The main character is a Filipina Overseas Contract Worker, one of the many residents of the archipelago who is forced to leave her family and take a higher paying job in a more prosperous ...
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Longtime couple Basha (Bea Alonzo) and Popoy (John Lloyd Cruz) are practically inseparable, so when they split up, it's not surprising how heartbroken each feels. But Basha, stifled by the ... See full summary »
Jocelyn, Rainier, and Bingbong are three film school graduates who are dead set on making an Oscar-worthy film. They set out to do a quick pre-production as a courtesy call to their lead ... See full summary »
JM de Guzman,
The movie follows a seemingly usual day in the life of Loida Malabanan as she embarks on yet another shooting day of a soap opera as an extra. As the shoot goes on we get a glimpse of truth... See full summary »
Childhood best friends who are both geniuses in school eventually become bittersweet rivals for campus athlete Mark Ferrer. Zoe Tuazon is a rich, overweight and aggressive mestiza, while ... See full summary »
Athena Dizon plays a trick on campus heartthrob and bad boy, gangster, Kenji de los Reyes. Setting up an arrangement to pretend as lovers-to make his ex jealous-they found themselves falling to each other yet falling apart.
Even though he is not good in school and belongs to a poor and unfortunate family, Magnifico still have a big heart and a large amount of optimism that enabled him to help not only his family but also the community.
Maryo J. De Los Reyes
The main character is a Filipina Overseas Contract Worker, one of the many residents of the archipelago who is forced to leave her family and take a higher paying job in a more prosperous Asian country. While she is working her employer refuses to let her take a vacation, nor does he deliver her mail to her. She is unaware, therefore, that her husband has died. When she finally returns to the Philippines she is met with resentment and hatred by her children. The movie studies how she overcomes these feelings and rebuilds the relationship with her family. Written by
There are drawbacks in Anak, small aspects that could be left out or be more emphasized; but forget that petty cash because
Just as I had forgotten the reason for making movies, that not all movies are justified merely as a moneymaking device where profit, spin off products and the inclusion of at least one major Hollywood movie star are dominant ingredients in the narrative formula; just as I had misplaced the argument for film production itself, Anak puts it all right again.
Quintos peels away every superfluous non-significant element and leaves us with a nucleus so pure, so strong and so universally true that it touches all of us. Separation from loved ones, sacrifices and the complexity of family relations are key components of the narrative that, propelled by brilliant acting, drives this highly realistic and touching story forward.
And realism and emotions are clues to what makes Anak such a gripping tale. In other, more conventional, 'touching' films I often feel left off with an awkward, almost embarrassed, feeling of having been tricked to tears by elementary storytelling mechanisms. But the feeling of a natural, almost improvised acting in Anak, conveys everyday life as well as the intense moments with an exceptional credibility which makes the overall narrative so strong it should leave its audience feeling that this is one of the primary reasons for storytelling.
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