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Directed by | |||
| Paul Hunter | |||
Writing credits(WGA) | ||
| Ethan Reiff | (written by) & | |
| Cyrus Voris | (written by) | |
Produced by | |||
| Terence Chang | .... | producer | |
| Gotham Chopra | .... | executive producer | |
| Alan Glazer | .... | co-producer (as Alan G. Glazer) | |
| Robert K. Lambert | .... | associate producer | |
| Caroline Macaulay | .... | executive producer | |
| Brent O'Connor | .... | co-producer | |
| Mark Paniccia | .... | co-producer | |
| Charles Roven | .... | producer | |
| Douglas Segal | .... | producer | |
| Kelley Smith-Wait | .... | executive producer (as Kelly Smith-Waite) | |
| John Woo | .... | producer | |
| Michael Yanover | .... | executive producer | |
Original Music by | |||
| Eric Serra | |||
Cinematography by | |||
| Stefan Czapsky | (director of photography) | ||
Film Editing by | |||
| Robert K. Lambert | |||
Casting by | |||
| Mindy Marin | |||
Production Design by | |||
| Deborah Evans | |||
Art Direction by | |||
| Arvinder Grewal | (as T. Arv Grewal) | ||
| Eric Norlin | |||
Set Decoration by | |||
| Penny A. Chalmers | |||
| Clive Thomasson | |||
Costume Design by | |||
| Delphine White | |||
Makeup Department | |||
| Martin Astles | .... | makeup effects sculptor | |
| Alessondra Bastianoni | .... | assistant makeup artist | |
| David R. Beecroft | .... | key hair stylist | |
| Barney Burman | .... | prosthetic makeup artist | |
| Greg Cannom | .... | prosthetic makeup artist | |
| Greg Cannom | .... | special makeup effects artist | |
| Glen Hanz | .... | sculptor: Captive Audience Productions | |
| John Kim | .... | makeup effects technician: Captive Audience Productions | |
| Mary Kim | .... | makeup effects production supervisor: Captive Audience Productions Inc. | |
| Emmy Leung | .... | makeup artist: Mr. Chow Yun-Fat | |
| Jo-Ann MacNeil | .... | assistant makeup artist | |
| Shuk Yee Mok | .... | hair stylist: Mr. Chow Yun-Fat | |
| Mark Nieman | .... | silicone prosthetic department supervisor: Captive Audience Productions | |
| Alexei O'Brien | .... | makeup effects operations manager | |
| Lydia Pensa | .... | assistant hair stylist | |
| Michael Peterson | .... | lab makeup effects | |
| Leslie Ann Sebert | .... | key makeup artist (as Leslie A. Sebert) | |
| Brian Sipe | .... | special makeup supervisor | |
| Keith VanderLaan | .... | makeup effects creator: Captive Audience Productions | |
| Wesley Wofford | .... | key prosthetic makeup artist | |
Production Management | |||
| D.J. Carson | .... | production manager | |
| Marty Dejczak | .... | production manager: second unit | |
| Brent O'Connor | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Walter Gasparovic | .... | first assistant director | |
| Brian Giddens | .... | assistant director: additional photography | |
| Brian Giddens | .... | first assistant director | |
| Katrina Lee | .... | third assistant director | |
| Jym Morton | .... | daily assistant director | |
| Jenny Murray | .... | third assistant director: second unit | |
| Pazz Neglia | .... | second assistant director: second unit | |
| Guy Norris | .... | second unit director | |
| Elizabeth Parker | .... | assistant director: second unit | |
| Howard Rothschild | .... | first assistant director: second unit | |
| Graham Tallman | .... | daily assistant director | |
| Bob Warwick | .... | second assistant director | |
Art Department | |||
| John Alvarez | .... | assistant art director | |
| Rob Ballantyne | .... | set designer | |
| David Best | .... | graphic designer | |
| Rob Bonney | .... | head carpenter | |
| Cameron S. Brooke | .... | key scenic artist | |
