A retired legal counselor writes a novel hoping to find closure for one of his past unresolved homicide cases and for his unreciprocated love with his superior - both of which still haunt him decades later.
Juan José Campanella
Three interconnected stories about the different strata of life in Mexico City all resolve with a fatal car accident. Octavio is trying to raise enough money to run away with his sister-in-law, and decides to enter his dog Cofi into the world of dogfighting. After a dogfight goes bad, Octavio flees in his car, running a red light and causing the accident. Daniel and Valeria's new-found bliss is prematurely ended when she loses her leg in the accident. El Chivo is a homeless man who cares for stray dogs and is there to witness the collision. Written by
The first cut was longer but Alejandro González Iñárritu was happy with it. After showing it to his friend Guillermo del Toro, this one said to González Iñárritu that he should trim it a little bit, because he see a great movie that could be a master piece, to which the director refused. Del Toro then asked permission to make a shorter cut, which González Iñárritu granted. After seeing his friend's cut, the filmmaker agreed with him and made the final 150 minutes cut. See more »
When Daniel is sitting in his office and phones his wife Julieta before hanging up with out saying anything, his cigarette is down to the butt and close to his fingers before his dials the number, but after he has hung up the cigarette seems to have grown a few inches. See more »
I'll be back around two, okay, hon?
If you never come back it's okay too, bastard.
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To Luciano: Because we also are what we have lost. Special Thanks to: "Abba, Pater" See more »
'Amores Perros' impressed the hell out of me. Three interrelated tales of the darker side of life in contemporary Mexico City, each one as fresh and as fascinating as the last. Each of the three stories are dark, disturbing and filled with humanity. Superbly acted all round, but especially noteworthy is the standout performance by Emilio Echevarria as El Chivo, a political dissident turned hitman, and if the charismatic Gael Garcia Bernal (Octavia, the lovesick dog fighter) isn't an international star in the making I'll eat my words. This brilliant movie shows up the mediocrity of most current Hollywood "product", and to my mind ranks with a small handful of movies made this decade ('Chopper', 'The Pledge', 'The Way Of The Gun') that are truly memorable and with genuine substance. This one is a winner and essential viewing for all movie lovers. A future classic.
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