A retired legal counselor writes a novel hoping to find closure for one of his past unresolved homicide cases and for his unreciprocated love with his superior - both of which still haunt him decades later.
Juan José Campanella
A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
Three interconnected stories about the different strata of life in Mexico City all resolve with a fatal car accident. Octavio is trying to raise enough money to run away with his sister-in-law, and decides to enter his dog Cofi into the world of dogfighting. After a dogfight goes bad, Octavio flees in his car, running a red light and causing the accident. Daniel and Valeria's new-found bliss is prematurely ended when she loses her leg in the accident. El Chivo is a homeless man who cares for stray dogs and is there to witness the collision. Written by
The car crash sequence was shot with nine simultaneous cameras, including two on adjacent rooftops and one hidden in a trash barrel. A stunt driver was in the black car, while the model's car contained a remote-controlled animatronic dummy. A practice run caused the black car to accidentally tear the rear bumper off the model's car, but since it was getting late, it was stuck back on and the shot attempted in toto. This time the model's car spun around, overshot its projected target by at least 100 meters, and smashed into a taxicab parked by the side of the road. This take was used in the final print. See more »
In the bank robbery scene, both Ramiro and the cop have their guns' slide back (as if out of ammo) and in the normal position change multiple times between cuts. See more »
Some people just won't want to sit through this film because of the overtly graphic and disturbing dog fighting scenes, which is ironic, because most people don't seem to mind the graphic violence involving the people in this film. Others simply won't watch it because of the subtitles. This is a shame, since this is by far the best film I have ever seen come out of Mexico (far better and more complex than the comparably immature "Y Tu Mama Tambien"). Here we get an intertwining tale involving dog fights, petty gangsters, a tragically injured model, a cheating husband, an abused teenage wife, and a homeless hit man. As you might expect the homeless hit man becomes the soul of the film, and the dogs serve as a link, reminding us of the violence we inflict upon each other and nature, and the fractured relationships we think beyond repair, but are actually more resilient than we could ever imagine. Brilliantly directed with a great soundtrack and a bigger heart than you might initially perceive, "Amores Perros" is a deep, thought-provoking and utterly enthralling film that you will not soon forget.
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