| Robert C. Brooke | .... | lead scenic artist | |
| Theresa Buckley | .... | props buyer | |
| Randy Casano | .... | lead carpenter | |
| William Cheng | .... | set designer | |
| J.P. Dame | .... | set dresser | |
| Warren Dunlop | .... | construction foreman | |
| David G. Fremlin | .... | set designer | |
| Vladislav Fyodorov | .... | set designer | |
| Jen Gillespie | .... | clearance and placement coordinator | |
| Jen Gillespie | .... | third assistant art director | |
| James Halpenny | .... | construction coordinator (as Jim Halpenny) | |
| Chris Hanson | .... | scenic laborer | |
| Ron Hewitt | .... | property master | |
| Michael Huschka | .... | assistant property master | |
| Wayne Jacques | .... | assistant decorator | |
| Elis Lam | .... | set designer (as Elis Y. Lam) | |
| Andrew Li | .... | illustrator | |
| Rob McCallum | .... | storyboard artist | |
| Mike Avon Oeming | .... | comic art | |
| Trevor Oleksy | .... | head greensperson | |
| H. Nancy Pak | .... | art department coordinator | |
| Vince Peets | .... | storyboard artist | |
| Victor 'Chikko' Quon | .... | assistant head painter | |
| Dave Rosa | .... | head painter | |
| Ken Samaroo | .... | stand-by painter | |
| Danny Scavuzzo | .... | scenic carpenter | |
| Jaclyn Shoub | .... | assistant decorator | |
| Douglas Slater | .... | set designer | |
| Robert S. Smith | .... | stand-by carpenter | |
| Chris Sneddon | .... | construction coordinator | |
| Paul To | .... | concept illustrator | |
| Paul Vernon | .... | carpenter | |
| Athena Wong | .... | set dresser | |
| Jay Martin | .... | storyboard artist (uncredited) | |
| Jae Pak | .... | graphic designer (uncredited) | |
Visual Effects by | |||
| Joseph Bailey | .... | digital compositor | |
| Miguel Bautista | .... | digital compositor | |
| R. Christopher Biggs | .... | digital artist | |
| Richard Bluff | .... | visual effects supervisor | |
| Melissa Carter | .... | visual effects editor | |
| Irfan Celik | .... | digital artist | |
| Debbie Cooke | .... | visual effects producer | |
| James Coulter | .... | digital artist: Digital Dimension | |
| Fish Essenfeld | .... | senior compositor | |
| Steven Fagerquist | .... | visual effects | |
| Tarn Fox | .... | digital compositor | |
| John Fraser | .... | matte artist & illustrator | |
| Benoit Girard | .... | visual effects supervisor: Digital Dimension | |
| Paul Graff | .... | digital compositor | |
| Willi Hammes | .... | CG artist | |
| William Hazen | .... | facilities manager: Boy Wonder Visual Effects | |
| Kyle J. Healey | .... | CG monk sequence supervisor | |
| Dennis Hoffman | .... | visual effects producer | |
| Holly Gregory Horter | .... | visual effects | |
| Norris Houk | .... | digital artist | |
| Norris Houk | .... | visual effects production assistant | |
| John Huikku | .... | digital compositor: Boy Wonder Visual Effects | |
| Richard Kidd | .... | digital effects supervisor | |
| Raymond C. King | .... | digital effects artist | |
| John G. Kirby | .... | digital artist | |
| Dan Knight | .... | visual effects artist | |
| Peter Koczera | .... | senior digital artist | |
| Tim Landry | .... | visual effects supervisor | |
| Derek Ledbetter | .... | visual effects | |
| Steven Lloyd | .... | digital artist | |
| Jonah Loop | .... | digital compositor | |
| Brian Lutge | .... | effects animation: Boy Wonder Visual Effects | |
| Ray McMillan | .... | motion control supervisor | |
| Jerome Morin | .... | visual effects producer: Digital Dimension | |
| David B. Moulder | .... | visual effects coordinator | |
| Daniel Naulin | .... | digital effects artist (as Dan Naulin) | |
| Marlo Pabon | .... | digital supervisor: Boy Wonder VFX | |
