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Cast

Series cast summary:
...
 Levin (4 episodes, 2000)
...
 Anna Karenina (4 episodes, 2000)
...
 Karenin (4 episodes, 2000)
Paloma Baeza ...
 Kitty (4 episodes, 2000)
...
 Oblonsky (4 episodes, 2000)
...
 Count Vronsky (4 episodes, 2000)
Jackson Leach ...
 Seriozha (4 episodes, 2000)
Kazimiera Utrata ...
 Agatha (4 episodes, 2000)
...
 Dolly (4 episodes, 2000)
Gillian Barge ...
 Princess Shcherbatskya (4 episodes, 2000)
...
 Prince Shcherbatsky (4 episodes, 2000)
Victoria Carling ...
 Annushka (4 episodes, 2000)
...
 Countess Lydia (4 episodes, 2000)
Emma Majewska ...
 Dolly's Child (3 episodes, 2000)
Gabbi Majewska ...
 Dolly's Child (3 episodes, 2000)
Oliver Mangham ...
 Dolly's Child (3 episodes, 2000)
Tom Ward ...
 Yashvin (3 episodes, 2000)
...
 Nikolai (3 episodes, 2000)
Maddie Armstrong ...
 Dolly's Child (3 episodes, 2000)
William Scott-Masson ...
 Serpukhovskoy (2 episodes, 2000)
Abigail Cruttenden ...
 Betsy (2 episodes, 2000)
Sara Kestelman ...
 Countess Vronskaya (2 episodes, 2000)
Rachel Power ...
 Masha (2 episodes, 2000)
Tamara Arciuch ...
 Princess Sorokina (2 episodes, 2000)
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Drama

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Release Date:

18 February 2001 (USA)  »

Also Known As:

Анна Каренина  »

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Did You Know?

Trivia

Throughout the movie, any character who wears a wedding band is shown wearing it on their left hand. In the Slavic countries, such as Russia, Ukraine, and Poland, the wedding band is worn on the ring finger of the right hand. Wearing a wedding band on the left hand often indicates that the wearer is widowed. See more »

Goofs

The priest reads the prayers in Latin. No Russian Orthodox prayer is ever read in Latin; for Russian Orthodox priests this would be blasphemy. The prayers could be read either in Russian or Slavic. See more »

Connections

Version of Anna Karenina (1967) See more »

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User Reviews

 
As Close to Perfect as We'll Get
31 January 2004 | by (Oakland, CA) – See all my reviews

This is quite an accurate adaptation of Tolstoy's 800+ page novel. While there were obviously many changes and omissions, overall, the whole film rang true to the spirit of the book, and I found it very a very satisfying viewing experience.

While most people are aware of the love triangle plotline featuring Anna Karenina herself, the book's main focus is on the life of Konstantin Levin, and what I think this film does so well is to provide more focus on that character and his relationship with Kitty than previous adaptations have done.

In addition, Anna's estranged husband, Alexei Karenin, is usually portrayed as a totally evil villain. His portrayal in this version of the story, though is done perfectly. While we may not appreciate his choices, we are also allowed to see his character in a multidimensional light, which helps make the story more complex and less of a simplistic soap opera.

While the sets and costumes all felt very authentic, I think that what was mostly missing from this were large scale sets to help us see the grand setting of Russia. We needed to see pictures of trains steaming across Russian countryside, we needed to see the inside of an Opera house or two, and we needed to see Levin struggling in the open farming countryside. Instead almost every scene is an interior shot, or a small scale street scene. It is a minor quibble, but without these scenes, I was left feeling that as good as it was, this film adaptation didn't reach perfection liked I hoped it would.


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