provoking. Taken from their normal lives and stripped of all those things they held dear, Anne's family strives to remain positive of better times ahead. How would we fare if required to give up all that we possessed and go into hiding for fear of our lives? A totally depressing thought, and yet that is what happened to Anne and her family.
The later scenes, after the family was captured, humiliated, separated and sent to concentration camps, is simply tragic.
The fine performances of Hannah Taylor-Gordon in the title role and Ben Kingsley as her father, Otto Frank, deserve special mention, although the entire cast was believable. Hannah Taylor-Gordon's performance was a revelation - she conveyed a range of emotions that superbly captured Anne's spirit and also her human weaknesses.
The movie is not without its weaknesses. It is slow at times and could perhaps been improved by tighter editing, although this may have detracted from the accurate portrayal of the tediousness of living concealed behind closed doors for so long a period.
The concentration camp scenes are disturbing and Anne's gradual physical deterioration is depressing. It is not a movie to entertain but one to stir the emotions and the resolve to ensure that this sort of persecution and genocide is never again allowed to happen.
It is also a depressing reminder that it still is happening in various parts of the world.
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