| Navin Pinto | .... | character technical supervisor: Boy Wonder VFX | |
| Francis Puthanangadi | .... | digital artist: Boy Wonder Visual Effects | |
| Robert Rossello | .... | digital compositor | |
| Kennedy Shah | .... | motion control programmer | |
| Al Shier | .... | visual effects producer | |
| Payam Shohadai | .... | visual effects supervisor: BWVFX | |
| Pedram Shohadai | .... | visual effects | |
| Brian Smallwood | .... | digital effects artist | |
| Sharmishtha Sohoni | .... | digital compositor | |
| Richie Solomon | .... | roto artist: Boy Wonder Visual Effects | |
| Marion Spates | .... | digital effects artist: Digital Dimension | |
| John E. Sullivan | .... | visual effects supervisor | |
| Tammy Sutton | .... | digital compositor | |
| Tammy Sutton | .... | rotoscope artist | |
| Dennis Temprile | .... | playback screen: Keyframe Digital Productions Inc. | |
| Robin Trickett | .... | visual effects coordinator | |
| Bruno Vilela | .... | senior digital lighter: Boy Wonder VFX | |
| Leandro Visconti | .... | compositor: Digital Dimension | |
| Dan Walker | .... | visual effects roto artist | |
| Burt Ward | .... | visual effects producer: Boy Wonder VFX | |
| Wendy Whaley | .... | compositor | |
| Toby Wilkins | .... | Inferno artist: main title sequence, New Wave Entertainment | |
| Johnny Wilson | .... | visual effects | |
| Deborah Wiltman | .... | digital compositor | |
| Paul Wood | .... | effects animator | |
| James Healy | .... | digital systems administrator (uncredited) | |
| Daryl Klein | .... | digital artist (uncredited) | |
| Tony Willis | .... | visual effects post producer (uncredited) | |
Animation Department | |||
| Karen Eppstadt | .... | breakdown artist | |
| Wendy Whaley | .... | animator | |
Casting Department | |||
| Amanda Harding | .... | casting associate | |
| Barbara Harris | .... | voice casting | |
| Diane Kerbel | .... | casting: Canada | |
| Crystal Kramer | .... | casting assistant (as Crystal Olsen) | |
Costume and Wardrobe Department | |||
| Sylvie Bonniere | .... | extras costume coordinator | |
| Tarah Burke | .... | extras wardrobe: second unit | |
| Matthew Campbell | .... | assistant costume set supervisor | |
| Christina Cattle | .... | set costume supervisor: second unit | |
| Gayle Franklin | .... | costume buyer | |
| Gaye Gardiner | .... | textile artist | |
| Tatjana Hutinec | .... | costume breakdown artist | |
| Richard Krough | .... | personal dresser: Mr. Chow Yun-Fat (as Richard Krogh) | |
| Susan MacLeod | .... | seamstress | |
| Silvana Sacco | .... | costume breakdown artist | |
| Zsolt Sandor | .... | wardrobe assistant | |
| Sara Schilt | .... | assistant costume designer | |
| Luis Sequeira | .... | assistant costume designer (as Luis M. Sequeira) | |
| Carol Wong | .... | set costumer | |
Editorial Department | |||
| Mark Bourgeois | .... | additional editor | |
| Robert Doyle | .... | assistant editor | |
| Darwin Green | .... | post-production assistant | |
| Pamela March | .... | additional editor | |
| Mike Milliken | .... | color timer | |
| D. Gillian Truster | .... | first assistant editor | |
| Valance Eisleben | .... | high definition editorial services (uncredited) | |
Music Department | |||
| Michael Atwell | .... | score recordist | |
| Tom Boyd | .... | musician: oboe soloist | |
| Brent Brooks | .... | music editor | |
| Anita Camarata | .... | music supervisor | |
| Hal Oppenheim | .... | composer: stock music | |
| Dan Savant | .... | orchestra contractor | |
| Scott McRae | .... | music preparation (uncredited) | |
Transportation Department | |||
| Ron Coles | .... | transportation captain | |
