The story concerns a hapless civil servant who gets more than he bargained for when he moves into an apartment with a gay fashion student and finds himself on the catwalk. The film sets out... See full summary »
When 19-year-old gay-rights activist Tommy and 24-year-old Alan first meet in 1973, they find themselves on the opposite sides of the political coin. Despite their many differences, they ... See full summary »
The hockey career of former Toronto Maple Leaf Eric McNally, who was known as a tough enforcer, came to an end with a shoulder injury. He is now a sportscaster. Except to his assistant Nula... See full summary »
Young Tim Cornish's life has begun with great promise. Blessed with extraordinary good looks, Tim enjoyed much attention and cared little of broken hearts. At University he was a favored ... See full summary »
Jeffrey, a young gay man in New York, decides that sex is too much and decides to become celibate. He immediately meets the man of his dreams and must decide whether or not love is worth ... See full summary »
Michael T. Weiss,
Gregory invites seven friends to spend the summer at his large, secluded 19th-century home in upstate New York. The seven are: Bobby, Gregory's "significant other," who is blind but who ... See full summary »
Whenever Dan has tape around his head (covering his mouth), it is alternately under his right ear or over it (depending on the angle). See more »
I walk home. I'm all scratched up, I got blood all over my face. I'm crying my eyes out. Anyway, my mother see's me. She runs in screaming, "What happened, who did thisa to you?" So I tell her Stevie Bellow jumped me from behind in the schoolyard while his pals stood there and made sure no one broke it up. So, take a guess what my mom does? She takes me back to the school yard. She finds Stevie, she tells him we're gonna fight again this time it's gonna be a fair fight.
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This is the real thing -- tense, provocative, impossible to predict. Tony Piccirillo's script makes some cutting insights about personal responsibility without ever becoming obvious or preachy. As great as the material is on its own, it takes a couple of powerhouse actors to sustain tension and interest throughout what is essentially a ninety-minute two-man show, and James Marsden and Scott Speedman are more than up to the task. Their level of commitment is astonishing: both actors inhabit their roles so thoroughly that it was a jolt to leave the theater and re-enter the real world. There's almost a tangible sense of pleasure that comes from watching performances this great. Seek out this movie -- find it in a theater, rent it when it becomes available -- because it's worth it, and because films like this need to be encouraged and rewarded.
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