Blackboards
(2000)
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Blackboards
(2000)
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| Cast overview: | |||
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Said Mohamadi | ... |
Said
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| Behnaz Jafari | ... |
Halaleh
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| Bahman Ghobadi | ... |
Reeboir
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Mohamad Karim Rahmati | ... |
Father
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Rafat Moradi | ... |
Ribvar
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Mayas Rostami | ... |
Young boy storyteller
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Saman Akbari | ... |
Group leader
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Ahmad Bahrami | ... |
Marriage registrar
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Mohamad Moradi | ... |
Match maker
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Karim Moradi | ... |
Old man
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Hassan Mohamadi | ... |
Child
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Rasool Mohamadi | ... |
The boy porter
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Somaye Veisee | ... |
Little girl
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Itinerant Kurdish teachers, carrying blackboards on their backs, look for students in the hills and villages of Iran, near the Iraqi border during the Iran-Iraq war. Said falls in with a group of old men looking for their bombed-out village; he offers to guide them, and takes as his wife Halaleh, the clan's lone woman, a widow with a young son. Reeboir attaches himself to a dozen pre-teen boys weighed down by contraband they carry across the border; they're mules, always on the move. Said and Reeboir try to teach as their potential students keep walking. Danger is close; armed soldiers patrol the skies, the roads, and the border. Is there a role for a teacher? Is there hope? Written by <jhailey@hotmail.com>
It must hard to talk about ignorance, poverty and war without being realistic. I reckon that, most of everything, this film is "realistic". It is undeniable that the settings, the characters and the issues belong to the director's background. She's been able to give "a hint of poetry" thanks to several touching and clever shots (For instance: A family that finds protection under a blackboard). I'm afraid that this film looses part of its potential because of its hybrid nature. It's not a drama, but it's not a documentary either. There are few stories crossing each other, but it is not complex enough to consider it a "Magnolia-style" thing. Finally (and this is what the film seems to be about), there's a teacher who dreams to heal his country with education but ends up facing the bitterness of a failed relationship. Nevertheless I truly appreciated the very last scene, that is worth 2 points in my final vote.
Iacopo Destefani