| Bill Hong | .... | driver: camera car/insert car | |
| Robert Smith | .... | transportation coordinator | |
Other crew | |||
| Kevin Alakas | .... | third assistant accountant | |
| Drazen Baric | .... | assistant location manager: second unit | |
| John 'Frenchie' Berger | .... | armorer | |
| Stephanie Lee Berger | .... | weapons handler | |
| Isai Rivera Blas | .... | stand-in (as Gil Rivera Blas) | |
| Mel Braxton | .... | assistant: Paul Hunder | |
| Kathryn Buck | .... | script supervisor | |
| Brandon Buyaki | .... | assistant: Douglas Segal | |
| Carlo Campana | .... | key aerial rigger | |
| Eric Chen | .... | fight trainer | |
| Christopher Comrie | .... | payroll accountant | |
| Sean Coyne | .... | on-set craft | |
| Mike Doiron | .... | key production assistant | |
| Kishaya Dudley | .... | choreographer | |
| Kelly Gilbert | .... | third assistant accountant | |
| Jonathan Goldman | .... | assistant: Kelley Smith-Wait | |
| Pamela Hackwell | .... | contact lens technician | |
| David Harcourt | .... | aerial rigging consultant | |
| Sara Holmes | .... | first assistant accountant | |
| Ryan Hupponen | .... | production assistant | |
| Sharre Jacoby | .... | producer: main titles, New Wave Entertainment | |
| Bohdan Jakiwczyk | .... | production assistant | |
| Siri Khalsa-Colly | .... | assistant: Mr. Hunter | |
| Aaron R. Kogan | .... | assistant: Charles Roven (as Aaron Kogan) | |
| Siegfried Kopp | .... | production assistant | |
| Miriam Laurence | .... | dialect coach: pre-production | |
| Troy T. Liddell | .... | choreographer (as Troy P. Liddell) | |
| Troy T. Liddell | .... | choreographer | |
| Jim Lovisek | .... | cobra wrangler | |
| Jonathan Matthews | .... | location manager: second unit | |
| Catherine McGovern | .... | production secretary | |
| Jason McLeod | .... | location assistant (as Jay Jay McLeod) | |
| Tom Metz III | .... | assistant: Caroline Macaulay | |
| Lesley Myers | .... | production coordinator | |
| Terri Ann Myers | .... | production assistant | |
| Brent C.S. O'Connor | .... | assistant to producer | |
| Shannon O'Connor | .... | assistant to producer | |
| Rick Parker | .... | animal wrangler | |
| Brittany Philion | .... | assistant: John Woo | |
| Karen Pidgurski | .... | unit publicist | |
| Diane Pitblado | .... | dialect coach: pre-production | |
| Elysia Bliss Pyne | .... | production assistant | |
| Michael Rosser | .... | production coordinator: re-shoots | |
| Howard Samuelsohn | .... | dialect coach | |
| Ian Shen | .... | adr voice | |
| Hunter Shepherd | .... | assistant: Mr. Roven | |
| Alan Shoub | .... | second unit co-captain | |
| Misha Skoric | .... | assistant: Chow Yun-Fat | |
| Evan Spiegel | .... | assistant: Charles Roven | |
| Rachel Suhanic | .... | assistant: Seann William Scott | |
| Alan Sutton | .... | fire safety | |
| Dave Tommasini | .... | helicopter pilot (as David Tommasini) | |
| Hanna Tower | .... | production coordinator: second unit | |
| Gene A. Turner | .... | coach (as Gene Turner) | |
| Derek Ursacki | .... | third assistant accountant | |
| Todd Weinger | .... | assistant: Terence Chang | |
| Mike Wielinski | .... | intern: Mosaic Media Group | |
| Andrew Wolinsky | .... | production assistant | |
| Jack Wong Wai Leung | .... | fight choreographer (as Wong Wai Leong [Jack]) | |
| Corey Yuen | .... | fight choreographer: additional fight sequence | |
| Michael J. Harker | .... | completion bond company representative (uncredited) | |
| Warner Loughlin | .... | acting coach (uncredited) | |
| Christopher Xavier Lozano | .... | stills photography (uncredited) | |
| George Ploszczansky | .... | personal security: Chow Yun-Fat (uncredited) | |
