During the Japanese occupation of China, two prisoners are dumped in a peasant's home in a small town. The owner is bullied into keeping the prisoners until the next New Year, at which time...
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Jiang Wen stars in his third directorial work that boasts a stellar cast including Joan Chen, Anthony Wong and Jaycee Chan. A polyptych of interconnected stories in different time-zones, ... See full summary »
Anthony Chau-Sang Wong
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In 1930s China a young woman is sent by her father to marry the leprous owner of a winery. In the nearby red sorghum fields she falls for one of his servants. When the master dies she finds... See full summary »
During the Japanese occupation of China, two prisoners are dumped in a peasant's home in a small town. The owner is bullied into keeping the prisoners until the next New Year, at which time they will be collected. The village leaders convene to interrogate the prisoners. The townspeople then struggle to accommodate the prisoners. One is a bellicose Japanese nationalist, the other a nervous translator. Will the townspeople manage to keep the prisoners until the New Year? Written by
Ken Miller <email@example.com>
As others have already stated, this is a marvelous work by Wen Jiang. The setting was beautiful and the cinematography was outstanding. Western audiences may be unfamiliar with the Sino-Japanese conflict but elements of the story transcend that. I will re-watch it carefully but, on first viewing I could not figure out who "me", the kidnapper, was. There is a possible clue however. "me" points a Mauser pistol at Ma Dasan in the opening scene. Mausers were "en vogue" with many Chinese warlords of that era. Was this a coincidence or a subtle hint? Was "me" therefore Chinese? Why would a fellow Chinese person saddle Ma Dasan and his village with such a disastrous assignment?
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