Anak (2000)

Director:

Rory B. Quintos

Writers:

Ricardo Lee (story) and
Raymond Lee (story)

Release Date:

10 May 2000 (Philippines)

Genre:

Drama

Plot:

The main character is a Filipina Overseas Contract Worker, one of the many residents of the archipelago...

Plot Keywords:

Mother Daughter Relationship | One Word Title | Mother Son Relationship | Mother Child Relationship | Hong Kong

Awards:

3 wins & 9 nominations

Cast

Vilma Santos	...	Josie
Claudine Barretto	...	Carla
Joel Torre	...	Rudy
Baron Geisler	...	Michael
Sheila Mae Alvero	...	Daday (as Sheila Mae)
Amy Austria	...	Lyn
Cherry Pie Picache	...	Mercy
Leandro Muñoz	...	Brian
Tess Dumpit	...	Norma
Cris Michelena	...	Arnel
Hazel Ann Mendoza	...	Young Carla
Daniel Morial	...	Young Michael
Gino Paul Guzman	...	Don Don
Jodi Sta. Maria	...	Bernadette
Odette Khan	...	Mrs. Madrid

Also Known As:

The Child (International: English title)

Runtime:

135 min | USA:120 min (San Francisco Asian American Film Festival)

Country:

Philippines

Language:

Filipino | Tagalog

Color:

Color

Sound Mix:

Stereo

Certification:

Australia:M | Philippines:PG-13

Company:

Star Cinema Productions

Trivia:

Gabby Concepcion was initially tapped to play the role of Rudy.

Movie Connections:

References Babe: Pig in the City (1998)

Soundtrack:

Anak

Why movies must be made!

There are drawbacks in Anak, small aspects that could be left out or be more emphasized; but forget that petty cash because…

Just as I had forgotten the reason for making movies, that not all movies are justified merely as a moneymaking device where profit, spin off products and the inclusion of at least one major Hollywood movie star are dominant ingredients in the narrative formula; just as I had misplaced the argument for film production itself, Anak puts it all right again.

Quintos peels away every superfluous non-significant element and leaves us with a nucleus so pure, so strong and so universally true that it touches all of us. Separation from loved ones, sacrifices and the complexity of family relations are key components of the narrative that, propelled by brilliant acting, drives this highly realistic and touching story forward.

And realism and emotions are clues to what makes Anak such a gripping tale. In other, more conventional, 'touching' films I often feel left off with an awkward, almost embarrassed, feeling of having been tricked to tears by elementary storytelling mechanisms. But the feeling of a natural, almost improvised acting in Anak, conveys everyday life as well as the intense moments with an exceptional credibility which makes the overall narrative so strong it should leave its audience feeling that this is one of the primary reasons for storytelling.