| Wei Tung | .... | martial arts choreographer (uncredited) | |
| Daniel Veluzat | .... | location liaison (uncredited) | |
| Nick Veziris | .... | gun wrangler (uncredited) | |
| Corey Yuen | .... | additional fight director (uncredited) | |
Thanks | |||
| Dan Bradley | .... | the producers wish to thank | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
Chow Yun-Fat is the "Monk with No Name" who protects an ancient scroll. Anyone who recites the scroll can harness unlimited power, utilizing it for either good or evil. The scroll-keeper has the advantage of not aging and not being able to be physically harmed. The Monk has been on the run from would be rulers of the universe for 60 years when he finally runs into a potential new scroll-keeper as promised by prophecies.
Bulletproof Monk is a "light" comic book/fantasy/action/martial arts/comedy film in the vein of The Golden Child (1986) and The Medallion (2003). It leans most strongly towards the fantasy genre, but it's frequently funny (perhaps more subtly than one would expect) and loaded with visually poetic, wire-heavy martial arts.
Seann William Scott is Kar, a street kid who has a flair for kung fu, which he picked up by endlessly watching and emulating Asian films at the theater where he both lives and works as the projectionist. He has even more of a flair for pickpocketing. The Monk runs into him while both are on the run, and there are a number of cleverly staged scenes where Kar tries to palm a few extra bucks while the Monk attempts to teach him both ethics and enlightenment via koans about things like hot dogs and buns.
During these early scenes, they run into a hilarious group of what are effectively CHUDs (Cannibalistic Humanoid Underground Dwellers) minus the C, headed by a rooster-haired thug named "Funktastic". This is some of the more slyly funny material in the film--the HUDs even have an abandoned subway car turned disco in their underground lair.
The kung fu throughout most of Bulletproof Monk is of the variety often mythologized by kids as being akin to "magic". The Monk can defy gravity, move fast enough that he seems to predict his opponent's moves with near omniscience, and dodge bullets. He can even fight and eat a bowl of Cocoa Puffs at the same time. The real aim is to approach a Matrix (1999)-like reality-bending in the film's universe. Although the fantasy, almost dance-like nature of many of the fight scenes may turn off those looking for more realistic action, Troy Liddell also choreographs some parts of fight scenes more traditionally, with Yun-Fat performing something very similar to aikido--he primarily yields instead of blocking or countering, and uses his opponent's moves against themselves. It's an interesting approach that isn't used often enough in martial arts films.
The principle flaw with Bulletproof Monk is that too many plot elements and characters seem to flow by too quickly. There isn't a lot of time to delve very far into many threads. This gives the film a more superficial feel that should have been solved by lengthening and tightening the focus to give elements at least a typical James Bond film significance and weight. Aspects of the film may also be a bit too clichéd for some viewers tastes.
But you probably wouldn't watch Bulletproof Monk expecting a masterpiece. As a wispy fantasy/action film, geared as much towards adolescents as any other age group, Bulletproof Monk is a rewarding way to spend an hour and a half. I'm a fan of Yun-Fat's work, including this film, and I enjoyed both Scott and Jaime King's performances quite a bit. In fact, I liked the film enough to hope for a sequel.