"Forgive Me Father" tells the story of Virgil Garrett, an intensely frightening, yet strangely sympathetic and sublime character. Garrett was once a ruthless and feared hit man for ...
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"Forgive Me Father" tells the story of Virgil Garrett, an intensely frightening, yet strangely sympathetic and sublime character. Garrett was once a ruthless and feared hit man for organized crime boss, Frank Ransom (played by Charles Napier), until he faked his own death, to get out of the "business". Unbeknownst to almost everyone, Virgil Garrett has spent the past twelve years living and working in Canada as a Roman Catholic priest. Now, a mysterious message brings Garrett back from the "dead", like a dragon woken from a long sleep. He learns that his brother Clarence (played by Alexander Hill), has been senselessly murdered, gunned down by Frank Ransom's cocksure son, Tony (played by Chris Elbert), and four of his criminal cohorts. Garrett now makes a transformation and returns to his old ways, but with a different purpose. He is now the personification of retribution with a Bible in his hand and a divine wrath in his heart. Caught up in Garrett's reprisal are three figures from ... Written by
The Myriad Entertainment Group, LLC
There is a reason you don't see too many independent action films. The action film, as a rule, is a huge undertaking which needs to make money. Indie films are generally the opposite, and for good reason. It may be unfair, but without major studio support, the technical demands of an action film are just generally out of reach. Forgive Me Father tries very hard to make up the difference, but falls short on most accounts. The script has an interesting premise, but quickly lapses into stilted and cliched action-film speak. The direction and pace was too slow to keep my attention from scene to scene, and there was a whole lotta "acting" going on. I found myself thinking that the actors themselves were not fully committed to what they were doing, and therefore I was not committed either. The camera work was rudimentary, some of the props and effects were laughable, and at one point, I even noticed makeup on one actor's collar. I understand that Rogers was attempting to utilize film noir style with his direction, especially with the dialogue and stylized lighting design, but the rest of the film was simply not stylized enough to support such a choice. All of this, in my opinion, adds up to sloppy filmmaking. If you're in Indianapolis, and are interested in seeing a home-grown film, you might wanna check this one out. Otherwise, I'd say you might as well give it a pass.
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