7.8/10
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The Count of Monte Cristo (2002)

A young man, falsely imprisoned by his jealous "friend", escapes and uses a hidden treasure to exact his revenge.

Director:

Writers:

(novel) (as Alexandre Dumas père), (screenplay)
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Popularity
1,338 ( 324)

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Cast

Cast overview, first billed only:
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Maurice
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Guy Carleton ...
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Barry Cassin ...
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Holga (as Zhara) (credit only)
Brendan Costello ...
Viscount
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Storyline

'The Count of Monte Cristo' is a remake of the Alexander Dumas tale by the same name. Dantes, a sailor who is falsely accused of treason by his best friend Fernand, who wants Dantes' girlfriend Mercedes for himself. Dantes is imprisoned on the island prison of Chateau d'If for 13 years, where he plots revenge against those who betrayed him. With the help of another prisoner, he escapes the island and proceeds to transform himself into the wealthy Count of Monte Cristo as part of his plan to exact revenge. Written by Anna <annachan@amazon.com>

Plot Summary | Plot Synopsis

Taglines:

Prepare for adventure. Count on revenge.


Motion Picture Rating (MPAA)

Rated PG-13 for adventure violence/swordplay and some sensuality | See all certifications »

Parents Guide:

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Details

Country:

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Language:

Release Date:

25 January 2002 (USA)  »

Also Known As:

Alexandre Dumas' The Count of Monte Cristo  »

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Box Office

Budget:

$35,000,000 (estimated)

Opening Weekend USA:

$11,376,150, 27 January 2002, Wide Release

Gross USA:

$54,234,062

Cumulative Worldwide Gross:

$75,395,048
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The movie was filmed in Malta and Ireland. Powerscourt House in County Wicklow stood in for the Parisian estate Dantes buys. See more »

Goofs

During the cliffs scene at the beginning, Mercedes proclaims her love for Dantes despite his inability to afford an engagement ring. So she snaps off a piece of whatever fabric was used in the day, a natural fabric such as wool, cotton, silk or hemp, and ties it round her finger, vowing to never remove it. After the two reunite 16 years later, this thin, flimsy thread of fabric is said to have never come off. Even some METALS don't hold up for 16 years, much less fabric, and even more so a natural or animal fabric vs. Today's man made ones. See more »

Quotes

Abbe Faria: Here is your final lesson: do not commit the crime for which you now serve the sentence.
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Connections

Featured in Hollywood's Top Ten: Sweet Revenge (2010) See more »

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User Reviews

 
Satisfying revenge story from a famous book.
29 March 2004 | by See all my reviews

One of the most famous revenge stories, The Count of Monte Cristo is here turned into a dashing, old-fashioned swashbuckler. The plot is riddled with unconvincing coincidences and occurences (as indeed was the book), but other than that this is a well-made, enjoyable film, with some literate dialogue and believable action sequences. It is the fact that the action is believable that makes the film memorable, because in too many 2002 releases the action was so overblown and unrealistic (not to mention physically impossible) that the credibility of such films was destroyed.

Edmond Dantes (Caviezel) is a honest young sailor working out of 19th Century Marseilles. His best friend Fernan (Pearce) secretly craves the hand of Dantes's gorgeous fiancee Mercedes (Dominczyk), so he informs to the authorities that Dantes is a conspirator plotting to aid in Napoleon's escape from Elba. Dantes is sent to a terrible, inescapable island prison, while Fernan takes Mercedes to be his wife. After many years of hardship, Dantes makes an audacious escape and, having acquired a fortune by solving a cryptic treasure map, slowly plots his revenge under the new identity of the "Count of Monte Cristo".

Caviezel was a relative newcomer when he did this film, but he really catches the eye as the innocent man driven to despair by his terrible and unjustified punishment. Pearce is good too, perfecting his arrogant sneer as the deplorable Fernan. The prison scenes are well shot, with the hopelessness and horror of the place captured in considerably believable detail. It's quite surprising that The Count of Monte Cristo was a relative disappointment at the box office, since its dramatic storyline, and the themes of revenge, betrayal and loss, are usually guaranteed crowd-pullers. This film deserves to be seen by more people, and the more people that see it the more its reputation will surely grow.


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